Sean Hamilton: Table for One (PFMCD135)

Jeff Kaiser

[playlist ids="3708"]

A collection of improvised vignettes for solo drum set, percussion, and vuvuzela

Currently nowhere,
Carrying nothing.

(Evolvement)
Acquiescence of, the

present
linear
impermanent

burgeon, [blossom]
bloom.

Table for One.

Back:
Table for One
Sean Hamilton

1. Cash Only
2. Value King
3. Solo Sport (1)
4. Energy Vampire
5. Solo Sport (2)
6. Acquiescence Of
7. Cynic Finick
8. Spiral/Summons
9. Acquiescence Of (reprise)
10. Growth/Bloom; Wilt
11. Dusk, Valley
12. Table for One

Table for One is a collection of short improvisations that explore my interests in the drum set as a solo instrument and as a vehicle for the merging of my creative interests that include contemporary classical music, free improvisation, noise, sound art, and electroacoustic music. Several of the takes feature additional traditional and found percussion instruments that are placed on the drums in an effort to expand the timbral possibilities of the kit. Except for a loose length limit, these improvisations were recorded without any predetermined concepts, structures, or forms.
-SH, August 2019

Improvised and recorded live in studio, St. Petersburg, Florida, February 2019

Recorded and mixed by Dan Byers, Rock Garden Recording
Mastered by Wayne Peet, Newzone Studio
Art and Layout by Eli Blasko

www.seanhamiltonmusic.com

PFMCD135
Copyright 2019

Currently on tour!

Sean Hamilton
Glitter City, Denver, CO
Friday, October 4, 7:30pm
$7-10

Sean Hamilton
Casper College, Wheeler Concert Hall
Sunday, October 6, 7:30pm
(Recital)
125 College Dr, Casper, WY 82601

Sean Hamilton
Casper College, Room 116, Music Building,
Monday, October 7, 12:00pm
(Clinic)
125 College Dr, Casper, WY 82601

Sean Hamilton
Duluth, MN
Wednesday, October 9

Sean Hamilton
Khyber Pass
Thursday, October 10
$10
1571 Grand Ave, St Paul, MN 55105
https://khyberpasscafe.com/

Sean Hamilton
Fermentation Fest, Reedsburg, WI
Saturday, October 12
https://www.fermentationfest.com/

Sean Hamilton
Elastic Arts
Sunday, October 13, 9:00pm
$10
3429 W Diversey #208, Chicago, Illinois 60647
http://www.elasticarts.org

Sean Hamilton
Phoenix510, Detroit, MI
Wednesday, October 16

Sean Hamilton
Slippery Rock University
Thursday, October 17, 7:30pm
(Recital)
Swope Music Hall, 1 Morrow Way, Slippery Rock, PA, 16057

Sean Hamilton
Slippery Rock University
Friday, October 18, 3:00pm
(Clinic)
Swope Music Hall, 1 Morrow Way, Slippery Rock, PA, 16057

Sean Hamilton
Penn State University
Sunday, October 20
(Recital)
Esber Hall
Music Building I, University Park, PA 16802

Sean Hamilton
Penn State University
Monday, October 21
(Clinic)
122 Music Building II University Park, PA 16802

Sean Hamilton
Fuse Factory
Friday, October 25
13 E. Tulane Rd. Columbus, OH, 43202
http://thefusefactory.org/

Sean Hamilton
James Eads Howe Memorial Cinema,
Tuesday, October 29
145 Woodland Ave, Lexington, Kentucky 40502
https://www.facebook.com/The-James-Eads-How-Memorial-Cinema-321168224689519/

Sean Hamilton
Proper Sake, Nashville, TN
Friday, November 1
628 Ewing Ave, Nashville, TN 37203
https://www.propersake.co/

Michael Vlatkovich: Myrnofant’s Kiss (PFMCD095)

Jeff Kaiser

[playlist ids="924"]

Myrnofant’s Kiss

michael vlatkovich—trombone • david mott—baritone saxophone
jonathan golove—electric cello • christopher garcia—drums

