Jeff Kaiser / David Borgo: KaiBorg: Vibrant Matters (PFMCD100)

Jeff Kaiser

VIBRANT MATTERS
KAIBORG

Jeff KAIser
David BORGo

KaiBorg – Vibrant Matters from Jeff Kaiser on Vimeo.

Purchase CD at the bottom of the page, digital copies here:

1. Instropomorphize 4:01
2. Vibrant Matters 11:35
3. Deep-End-and-See 9:08
4. Semioterial 13:52
5. N-Tangled 3:37
6. Materiotics 2:33
7. Undercurrents and Overtones 1:51
8. Heiranarchy 7:56

David Borgo: soprano saxophone, dudukophone (4), raj nplaim (4), double duct flute (4), skatchbox (4), chromatic tambin (5), futujara (7), and live computer processing

Jeff Kaiser: quartertone trumpet and live computer processing

Recorded live at University of California San Diego’s Studio A by Josef Kucera, February 19-20, 2016

Mixed and Mastered by Jeff Kaiser with David Borgo at pfMENTUM World Headquarters, February, 2017

All music ©2017 David Borgo Music, ASCAP and Jeff Kaiser Music, ASCAP

kaiborg.com • davidborgo.com • jeffkaiser.com

pfMENTUM CD100
www.pfmentum.com

Matty Harris Double Septet (PFMLP093)

Jeff Kaiser

[This is page is for ordering the VINYL VERSION.]

[playlist ids="969"]

Matty Harris Double Septet

Side A

1) Party Time 11:19

2) 10,000 Kimmys Gibbler 06:48

Side B

3) Cockapoo Army 08:37

4) Oh, A Little Day Trip Around the Crunch 08:54

Personnel:

Soprano and straight alto saxophones, contra-alto clarinet: Vinny Golia

Soprano, straight tenor and sopranino saxophones, bass clarinet: Matty Harris

Soprano saxophone: Paul Novros

Soprano and baritone saxophone: Ryan Parrish

Soprano and sopranino saxophones, piccolo: Joe Santa Maria

Trumpets: Louis Lopez, Brandon Sherman, Greg Zilboorg

Drum Sets: Tim Carr, Michael Lockwood

Contrabasses: Nathan Phelps, Jake Rosenzweig

Fender Rhodes: Garret Grow

Baritone Guitar: Maxwell Gualtieri
Recorded January 14, 2015 by John Baffa and Todd Hannigan at Brotheryn Studios in Ojai, CA

Mixed January – June 2015 by John Baffa at TV Tray Studios in Ventura, CA
Mastered July 16 2015 by Ron McMaster at Capitol Studios in Hollywood, CA

Produced by Maxwell Gualtieri

Graphic Design by Jacob Halpern

PFMCD093

Matty Harris Double Septet (PFMCD093)

Jeff Kaiser

[This is page is for ordering the CD.]

[playlist ids="969"]

Matty Harris Double Septet

Side A

1) Party Time 11:19

2) 10,000 Kimmys Gibbler 06:48

Side B

3) Cockapoo Army 08:37

4) Oh, A Little Day Trip Around the Crunch 08:54

Personnel:

Soprano and straight alto saxophones, contra-alto clarinet: Vinny Golia

Soprano, straight tenor and sopranino saxophones, bass clarinet: Matty Harris

Soprano saxophone: Paul Novros

Soprano and baritone saxophone: Ryan Parrish

Soprano and sopranino saxophones, piccolo: Joe Santa Maria

Trumpets: Louis Lopez, Brandon Sherman, Greg Zilboorg

Drum Sets: Tim Carr, Michael Lockwood

Contrabasses: Nathan Phelps, Jake Rosenzweig

Fender Rhodes: Garret Grow

Baritone Guitar: Maxwell Gualtieri
Recorded January 14, 2015 by John Baffa and Todd Hannigan at Brotheryn Studios in Ojai, CA

Mixed January – June 2015 by John Baffa at TV Tray Studios in Ventura, CA
Mastered July 16 2015 by Ron McMaster at Capitol Studios in Hollywood, CA

Produced by Maxwell Gualtieri

Graphic Design by Jacob Halpern

PFMCD093

John Blevins: Matterhorn (PFMLP092)

Jeff Kaiser

[playlist ids="765"]

John Blevins: Matterhorn

(Please note: this is for the VINYL version, the CD version is here.)

Side A:
1. Identity Theft
2. Unaware
3. Brink
4. Nascent

Side B:
1. Little Dickens
2. See
3. Breathe
4. Hear

John Blevins – Trumpet
Drew Williams – Tenor Saxophone
Brad Mulholland – Alto Saxophone/Flute/Clarinet
Nick Grinder – Trombone
Marta Sanchez – Fender Rhodes
Jeff Mclaughlin – Guitar
Marty Kenney – Bass
Nathan Ellman-Bell – Drums/Percussion
John Doing – Congas

Produced by John Blevins and Shane Endsley

Recorded at Grand Street Recording in Williamsburg, Brooklyn by Jake Lummus on July 21 and 22, 2014

Edited and mixed by Jake Lummus and John Blevins, Autumn 2014

Mastered by Liberty Ellman on December 12, 2014

All compositions © and& ℗ 2015 John Blevins Music (ASCAP)

Original artwork and design by Sam Gezari

THANK YOU to Nathan, Marty, Jeff, Nick, Drew, Brad, Marta, and John for their dedication to this music. It’s an honor to play with you.

