Trevor Henthorn: Hipster Modular: The Jacumba Sets (AVRCD010)

Trevor Henthorn: Hipster Modular: The Jacumba Sets (AVRCD010)

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[playlist ids="13064"]

Englisch

Jacumba Hot Springs is a census-designated place in the Mountain Empire area of southeastern San Diego County, California with an elevation of 862 meters. The Kumeyaay peoples occupied the Jacumba area prior to European settlement. Then, Ranchers occupied the area in the 19th century and were often in conflict with the Indians. At the turn of the 20th century, the health and relaxation benefits of natural hot springs were commercialized. By 1925 the town had a world class hotel and by the 1930s, Jacumba developed into a top destination. After the new Interstate 8 bypassed Jacumba by two miles, most of the roadside service businesses folded and the community went into economic decline. The Jacumba Hotel closed and was destroyed in an arson fire in 1983 and the ruins stood until 1991. The great public baths closed, the swimming pool was filled in, and the well was capped. The area continues to attract foreign visitors, motorcycle tourists, ravers and hipsters. The 21st century hipster is part of a subculture that values independent thinking, counter-culture, progressive politics, an appreciation of art and indie-rock, creativity, intelligence, witty banter and modular or computer-generated modular-like synthesis. Although “hipsterism” is really a state of mind, it is also often intertwined with distinct fashion, polyrhythms and non-just intonations. Despite misconceptions based on their aesthetic tastes, hipsters tend to be well educated and often have liberal arts degrees, or degrees in maths and sciences, which also require certain creative analytical thinking abilities. Consequently many hipsters tend to hold jobs in the music, art, and fashion industries. It is a myth that most hipsters are unemployed and live off of their parent’s trust funds.

These are the Hipster Modular Jacumba Sets.

Elektronik März 2015
Hergestellt in San Diego County
Schnitt und Mastering von T. Henthorn und J. Kaiser
Zusammengestellt von Hipster Modular
http://WhatIsModular.com
modular@WhatIsModular.com

Zum Export zugelassen
von Pan Handler Production
Trading Co., Ltd. vertrieben

Set

1
2
3
4
5
6
7

Dauer

10:10
10:10
10:10
10:10
10:10
10:10
10:10

Zeitmaß

75-160
98
98
105
132
105
165

henthorn5.1

Die Artefakte inspirierten den Klang:
Vielen Dank an Ray für den Gedankenaustausch.
Vielen Dank an Kaiser für den Generator. Fotografien von Kristina.
Ausrüstung: Ableton, KaiGen, Arturia, Moog, Doepfer, PGH Modular, Soundhack, Make Noise,
Elektron, Cycling ’74, Echo Thief, Max for Cats, Roland, Boss, Avid, DMG Audio, iZotope, DSP-Quattro.

S1 – Stücke 1-3
(10:10 Langsam 75-160 b/m 1.25-2.67 Hz)

S2 – Stücke 4-6
(10:10 Lebhaft 98 b/m 1.63Hz)

S3 – Stücke 7-9
(10:10 Mäßig 98 b/m 1.63 Hz)

S4 – Stücke 10-12
(10:10 Rasch 105 b/m 1.75Hz)

S5 – Stücke 13-15
(10:10 Schnell 132 b/m 2.2Hz)

S6 Stücke 16-20
(10:10 Langsam 105 b/m)

S7 Stücke 21-25
(10:10 Bewegt 165 b/m)

Hörspiel:
Zehn:Zehn x 7
Spielzeit 71 min 10 sek
Kalibrierung -24dB

AVRCD010

William C. Harrington: Urban Electronic Music (AVRCD005)

William C. Harrington: Urban Electronic Music (AVRCD005)

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[playlist ids="13050"]

1. The Overture (5:00)
2. God Bless the Miners (3:40)
3. Enola Gay (4:30)
4. Cuckoo to You (3:57)
5. Belles I (0:40)
6. Remnants (5:14)
7. Jungle Birds (3:03)
8. Days Left (5:16)
9. Organ Song part 1 (6:01)
10. Belles II (2:01)
11. My Guitar (4:04)
12. BOX (3:48)
13. One For Nick (2:55)
14. I Slept Through Vespers (4:53)

Equipment used: Arp 2600, Kawai K4, E-mu Classic Keys, Roland VK-7, CA-30, CM-32L, soprano sax, electric guitar, bowed electric guitar, glass salad bowls, communion bells, cell phone, army bugle, Max/MSP, Radial, GarageBand, vocalizations and loops

Composed, realized, produced and engineered by William C. Harrington
All pieces recorded between 4/05 and 8/05 at the WCH Electronic Music Lab, except Enola Gay which was recorded in 1973 at Cal State Domiguez Hills Electronic Music Lab

Mastered by Scott Fraser at Architecture, Los Angeles, CA
Photos: William C. Harrington • Graphic Arts: Justin Cassidy
© 2006 William C. Harrington, ASCAP • UrbanElectronicMusic.com

William C. Harrington was born January 10th, 1952 in Yonkers, New York. His grandmother played piano at silent movie theaters and had quite an influence on him: by the time he was a sophomore in high school, he was working as a professional musician playing parties, roller-skating rinks, and more.

While at Cal State Dominguez Hills (now UC Dominguez Hills) he studied composition, performance, and electronic music with Richard Bunger, who authored the classic book, “The Well Prepared Piano.”

After leaving college he worked in the wholesale record industry for two years before going on tour. First with Natalie Cole doing lighting, then with Gentle Giant, Frank Zappa (making a brief, credited appearance in Zappa’s movie, “Baby Snakes”), LTD, Rick Derringer, and Rick James, all in various technical positions.

In the 80’s he became the Supervisor of Operations, Videotape Operations, Paramount Pictures Corp. In that capacity, he received four ATAS Emmy certificates for contributions for “Cheers,” one for “The Arsenio Hall Show,” plus one for best sitcom, again, “Cheers.” In 1990 he became a freelance videotape engineer – doing videoasst, 24 frame playback – and Technical Director. Credits have included “Little Black Book” and “Alpha Dog” as well as several sitcoms.

Urban Electronic Music was constructed using loops recorded over a 30-year period, analog and digital synthesis, as well as traditional instruments and found objects.

AVRCD005