1) no victims just volunteers 07:07
2) stop scaring the toddlers and farm animals 05:17
3) hold on to your chair watch out for snakes 04:51
4) myrnofant’s kiss 05:17
5) on the corner of a purple saturday 06:14
6) an illness with a countdown 05:01
7) leave the worrying to the professionals 07:03
8) a tree falls in the forest while an orange rolls in circleswatching a pickle kiss a banana goodbye 08:00

producer: peter lutek
recorded and mixed: peter lutek, toronto, ontario
front cover: william roper
design: jeff kaiser
all compositions © 2016, m. vlatkovich/julius ivory music, ascap

pfMENTUM CD095
PFMCD095

Michael Vlatkovich: Mortality (PFMCD091)

Jeff Kaiser

[playlist ids="569"]
ensemblio:
michael vlatkovich: trombone
dan clucas: trumpet
jill torberson: french horn
bill plake: tenor sax
david riddles: bassoon, flute, soprano sax, clarinet
andrew pask: alto sax, bari sax, bass clarinet
bill roper: tuba, bombardondino
harry scorzo: violin
jonathan golove: cello
tom mcnalley: guitar
dominic genova: bass 
wayne peet: piano, keyboard
carol sawyer: voice
ken park: all percussion

[NOTE: do to a printing error, track 4 was left off the package. What you see below is correct.]

1. adeptly disguised as chairs and tables the audience listened quietly — 9:08
2. as quickly as it came — 6:31
3. or do you have change for a $20 — 5:25
4. out of the wall and into the night — 5:27
5. sometimes a red nose and big shoes aren’t enough — 2:33
6. mortality — 11:32
7. hiding out as a verb — 5:49
8. goodbye — 7:06

© 2015 julius ivory music, ascap
music composed m vlatkovich
recorded 2014 wayne peet engineer
edited mixed and mastered sept. 2014
front photo chuck britt
back photo bill roper
design jeff kaiser

pfMENTUM CD091

PFMCD091

Odeya Nini: Vougheauxyice (Voice) (PFMCD083)

Jeff Kaiser

[playlist ids="551"]
Vougheauxyice (Voice)

Odeya Nini: Voice

1. Mi See Ti 3:37
2. Dalai 6:16
3. Everyday Cantor 3:07
4. Idiomia 4:35
5. Tunnel 6:22
6. Tapestry of Synonyms 6:34
7. There Are So Many Things That I Have To Tell You 9:52
8. Cyclicality 6:36

1-4 were recorded in a private home in Joshua Tree, CA, September 25, 2012.
5 was recorded in an aqueduct in San Francisquito Canyon, CA, April 1, 2013.
7 was recorded at California Institute for the Arts, June 2012.

All tracks except 7 were recorded and mixed by Justin Asher
7 was recorded and mixed by Brian Saia
6 was edited by Odeya Nini
Mastered by Joe Panzner

Except for track 6, all of the pieces are in a single take, no editing. 1-5 are compositions with an open form. There is a compositional road map, but they are not performed the same way twice. 7 and 8 are improvised. Several microphones where set up in the space for 1-5, allowing for the voice to be recorded with movement and gesturing.

Photography – Adeline Newmann and Odeya Nini
Design and layout – Thea Lorentzen
Art – Saul Alpert Abrams

NOTES:

Vougheauxyice (Voice)

The voice is an instrument that both listens and reveals. It takes from all that is around us and all that is inside us as it communicates a free and composed response outward. In this work I explore the language of the voice like a dancer. I think of shape, form, gesture and the vast range of motion in the voice’s movement through space. The voice is often thought of as intangible, but in this work I try to mold its natural physical tendencies, sensing its vibrations, and feeling the touch of its waves on my skin and in my bones.

Mi See Ti

A simple melody alluding false solfege syllables that repeat themselves, diverging more and more. A play with forms of interpretation from contained and proper, to unruly swells.

In performance this piece incorporates theatrical elements, changes of facial expression and a collapsing of the body to the floor between each iteration. It questions ideas of beauty in the voice, presentation, intention, the relationship and cohesion (or negation) of the body’s expression simultaneous to the expression of the voice, and the role of the singer as an exhibitionist.