Special thanks to Shane Endsley, Jake Lummus, Liberty Ellman, Leah Jubara, Matt Hurley, Simon Yu, Sam Gezari, Daniel Stessen, and to Bill Jubara and everyone who supported this project on Kickstarter. Special thanks to my loving, supportive family and especially to Amanda.

For Ray and Howell.

pfMENTUM LP092

PFMLP092

John Blevins: Matterhorn (PFMCD092)

Jeff Kaiser

[playlist ids="765"]

John Blevins: Matterhorn

(Please note: this is for the CD version, the vinyl version is available here.)

1. Identity Theft
2. Unaware
3. Brink
4. Nascent
5. Little Dickens
6. See
7. Breathe
8. Hear
9. See (alternate take)

John Blevins – Trumpet
Drew Williams – Tenor Saxophone
Brad Mulholland – Alto Saxophone/Flute/Clarinet
Nick Grinder – Trombone
Marta Sanchez – Fender Rhodes
Jeff Mclaughlin – Guitar
Marty Kenney – Bass
Nathan Ellman-Bell – Drums/Percussion
John Doing – Congas

Produced by John Blevins and Shane Endsley

Recorded at Grand Street Recording in Williamsburg, Brooklyn by Jake Lummus on July 21 and 22, 2014

Edited and mixed by Jake Lummus and John Blevins, Autumn 2014

Mastered by Liberty Ellman on December 12, 2014

All compositions © and& ℗ 2015 John Blevins Music (ASCAP)

Original artwork and design by Sam Gezari

THANK YOU to Nathan, Marty, Jeff, Nick, Drew, Brad, Marta, and John for their dedication to this music. It’s an honor to play with you.

Special thanks to Shane Endsley, Jake Lummus, Liberty Ellman, Leah Jubara, Matt Hurley, Simon Yu, Sam Gezari, Daniel Stessen, and to Bill Jubara and everyone who supported this project on Kickstarter. Special thanks to my loving, supportive family and especially to Amanda.

For Ray and Howell.

pfMENTUM CD092

PFMCD092

VINNY GOLIA: EVEN TO THIS DAY…: MOVEMENT ONE: INOCULATIONS (PFMCD145)

Jeff Kaiser

VINNY GOLIA
EVEN TO THIS DAY…
MOVEMENT ONE: INOCULATIONS

MUSIC FOR ORCHESTRA AND SOLOISTS

[playlist ids="13222"]

(Inoculation: to inoculate)

This applies to vaccinating against the coronavirus and to mentally preparing ourselves to be strong against the onset of paranoia, boredom, depression, isolation, apathy, and all of the other symptoms of this disease that we did not anticipate.

Even to this day… comprises three movements. Movement One: Inoculations, which you are listening to now, is for orchestra and 21 improvisers. The complete length of Inoculations is 10 hours and 32 minutes and consists of 12 individual Modules. The second movement, Part Two: Syncretism: for the draw… is for metal band and orchestra and will be released in early 2022. Finally, as yet unnamed, the third movement for symphony orchestra and large ensemble with improvisers will be completed at the end of 2022.

I started writing Even to this day… for my 75th birthday a year before it was to happen at the request of Rent Romus, who was organizing a concert of 75 musicians to perform the piece, unaware that Covid lurked around the corner. The performance never happened. So, I decided to go for what I wanted using real and virtual musicians performing composed music combined with improvisation—which always seems to be the best way to get what I want musically—a blend of serenity, intensity, and stability that shifts like the sands in a desert. And, as I wanted to have many of the West Coast musicians I play with represented in the music, I came up with a plan to have soloists play over a large and continually changing symphonic setting.

Even to this day… includes soloistic journeys, short interludes, transitional forms, and improvisations involving orchestral textures. Performed live, I would have used a combination of conducting techniques I have been refining since the first concert of the Vinny Golia Large Ensemble in 1982. Unfortunately, I could not do this live because of Covid restrictions and instead created an alternate composition system to supplant and expand on those techniques. Our West Coast community of creative musicians is vast and intensely innovative, and from this communal pool, I used improvisers accustomed to performing New Music and freer forms of improvisation. Specific compositions showcase their creative talents, resulting in a myriad of improvisational approaches. For the listener, the modules within each movement can be arranged in any order but are best listened to in their original order as the compositions within each module accent each other.