Dalai

Dalai was written while spending time in Mongolia in the summer of 2012. I learned that the meaning of the word Dalai, that we know so well from Dalai Lama, means ocean in Mongolian. Traveling in the Gobi desert, the power of the wind was omnipresent, and absolutely striking to me. It was possible to see the storms and changes of weather traversing the endlessly flat desert from miles away—often surprisingly quick—bringing gusts more powerful than I had ever experienced. Every turn of the head gave variation to the sound of the howling wind: so violent at times and peaceful in its aftermath. The obsession with wind was an easy to acquire, the more I listened, the more I realized the sound of crashing waves and the ocean’s movements were the sounds of wind. In a landlocked country such as Mongolia, I sensed the ocean all around me. Wind, ocean, breath.

Everyday Cantor

Everyday Cantor features voice and field recording. The sounds of sacred song in the everyday act of showering. Is there a difference between singing in a cathedral or singing under the shower head? The devotional voice reveals itself and then becomes drenched in everyday simplicity.

Idiomia

Inspired by random sequences of bird calls and the meaning that comes out of non verbal sonic communication. The answer is in the ear of the beholder. The voice has dynamic expression, calls, yells, gentle flutters, overtones, ingressive and egressive breathing. What is it saying? The mind wants to distill the voice, but allow it to migrate.

Tunnel

Tunnel is an improvisation on a traditional Yemenite Jewish folk song called Tzur Manoti. My Yemenite roots have always been strong in me, I see them on my face, and hear them in my voice. I often question how I fit along the continuum of my spiritually devoted ancestors, having arrived at this experimental art form. In this song I find a passageway between who I am today and the narrative of kindred souls. The result is a contemporary translation which keeps me present in my explorations (and realizations) of free form, allying me with my deep past.

Tapestry of Synonyms

We are what we hear. A collage of field recordings collected over the last four years including goats, monks, trains, plates, horses, helicopters, microwaves, wind storms, rain on tents, creaking cabinet doors, dragging chairs, tin foil crumbling, fire crackling, locks clacking, teeth brushing, family and friends from California, New York, Mexico, Mongolia Italy and Israel.

The collection of textures from our environment are juxtaposed with the voice, which we often do not consider as related. However, whether in texture or song, we do find part of our surroundings, mimicking, blending, connecting.

There is only reverb added to some of these field recordings. Besides being sliced and pasted, there are no other manipulation or altering effects.

The voice of Archie Carey, my grandmother Rachel Nini and my parents David and Tamar Nini are included.

There Are So Many Things that I Have To Tell You

Language can be tricky, slippery and twofold. This piece is a stream of consciousness improvisation with words, surfacing moods and thoughts otherwise submerged.

I sit in front of my loop pedal and amp, not knowing what stories will emerge, and allow them to flow. No story quite like the last, It is always a new and exciting journey.

Cyclicality

One voice layers on another, and another and another, shifting, morphing, coasting.

Beneath all these layers, I am still only one.

Thank you to all these wonderful people and places who created this album with their patient and skillful talents, generosity, inspiration and love. Endless gratitude.

Justin Asher, Joe Panzner, Brian Saia, Julie Tolentino + Feral Studios, CalArts, Adeline Newmann, Saul Alpert Abrams, Thea Lorentzen, Pieter Performance Space, Gerry Hemingway (for teaching me that music is sound in time), and ALL the incredible people who supported this album on Kickstarter.

Thank you to my dear family, Achinoam, Roy, Sharra, to my grandmother Rachel whose voice of many lives always plays in my ear, and especially to my parents David and Tamar Nini for their endless unquestioning love and support. My voice is your voice.

. . . and to Archie, for absolutely everything. This album is for you.

pfMENTUM CD083

PFMCD083

Jeff Kaiser and Phil Skaller: Endless Pie (PFMCD072)

Jeff Kaiser

[playlist ids="528"]
Endless Pie is…
Jeff Kaiser: trumpet, flugelhorn, voice, electronics
Phil Skaller: prepared piano

Two CDs:
Total run time 109 minutes

Recorded live in Studio A
University of California San Diego, November 21-22, 2010
Recording engineers: Joe Kucera and Clint Davis

Mixing, mastering, design: Jeff Kaiser, July 2012

All compositions © 2012:Jeff Kaiser Music, ASCAP • Phil Skaller, ASCAP

Blueberry (Disc One)

1. Unchangeable Fundament 13:15
2. Image of a Punctiform 3:35
3. People from the Machinations 8:50
4. Two Unknowns, the One Being 6:07
5. Galileo Uses Propaganda 6:39
6. Anticipated by Bacon 4:42
7. No Immediate Theoretical 3:36
8. Alongside a Moving Tower 3:42

Cherry (Disc Two)

1. The Puppet Does Not Have a Soul 14:54
2. Backward Intersection 5:29
3. Occured without Noticeable 2:37
4. Absence of any Proper Notion 5:29
5. Behave Very Much Like After-Images 7:44
6. We Must Retain 6:34
7. The Problem of Telescopic Vision 2:27
8. As Some Relics 6:04
9. Well-Determined Exceptions 1:31
10. This Paratactic 5:19

pfMENTUM CD072

PFMCD072

Michael Vlatkovich Ensemblio: An Autobiography of a Pronoun (PFMCD067)

Jeff Kaiser

[playlist ids="518"]
Michael Vlatkovich, compositions and arrangements

Harry Scorzo: violin
Jonathan Golove: cello
Anders Swanson: contrabass
Brian Walsh: clarinet
Jeff Kaiser: trumpet
Michael Vlatkovich: trombone/percussion
William Roper: tuba/euphonium/cimbasso
Tom McNalley: guitar
Wayne Peet: keyboard
Ellington Peet: cymbal
Mark Burdon: percussion

Recorded, edited, mixed and mastered by Wayne Peet at Killzone Studio
Cover art by Michael Vlatkovich; Photo by Tom Woodbury
Graphic design by William Roper
pfMENTUM CD067
PFMCD067

Michael Vlatkovich Quartet: ALiveBUQUERQUE (PFMCD045)

Jeff Kaiser

[playlist ids="456"]
Michael Vlatkovich

Christopher Garcia: drums/percussion
Jonathan Golove: electric cello
David Mott: baritone saxophone
Michael Vlatkovich: trombone/percussion
Compositions:
1) Black Triangles, Yellow Corn, and Pink Medicine Drops 12:28
2) Poem on a Banner 9:53
3) Blue Fragments 7:28
4) Once In A Blue Moon A Decent Wolf Comes Along 9:23
5) Every Second of Every Minute of Every Hour 17:36
total: 57:02

Recorded in concert- Outpost Performance Space May 19, 2003
Recorded and mixed- Manuel Rettinger
Edited and mastered- Wayne Peet
Sculpture artist- Justo Xuana
Photos of sculpture-William Roper
All other photos- Mark Weber
Graphic design- Chuck Britt

Surely we have arrived Nefertiti. Such luminescence. Our
audience brings us forward, carrying our transcendence.
Our fate. This music like mercury silver hot upon the wheel
cycles out tentacled delicate flux rotating matter, solar,
nebraska, consonance in this tangential place ye shall
know as New Mexico. How many years has this composer
borne such honesty? The river it flows upon is specific.
Yet nothing about it holds the musicians down. There is
chance, and probability, and negotiation, and a compass
in case anybody wants to look. The delta can be treacherous
at certain times of the year. O Nefertiti how calm you are
in the center of this music.

18june03
mark weber
Albuquerque

pfMENTUM CD045

PFMCD045

Brad Dutz: Nine Gardeners Named Ned (PFMCD026)

Jeff Kaiser

[playlist ids="414"]
BRAD DUTZ: mallet percussion, hand percussion
CHRIS WABICH: drumset, steel drum, percussion
KIM RICHMOND: Bb clarinet
BOB CARR: bass clarinet
SARA SCHOENBECK: bassoon
ELLEN BURR: C flute, alto flute, piccolo
JOHN FUMO: trumpet, piccolo trumpet
KRIS TINER: trumpet, flugelhorn #4, #8, #9
WILLIAM ROPER: tuba, spoken word
TREY HENRY: acoustic bass
DEAN TABA: acoustic bass #4, #6, #8, #9
ANDERS SWANSON: acoustic bass solo #1
JASPER DUTZ [age 9]: bass clarinet, Bb clarinet