Movement One: Inoculations is the first part of over a year’s worth of work on Even to this day… The movement is a direct response to Covid, reflecting feelings and thoughts while locked down or “safer at home” for 15+ months now. With so much discord in the world at the moment, the chance for a few of us to collaborate on something positive seemed a great way to fight back, peacefully, against the malaise of fear, uncertainty, isolation, hostility, and depression. So, this orchestral project started in March 2020 is now ready to add the final component, the listener…

12 CD SET WITH FEATURED SOLOISTS:

Steve Adams—Sopranino and Alto Saxophones, Alto and Bass Flutes, and Electronics • Matt Barbier—Euphonium and Trombone • Kyle Bruckmann—Oboe, English Horn, and Electronics • Dan Clucas—Cornet • Clint Dotson—Drums • Tim Feeney—Percussion • Ken Filiano—Bass • Randy Gloss—Hand Drums and Electronic Percussion • Nathan Hubbard—Drums and Percussion • Jeff Kaiser—Trumpet and Electronics • Ellington Peet—Drums • Wayne Peet—Piano, Organ, and Synth • Vicki Ray—Prepared Piano • Sarah Belle Reid—Trumpet and Electronics • Steven Ricks—Trombone and Electronics • William Roper—Bombardondino, Tuba, and Extemporaneous Spoken Word • Derek Stein—Cello • Cassia Streb—Viola • Brian Walsh—Bb, Bass, Contralto, and ContraBass Clarinets • Miller Wrenn—Bass • Vinny Golia—Woodwinds, Gongs, and Singing Bowls

Module 1 — Observation

Module 2 — Belief

Module 3 — Goals-analyzation and clarification

Module 4 — Determination

Module 5 — Identification and Orientation

Module 6 — Skills and Knowledge (qualities and abilities)

Module 7 — Collaborations

Module 8 — The Plan

Module 9 — Visualizations

Module 10 — Persistence

Module 11 — Action and Decision

Module 12 — Needs and Uses

All Compositions and Arrangements by Vinny Golia ©2021 Ninewinds, BMI

Trapezoid by Randy Gloss • Recorded by Wayne Peet and Vinny Golia (with additional remote recording by solo artists) • Recorded from March 2020 to August 2021 • Edited, Mixed, and Mastered by Wayne Peet • Produced by Vinny Golia and Wayne Peet • Disc Artwork by Steuart Liebig • Cover Design and Artwork by Ted Killian • Special thanks to Wayne Peet, Kathy Carbone, Jeff Kaiser, California Institute of the Arts, and all the performers on this project.

A joint release of Ninewinds Records and NWCD450 / PFMCD145

VINNY GOLIA
EVEN TO THIS DAY…
MOVEMENT ONE: INOCULATIONS

MUSIC FOR ORCHESTRA AND SOLOISTS

Module 1

Observation

1. Moai 3 VC — BS • Soloist: Vinny Golia — Contrabass Clarinet

2. CB Flute Real One — Explained1 • Soloist: Vinny Golia — Contrabass Clarinet

3. 2 — 9 Dizzy 2 — A dedication

4. Moai 3 — 5 Middle section • Soloists: Kyle Bruckmann — Eng Hrn; Matt Barbier — Trom

5. From the Ancient Race • Soloists: Vinny Golia — Alto Sax; Dan Clucas — Cornet

6. Project — 1 — Transition • Soloists: Vinny Golia — Baritone Saxophone, Gongs; William Roper — Tuba; Nate Hubbard — Drums

7. The Real One

8. Brass — As played on the Nagra • Soloists: Vinny Golia — Sopranino Saxophone; Dan Clucas — Trumpet

9. Escape from the lab, Professor Deemer doesnít make it • Soloist: Vinny Golia — Gongs

10. Hand me Lieutenant Liu’s notebook of justice… • Soloist: Vinny Golia — Ram’s Horn, Eb Clarinet, Baritone Saxophone

11. Toolboxes and tradeoffs — For Pete Edwards • Soloist: Vinny Golia — C Flute

12. No horn Intro,…, just kidding • Soloist: Dan Clucas — Trp

13. So many forms, the low frequencies • Soloists: Wayne Peet — E Piano; Ellington Peet — Drums

14. For Art, the hole puncher • Soloists: Vinny Golia — Contrabass Clarinet, Gong; Brian Walsh — Bass Clarinet; Tim Feeney — Perc

Module 2

Belief

15. The Rams Horn Moai, a gift from Peru • Soloist: Vinny Golia — Ram’s Horn, Tenor Sax, G and F Mezzo — Soprano Sax, Bells

16. Not Pelham, (the Throwback!). • Soloists: Wayne Peet — Synth; Ellington Peet — Drums

17. It’s a jumble out there! • Soloist: Tim Feeney — Perc

18. letters to Francis • Soloists: Vinny Golia — Soprano Saxophone; Miller Wrenn — Bass

19. The complete Hermann • Soloists: Sarah Reid — Trp and FX; Tim Feeney — Perc

20. The first time I heard that • Soloists: Vinny Golia — Xiao; Tim Feeney — Perc

21. Encomium • Soloists: Vinny Golia — Singing Bowls; Brian Walsh — Bass Clarinet; Randy Gloss — Bendir Drum

22. 2 — 7 — 3 — sracps — 2

23. 1 — 18 strgs whole — No Mayo • Soloist: Vinny Golia — Tenor Saxophone, Contrabass Clarinet

24. 2 — 7 — 3 — sracps — The Original

Module 3

Goals — Analyzation and Clarification

25. For John… • Soloist: Vinny Golia — Tenor Saxophone

26. Low Toaani • Soloist: Wayne Peet — Organ and FX

27. Locus — 2 • Soloist: Brian Walsh — Clarinet

28. Xiphoid • Soloists: Steve Adams — Sopranino Saxophone, William Roper — Bombardondino (Travel Tuba)

29. Yet another, New Vamp Tune

30. Message from Time • Soloists: Sarah Reid — Trp and FX; Derek Stein — Cello

31. The battle of Tibet — Circa 1943 • Soloist: William Roper — Bombardondino (Travel Tuba)

32. From the Ancient Race; Symbolism • Soloists: Vinny Golia — Bb Clarinet; Clint Dodson — Drums

33. Warp and Woof (on the road to Georgia) • Soloists: Jeff Kaiser — Trp; William Roper — Vocal

34. The Attic of the Unknown Foe, for Mr. Martin • Soloist: VG — Eb Clarinet, Ab Clar, Contrabass Clar, Basset Horn, Gongs and Bowls

35. Low Toaani — Part Two • Soloist: Sarah Reid — Trp and FX

Module 4

Determination

36. Easy to Sneak Up On

37. Doctor Savaard explains his theory eloquently, but no ones listens

38. Dizzy — a second dedication because he deserves it!

39. nmae later, (not a typo…) • Soloist: Jeff Kaiser — Trp and FX

40. Kyle! • Soloist — Kyle Bruckmann — English Horn

41. Intro Drake — 1 — 2 • Soloists: Vinny Golia — Bass Clarinet; Randy Gloss — Tabla

42. Who is Gladys Glover? — Bass; Nate Hubbard — Drums

43. Not Hardly… • Soloist: Jeff Kaiser — Trp

44. 1 — 14 Solo Section 2 • Soloists: — Vinny Golia — Bass Saxophone; Nate Hubbard — Drums

45. In France you sit on long items shaped like canoes — for Barre • Soloist: Dan Clucas — Cornet

46. For Vicki • Soloist: Vinny Golia — Contraalto Clarinet; Vicki Ray — Piano

47. Trapazoid • Soloist: Randy Gloss — Frame Drum

48. Mr. Fletcher now heads towards Mexico to find his first move,…or else, it ís up to him • Soloist: Ken Filiano — Bass

49. 1 — 9 31120 not exactly Vlatkovich, (title wise…) • Soloist: Steven Ricks — Trom

50. 1 — 5 bridhge to solos • Soloists: Vinny Golia — G — Piccolo; Tim Feeney — Perc

Module 5

Identification and Orientation

51. Shadow

52. Vicki 2 • Soloist: Vicki Ray — single track of prepared piano with E — Bow

53. By which they lead • Soloists: Miller Wrenn — Bass; Tim Feeney — Perc

54. About three more days, give or take a day or two

55. Ken • Soloist: Ken Filiano — Bass

56. The return of Tyler Bob! (I know that guy!)

57. “Hey Cosmo, How you Doin’…doin’ ok…” — for Fumo

58. Your devotion to etiquette is admirable but your methods leave much to be desired

59. The Wilhelm Scream (not alligator shoes I hope!) • Soloists: Vinny Golia — Baritone Saxophone; Randy Gloss — Daf

60. He’s the only one that’s happy!

61. In Between The Winds • Soloist: Brian Walsh — Clarinet

62. Indeterminate growth • Soloist: Tim Feeney — Perc

63. Dixie Cups and Strings • Soloists: Derek Stein — Cello; Miller Wrenn — Bass

64. The Solution • Soloist: Steve Adams — Electronics

Module 6

Skills and Knowledge (qualities and abilities)

65. Try This One On

66. nmae again, later • Soloists: Ken Filiano — Bass and FX

67. Time Change

68. The Octopus boy, (good work Rachel)

69. Trpt Partial

70. It must fall out of my formation circle

71. The Octopus boy; retake • Soloist: Wayne Peet — Organ

72. All is lost, All is lost! • Soloists: Wayne Peet — Synth; Steve Adams — Alto Sax; Nate Hubbard — Drums

73. And it’s also the name of a man who operates hotels

74. Mead and various secrets from the island • Soloists: Steve Adams — Bass Flute; Randy Gloss — Frame Drum and Metal Perc