1. Look at the pretty weeds…they’re dead 13:38
2. Rotted vegetables…too late to pick 3:45
3. Rotted fruit…infested with insects 6:07
4. Distribute fertilizer…evenly 5:56
5. I like brown leaves especially when they’re torn 11:54
6. Leaf blowers are stinky…and loud 2:31
7. Norbert rakes bark…and mulch 7:58
8. Wicked late for nite blooming…but not dusk 6:16
9. Plant the bulbs…frequently 3:47

all compositions by Brad Dutz • (c) 2005, leakyspleen music, BMI
recorded by BRAD DUTZ 2003-2004
mixed and mastered by WAYNE PEET at NEWZONE, july 2004-jan 2005
cover cartoons: JASPER DUTZ • layout and design: KAORU MANSOUR and JEFF KAISER
thanks to: YAMAHA, VIC FIRTH, PAISTE, REMO, MOUNTAIN RYTHYM

 

NINE GARDENERS NAMED
1. Look at the pretty weeds…they’re dead
Kim Richmond-clarinet [solo]; John Fumo-trumpet [solo]; Sara Schoenbeck-bassoon [solo]; Anders Swanson-acoustic bass [solo]; Brad Dutz-vibes, marimba, crotales, bongos, cajon bongos, gong; Chris Wabich-drumkit; William Roper-tuba; Bob Carr-bass clarinet; Ellen Burr-flute; Trey Henry-acoustic bass
2. Rotted vegetables…too late to pick
Bob Carr-bass clarinet; Ellen Burr-alto flute; Brad Dutz-marimba; Sara Schoenbeck-bassoon; Kim Richmond-clarinet; text created and spoken by William Roper-tuba
3. Rotted fruit…infested with insects
same as above plus Chris Wabich-perc; featuring William Roper
4. Distribute fertilizer…evenly
Chris Wabich-steel drum [solo]; Jasper Dutz-bass clarinet;
Ellen Burr-flute; Dean Taba-acoustic bass; Kris Tiner-trumpet;
Brad Dutz-repique jamau, vibes, darabuka, cymbals, crotales Hadjira, khol; Ellen Burr-flutes
5. I like brown leaves especially when they’re torn
Chris Wabich-drumkit, percussion, steel drum [solo]; Brad Dutz-xylophone, congas, bongos, darabuka, marimba [solo]; Bob Carr-bass clarinet [solo]; Ellen Burr-flute; Trey Henry-acoustic bass; John Fumo-trumpet; Sara Schoenbeck-bassoon; Kim Richmond-clarinet; William Roper-tuba
6. Leaf blowers are stinky…and loud
Brad Dutz-marimba, vibes; Ellen Burr-flute;, Dean Taba-acoustic bass; William Roper-tuba; Jasper Dutz-bass clarinet, Bb clarinet;
John Fumo-trumpet
7. Norbert rakes bark…and mulch
Ellen Burr-piccolos [solo]; William Roper-tuba; John Fumo-piccolo trumpet; Sara Schoenbeck-bassoon; Bob Carr-bass clarinet; Kim Richmond-clarinet; Brad Dutz-piccolo snare, field snare, orchestra bells, bass drums, piatti, snare drum; Chris Wabich-piccolo snare, field snare, bass drum, piatti, snare drum
8. Wicked late for nite blooming…but not dusk
Sara Schoenbeck-bassoon; Bob Carr-bass clarinet; Kim Richmond-clarinet; Dean Taba-acoustic bass; William Roper-tuba; Kris Tiner-trumpet; Brad Dutz-vibes, crotales, cymbals, xylophone; Ellen Burr-flutes
9. Plant the bulbs…frequently
Sara Schoenbeck-bassoon; Bob Carr-bass clarinet; Kim Richmond-clarinet; Dean Taba-acoustic bass; William Roper-tuba; Kris Tiner-trumpet; Brad Dutz-marimba, xylophone; Ellen Burr-flute, piccolo; Chris Wabich-steel drum

pfMENTUM CD026

PFMCD026