75. The Internet is always open • Soloist: Derek Stein — Cello

76. And, Have A Nice Day, (Or Else!) • Soloist: Dan Clucas — Trp

77. It’s Douner Stieglitz camera lenses!

78. An Arc of Electricity • Soloist: Jeff Kaiser — Trp and FX

79. From the Ancient Race; Electrodes • Soloists: Wayne Peet — Piano; Clint Dodson — Drums

80. Lonely wind • Soloists: Cassia Streb — Viola; Derek Stein — Cello

INSERT SIDE TWO

Module 7

Collaborations

81. For Robin

82. History does not linger long in our century; reprise

83. Vicki project 5 • Soloists: Vinny Golia — Basset Horn; Vicki Ray — Prepared Piano

84. Never Freed • Soloist: Vinny Golia — Bass Clarinet, Soprillo Sax

85. Transition #1 • Soloist: Steven Ricks — Trom

86. Sketch • Soloists: Miller Wrenn — Bass; Clint Dodson — Drums

87. The Stretchy, Walky, Thingy • Soloists: Vinny Golia — Bari Sax; Ken Filiano — Bass; Ellington Peet — Drums

88. The Great American Biotic Interchange • Soloists: Vinny Golia — A Clarinet; Wayne Peet — Prepared Piano

89. Aver • Soloist: Clint Dodson — Drums

90. The original five! • Soloists: Vinny Golia — Bass Saxophone; Wayne Peet — Synth

91. Unit! • Soloists: Matt Barbier — Trom; Miller Wrenn — Bass

92. Robin 2 and For Richard Nunns Medley • Soloist: Vinny Golia — Gongs, Bowls, Shells

93. Villions • Soloists: Miller Wrenn — Bass (section parts); Ken Filiano — Bass and FX

94. Cassia • Soloist: Cassia Streb — Viola

Module 8

The Plan

95. Moai 3 addition

96. To the skin together

97. Flight 575 • Soloist : Steve Adams — Electronics, Alto Sax; Miller Wrenn — Bass; Clint Dodson — Drums

98. Transition #2 • Soloist: Steven Ricks — Trom

99. A to B, Pull the chutes, where’s my champagne? • Soloist: Jeff Kaiser — Trp

100. Pharoah at the chord change • Soloist: Vinny Golia — Tenor Saxophone

101. Harmonics…!!!!!?????

102. What’s your name? • Soloist: William Roper — Bombardondino (Travel Tuba) and Vocal

103. Studebakers, Toasters, and Crop-dusters • Soloist: Vinny Golia — Bass Sax; Nate Hubbard — Drums

104. The 18th form • Soloist: Vinny Golia — Bass Flute; Wayne Peet — Piano Keys; Vicki Ray — Piano Insides

105. Do you have an opinion..? • Soloist: Vinny Golia — Bari Sax

106. Toanni — Insert • Soloists: William Roper — Tuba; Nate Hubbard — Drums

107. The Filiano Way, an Introduction to Mr. Ken… • Soloist: Ken Filiano — Bass and FX

108. The Island of One Thousand Names

Module 9

Visualizations

109. …These 3 together • Soloist: Vinny Golia — Native American Flute

110. Public Swimming Pool • Soloist: Dan Clucas — Cornet

111. Moai 3 — 13

112. Dr. Karmackís tasty treats… • Soloista: Vinny Golia — Alto Saxophone; Vicki Ray — Prepared Piano

113. Transition #3 • Soloist: Steven Ricks — Trom and FX

114. Will Warren Chesnick go to the prom alone…I think not!

115. The Thayer Effect, we like what it does • Soloists: Vinny Golia — Gongs; Miller Wrenn — Bass

116. Whiteside speaking • Soloist: Vinny Golia — Gongs, Tubax (contrabass saxophone)

117. All the Ghosts we can have

118. Bowed Interlude — for Mark Dresser • Soloists: Vinny Golia — Gongs, Contra Alto Clarinet; Matt Barbier — Trom

119. Moai 3 — 5 • Soloist: Matt Barbier — Euphonium

120. 1 — 13 — w harp

121. The lipkenstein process • Soloist: Ken Filiano — Bass and FX

Module 10

Persistence

122. Events that have happened are happening again, as we speak • Soloist: Vinny Golia — Tenor Saxophone, Indonesian Flute, Gongs; Wayne Peet — Piano

123. Big Finnish for Rent and Heiki

124. Double duos • Soloist: Vinny Golia — Soprillo Sax, Bass Clarinet

125. Strange Man, but still, a good plan. • Soloist: Wayne Peet — Piano

126. Bedtime • Soloists: Vinny Golia — Bamboo Flute, Sopranino Sax; Clint Dodson — Drums

127. And I remember…everything • Soloist: Vinny Golia — Gongs

128. Moai 3 — 1

129. A gift for Mike • Soloist: Ken Filiano — Bass

130. How’d it get burned!!, How’d it get burned!!, How’d it get burned!!, How’d it get burned!!

131. Project 1 • Soloists: Vinny Golia — Bari Sax, Gongs; William Roper — Tuba; Nate Hubbard — Drums

132. Persistance for William • Soloists: Vinny Golia — Shakuhachi; Cassia Streb — Viola; Tim Feeney — Perc

133. The Intro • Soloist: Ken Filiano — Bass and FX

134. Vicki 6 • Soloists: Vinny Golia — Contrabass Clarinet; Vicki Ray — Prepared Piano

135. A Philosophy of the Bass — for Bert

Module 11

Action and Decision

136. Moai 3 — 4 Medley • Soloist: Vinny Golia — Conch, Sopranino Saxophone

137. But it was all just a dream… • Soloists: Vinny Golia — A Clarinet; Cassia Streb — Viola

138. From the Ancient Race II

139. Moai 3 — 2 Textures

140. “Your friend is intelligent, he will know better, than to follow me”

141. Bad Dentist • Soloist: Vinny Golia — Basset Horn

142. Someplace called…not Furiya • Soloists: Vinny Golia — Conch, Shakuhachi; Clint Dodson — Drums

143. Isochronus

144. Travk 5 • Soloist: Vicki Ray — Prepared Piano

145. Moai 3 — 10 • Soloist: Vinny Golia — Tenor Saxophone, Globular Flute

146. Elegy for Don LaFontaine • Soloist: Brian Walsh — Bass Clarinet

147. LE Spring 2020 — 7 — B section

Module 12

Needs and Uses

148. Goliath • Soloist: Vinny Golia — Sopranino Saxophone

149. The Rolisican government questions Fukoda’s support, in the cave of Neon (Perhaps it’s the radiation?) • Soloist: Tim Feeney — Perc

150. LE Spring 2020 — 7

151. An Unforeseen Side Effect

152. Gombus! • Soloist: Sarah Reid — Trp and FX

153. Intro Drake 1 and 2 • Soloists: Vinny Golia — Bass Clarinet; Randy Gloss — Tabla

154. Waterflute Piece (Susan makes glorious instruments!) • Soloist: Vinny Golia — Alto Flute, Waterflute and Globular Flutes

155. LE Spring 2020 — 6 — redone • Soloist: Vinny Golia — Alto Clarinet, Gongs

156. All that Shimmers… • Soloist: Randy Gloss — Tamb

157. Dedicated to Bobby, John, and Horace • Soloists: Vinny Golia — Basset Hrn; Derek Stein — Cello

158. Return of the Goliath • Soloist: Wayne Peet — Pipe Organ

Photo by Chuck Koton

David Borgo: Suite of Uncommon Sorrows (PFMCD144)

Jeff Kaiser

David Borgo – Suite of Uncommon Sorrows

(Digital only)

[playlist ids="13124"]

The Suite of Uncommon Sorrows in an eleven-part suite of original music composed in response to the tumultuous events of 2020, including the devastating COVID-19 pandemic, the growing Black Lives Matter movement, and the debilitating polarization of U.S. politics that made it impossible to address either of these adequately.

Each movement explores a different “uncommon sorrow,” such as kuebiko (a state of moral exhaustion inspired by acts of horror in the news, which forces you to revise your image of what can happen in this world), kenopsia (the eerie, forlorn atmosphere of a place that’s usually bustling with people but is now abandoned and quiet), chrysalism (an amniotic-like tranquility while a storm rages outside), liberosis (an ache to let things go; a desire to hold your life loosely and playfully), zenosyne (the sense that time keeps going faster), and pâro (the feeling that no matter what you do it will always be inadequate).

1. Kuebiko

A state of moral exhaustion inspired by acts of horror in the news, which forces you to revise your image of what can happen in this world

2. Chrysalism

An amniotic-like tranquility, similar to how one feels while wrapped in a blanket sitting inside on the couch while a storm rages outside.

3. Kenopsia

The eerie, forlorn atmosphere of a place that’s usually bustling with people but is now abandoned and quiet

4. Liberosis

An ache to let things go; a desire to hold your life loosely and playfully

5. Paro

The feeling that no matter what you do it will always be inadequate

6. Occhiolism

The awareness of the limitations of your own perspective

7. One Step Forward Two Steps Back

The feeling that although progress is being made, it produces a reaction that is somehow greater than equal and opposite

8. The Village COVIDiots

An inversion of Eric Dolphy’s “Out To Lunch”

9. Gnossienne

A moment of awareness that someone you have known for years still has a private and mysterious inner life that will remain unknowable to you

10. Zenosyne

The sense that time keeps going faster

11. Gugulethu

A township outside of Cape Town, South Africa, its name is a contraction of igugu lethu, which is Xhosa for “our pride” (for Winston Mankunku Ngozi)

 


 

David Borgo – tenor and soprano (4,8) saxophones, aerophone (9)

Tobin Chodos – piano and keyboard (9)

Mackenzie Leighton – acoustic and electric (9) bass

Mark Ferber – drum set

Peter Sprague – electric guitar (6,9,10)

King Britt – electronics (9)


All music composed by David Borgo

©2021 David Borgo Music, ASCAP

Recorded by Peter Sprague, Spragueland Studio

Mixed and Mastered by Wayne Peet, Newzone Studio

Cover photo by Sasha Freemind on Unsplash

Titles from dictionaryofobscuresorrows.com

pfMENTUM PFMCD144

Alex Smith, Determined Volumes, PFMCD140

Alex Smith: Determined Volumes (PFMCD140)

Jeff Kaiser

Determined Volumes
Alex Smith

[playlist ids="10847"]

Featuring: Alex Smith, various instruments and voice • Andrew Zakerski, percussion and voice • Ari Teitel, electric guitar • Brendan Betyn, drumset • Brent Echols, drumset and field drum • Caleb Goncz, glass marimba • Cameron Halls, percussion and voice • Cody Edgerton, glass marimba • Colin McCornack, percussion and voice • Darrien Spicak, percussion and voice • Joel Block, MalletKat and percussion • John Scharf, percussion and voice • Jon Wright, cajón • Jon Weber, percussion • Kathryn Irwin, field drum • Kevin Keith, drumset • Louie Leager, bass guitar

1. The Building of Asgard (11:04)
2. Um quarto é mais (3:39)
3. Cotton Gindustrial (7:11)
4. Crossroads (5:10)
5. One-Minute Speeches (9:56)
6. a. Oscillation (0:00-4:25)
b. Song for the Unmentioned; Devotion (4:25-7:34)
7. 816 (9:41)
8. Tickuf (3:47)

Recorded by Joe Basile, Corey DeRushia, Alex Smith, and Dr. Jon Weber
Mixed by Corey DeRushia at Troubadour Recording
Original album artwork and layout by Will Goodyear

All compositions by Alex Smith, © 2020 jasmith music, ASCAP,
except [4] by Alexis Bacon, ASCAP, [6a-Oscillation] by Joe Basile, ASCAP; [1] poem by Matthew Barbee, [3] sheet music published by Tapspace Publications LLC, ASCAP, and [7] sound design by Joe Basile; thanks Prof. Dease, Dr. Lorenz, and Tijan Dorwana.

Determined Volumes is comprised of some of my compositions and collaborations since 2011. Thanks to all my teachers, friends, collaborators, and influences over the course of my life who have shared their knowledge and skill with me, and that have helped in a variety of ways to produce this album. The tunes on this album are the product of all the practices with which I have connected throughout the course of my life, including but not limited to: Moravian music, jam band music, organ music, Ghanaian gyil music, 90’s alternative rock, rudimental drumming, Northeast Brazilian drumming, noise music, American Jazz and R&B, musical theater, and Western classical piano and percussion music. Visit my YouTube channel for video performances and more information about the pieces.

pfMENTUM PFMCD140
www.pfmentum.com

Katie Hae Leo / Guerino Mazzola / Alex Lubet / Nick Zielinski / James E. Holdman: Negative Space (PFMCD136)

Jeff Kaiser

NEGATIVE SPACE

Katie Hae Leo
Guerino Mazzola
Alex Lubet
Nick Zielinski
James E. Holdman

[playlist ids="4222"]

1. Sign of June…………………7:26
2. On Names…………………….5:07
3. Ode To Negative Space…………8:46
4 Unknown Origin………………..7:47
5. Sister #1……………………8:40
6. Election Night In Phillips…….6:42
7. Oppenheimer Dreams an Island….10:54
8. On Hierarchy…………………7:57
9. Systema Naturae………………4:31
Katie Hae Leo, poetry, voice • Guerino Mazzola, grand piano
Alex Lubet, National steel guitar (1), acoustic guitar (2, 5, 6, 8), electric bass (3, 4, 7), soprano ukulele (9)
Nick Zielinski, drums • James E. Holdman, electric guitar (3, 4, 7)
Guerino Mazzola and Alex Lubet, producers
Matthew Zimmerman, engineer
Recorded September 1, 2010, Wild Sound Recording Studio, Minneapolis
Graphic Design by Ted Killian
PFMCD136
pfMENTUM
www.pfmentum.com

The Vinny Golia Orchestra Live at REDCAT Los Angeles (PFMDVD123)

Jeff Kaiser

[This product is a DVD]

The
Vinny Golia
Orchestra
Live at
REDCAT
Los Angeles

Set One
1. Set One Introduction 2:31
Primary soloists:
Jonathan Stehney, bassoon
Andrew Rowan, trumpet

2. Show of Force 3:44
Primary soloists:
Carmina Escobar and
Andrea Young, voices

3. 5 (Large Ensemble Version) 11:22
Primary soloists:
Gavin Templeton, alto saxophone
Vinny Golia, baritone saxophone
Stefan Kac, tuba

4. Up In The Sky, Like The Sun At High Noon
(The Eiga Clan Frames The Roscoe Trip) 11:27
Primary soloists:
Erik KM Clark, violin
Dan Clucas and Daniel Rosenboom, trumpets
Jon Armstrong, tenor saxophone

5. Lost & Found (For Henry) 10:49
Primary soloists:
Aniela Perry, cello
Joseph Thel, english horn
Alex Noice, electric guitar
Ingrid Lee, piano

6. Carbine One, Change A Letter 6:13
Primary soloists:
Ben McIntosh, trombone
Michael Mull, alto saxophone
7. Carbine Two 6:09
Primary soloists:
Drew Jordan, trumpet
Vinny Golia and Christine Tavolacci, piccolos

Set Two
1. Set Two Introduction 3:50
Jon Armstrong, tenor saxophone

2. Would You Like Help
On Your Journey To Mottsfield? 6:57
Primary soloists:
Kathy Pisaro, oboe
Vinny Golia, tubax (contrabass saxophone)

3. Soccer Gear Dropped On Religious Leaders 6:57
Primary Soloist:
Alex Noice, guitar
Brian Walsh, bass clarinet
Daniel Rosenboom, piccolo trumpet

4. Barnum Brown Finds Something 4:10
Primary Soloists:
Ingrid Lee, piano
Vinny Golia, sopranino saxophone

5. Just Another Morning 1:57

6. Encore 8:36
Vinny Golia directed improvisation:
Brian Walsh, bass clarinet
Lauren Baba and Andrew Tholl, violin
Christine Tavolacci, bass flute
Jonathan Stehney, bassoon
Alex Noice, guitar
Gavin Templeton, alto saxophone

Special thanks:
Kathy Carbone, Lauren Pratt, Wayne Peet, Allen Kaufman,
David Rosenboom, Marc Lowenstein, California Institute
of the Arts, and all the members of the Vinny Golia New
Music Orchestra

A joint release of
pfMENTUM
and Ninewinds
PFMDVD123/NWDVD400
www.pfmentum.com

Graphic Design: Ted Killian

All compositions and arrangements by Vinny Golia
℗ and © 2018 Ninewinds, BMI

Recorded live at REDCAT in Los Angeles, April 9, 2014
All works Vinny Golia

Conductors Mark Lowenstein and Vinny Golia

Strings
Violins: Andrew Tholl, Henry Webster, Melinda Rice, Stephanie Moorehouse, Lauren Baba, Eric KM Clark, Madeline Falcone
Violas: Cassia Streb, Natalie Brejcha, Morgan Lee Gerstmar
Cellos: Aniela Perry, Derek Stein, April Guthrie, Thea Mesirow
Bass: David Tranchina, Ivan Johnson

Woodwinds
Oboe: Kathy Pisaro
Oboe/English Horn: Joseph Thel
Bassoons: Jonathan Stehney, Archie Carey
C, Alto and Bass Flutes, Piccolo: Christine Tavolacci, Sammi Lee
Saxophones, Flutes, Clarinets: Vinny Golia, Gavin Templeton, Jon Armstrong
Clarinet and Alto Sax: Michael Mull
Bass Clarinet: Brian Walsh

Brass
Trumpets: Dan Clucas, Daniel Rosenboom, Drew Jordan, Andrew Rowan
French Horn: Erin Poulin, Adam Wolf
Trombones: Evan Sprecht, Ben McIntosh, Matt Barbier
Bass Trombone: John Tyler Jordan
Tuba: Stefan Kac

Piano Ingrid Lee

Guitar Alex Noice

Percussion
Mallets: Jodie Landau
Auxiliary Percussion: Tony Gennaro, Vinny Golia
Drum Kit: Andrew Lessman

Voice Andrea Young, Carmina Escobar

Recording Concert recording by Wayne Peet

Mixed and mastered at Newzone Studio, Los Angeles by Wayne Peet with Aaron Druckman (assistant engineer)
Video by Sunlight Digital
Video recording by Allen Kaufman and Jimmy Alioto
Edited and authored by Allen Kaufman

About The Work
When first notified of this REDCAT concert, I planned to meld my electric sextet with my large ensemble; two groups I hold very dear to my heart. Along the way many things happened. I added vocalists, I wanted to have an extended string section and I thought about how I would incorporate the long standing members of the large ensemble and the many new bright faces creating such vibrant music here in Los Angeles. Also along the way tragic events past through the lives of loved ones, the music community suffered the loss of many great musicians and lastly, just a few days ago, Pierre Fauteux passed onto another phase of his continuum. Pierre’s love of music as well as his love of life is embedded in my mind. This concert is a dedication to and a celebration of his time spent on this planet with his lovely wife, Helen, and their two outstanding children, Monique and Jacqueline. It is also dedicated to all those who have lost loved ones.

Pondering on these events happening in my life, the question is (and always has been) how to make music that is meaningful and communicative amidst sorrow and chaos. I still do not know the answer, and my journey takes me deeper into the sounds we create. These compositions were written and re-orchestrated between 2004 and 2014 and are an overview of areas I have been exploring, namely, rhythm, shape, form, and color, with my large and medium ensembles over this time period.

Carbine One, Change A Letter and Carbine Two are portraits of one of my closest friends. Up In The Sky Like The Sun At High Noon is another entry into a series based on driving times in Los Angeles, which as every Los Angeles dweller knows, can be fast and brutal or just plain brutal. This composition also comments on the Eiga clan in feudal Japan, which is a source of inspiration for many other compositions I have written for other various sized ensembles. Show of Force is a commentary on the posturing of nations and how political leaders choose to respond. Lost and Found is for the enigmatic Henry Grimes, whom many thought dead, but who reappeared after many years living in Los Angeles. I have had the great pleasure to perform with Henry numerous times since his reemergence. 5 is the oldest of the compositions, and was originally written for a quartet, then expanded for a quintet, condensed for a saxophone quartet, arranged for a sextet, and finally, orchestrated for this new orchestra. Would you like help in your journey to Motts field? should conjure up images if you enjoy a certain type of film genre.

Lastly, we come to three pieces for Pierre. These compositions, started as a trilogy for percussion and orchestra in 2004, are now just completed. The titles are humorous in honor of Pierre’s love of life, fun, wine, and music. Hopefully you will enjoy them as much as I did while writing them and we have performing them.

In my work there is a balance between the worlds of composition and improvisation. It takes extremely talented musicians to straddle these worlds which includes following a conductor, watching for hand signs and signals, reading complex music, improvising within specific guidelines and interpreting a composer’s ideas into concrete form. I come into contact everyday at CalArts with musicians comfortable working in this way, so after much thought instead of melding my electric sextet with my large ensemble, I decided to take a more orchestral approach and created a new incarnation of my large ensemble for this concert: The Vinny Golia New Music Orchestra. This orchestra comprises many alumni and students who have passed through my various classes and musical groups through the years, as well as CalArts faculty members. The musicians in this orchestra all share a love of exploration and the highest regard for music. It is truly an honor and a privilege to be performing and sharing the stage with them. Tonight we share with you our love of sound in memory of all who have passed through our lives.

—Vinny Golia, Valencia, California, 5 April 2014

Disk Label Text:

The
Vinny Golia
Orchestra
Live at
REDCAT
Los Angeles

A joint release of
pfMENTUM and Ninewinds
PFMDVD123/NWDVD400
www.pfmentum.com

All compositions and arrangements by Vinny Golia
℗ and © 2018 Ninewinds, BMI