Sarah Belle Reid: Underneath and Sonder (PFMCD132)

Jeff Kaiser

[playlist ids="3712"]

Sarah Belle Reid
trumpet and electronics

1. Underneath I 1:57
2. Underneath II 2:01
3. Underneath III 2:58
4. Underneath IV 2:30
5. Sonder I 9:13
6. Sonder II 5:16
7. Sonder III 8:24
8. Sonder IV 5:59
9. Sonder V 3:03

Graphic score included.

Recorded May 27, 2018 and Mixed September–November 2018 by Ryan Gaston and Sarah Belle Reid, Dizzy Gillespie Digital Recording Studio, Valencia, CA
Mastering by John Baffa, December 20, 2018, TV Tray Studio, Ventura, CA
Layout and Design by Andrea Yasko
Graphic score artwork by Sarah Belle Reid

All compositions by Sarah Belle Reid
Live electronics created with the MIGSI Software App (2018), designed by Ryan Gaston and Sarah Belle Reid
© and ℗ 2019 Sarah Belle Reid, ASCAP

PFMCD132

VINNY GOLIA: EVEN TO THIS DAY…: MOVEMENT ONE: INOCULATIONS (PFMCD145)

Jeff Kaiser

VINNY GOLIA
EVEN TO THIS DAY…
MOVEMENT ONE: INOCULATIONS

MUSIC FOR ORCHESTRA AND SOLOISTS

[playlist ids="13222"]

(Inoculation: to inoculate)

This applies to vaccinating against the coronavirus and to mentally preparing ourselves to be strong against the onset of paranoia, boredom, depression, isolation, apathy, and all of the other symptoms of this disease that we did not anticipate.

Even to this day… comprises three movements. Movement One: Inoculations, which you are listening to now, is for orchestra and 21 improvisers. The complete length of Inoculations is 10 hours and 32 minutes and consists of 12 individual Modules. The second movement, Part Two: Syncretism: for the draw… is for metal band and orchestra and will be released in early 2022. Finally, as yet unnamed, the third movement for symphony orchestra and large ensemble with improvisers will be completed at the end of 2022.

I started writing Even to this day… for my 75th birthday a year before it was to happen at the request of Rent Romus, who was organizing a concert of 75 musicians to perform the piece, unaware that Covid lurked around the corner. The performance never happened. So, I decided to go for what I wanted using real and virtual musicians performing composed music combined with improvisation—which always seems to be the best way to get what I want musically—a blend of serenity, intensity, and stability that shifts like the sands in a desert. And, as I wanted to have many of the West Coast musicians I play with represented in the music, I came up with a plan to have soloists play over a large and continually changing symphonic setting.

Even to this day… includes soloistic journeys, short interludes, transitional forms, and improvisations involving orchestral textures. Performed live, I would have used a combination of conducting techniques I have been refining since the first concert of the Vinny Golia Large Ensemble in 1982. Unfortunately, I could not do this live because of Covid restrictions and instead created an alternate composition system to supplant and expand on those techniques. Our West Coast community of creative musicians is vast and intensely innovative, and from this communal pool, I used improvisers accustomed to performing New Music and freer forms of improvisation. Specific compositions showcase their creative talents, resulting in a myriad of improvisational approaches. For the listener, the modules within each movement can be arranged in any order but are best listened to in their original order as the compositions within each module accent each other.

Movement One: Inoculations is the first part of over a year’s worth of work on Even to this day… The movement is a direct response to Covid, reflecting feelings and thoughts while locked down or “safer at home” for 15+ months now. With so much discord in the world at the moment, the chance for a few of us to collaborate on something positive seemed a great way to fight back, peacefully, against the malaise of fear, uncertainty, isolation, hostility, and depression. So, this orchestral project started in March 2020 is now ready to add the final component, the listener…

12 CD SET WITH FEATURED SOLOISTS:

Steve Adams—Sopranino and Alto Saxophones, Alto and Bass Flutes, and Electronics • Matt Barbier—Euphonium and Trombone • Kyle Bruckmann—Oboe, English Horn, and Electronics • Dan Clucas—Cornet • Clint Dotson—Drums • Tim Feeney—Percussion • Ken Filiano—Bass • Randy Gloss—Hand Drums and Electronic Percussion • Nathan Hubbard—Drums and Percussion • Jeff Kaiser—Trumpet and Electronics • Ellington Peet—Drums • Wayne Peet—Piano, Organ, and Synth • Vicki Ray—Prepared Piano • Sarah Belle Reid—Trumpet and Electronics • Steven Ricks—Trombone and Electronics • William Roper—Bombardondino, Tuba, and Extemporaneous Spoken Word • Derek Stein—Cello • Cassia Streb—Viola • Brian Walsh—Bb, Bass, Contralto, and ContraBass Clarinets • Miller Wrenn—Bass • Vinny Golia—Woodwinds, Gongs, and Singing Bowls

Module 1 — Observation

Module 2 — Belief

Module 3 — Goals-analyzation and clarification

Module 4 — Determination

Module 5 — Identification and Orientation

Module 6 — Skills and Knowledge (qualities and abilities)

Module 7 — Collaborations

Module 8 — The Plan

Module 9 — Visualizations

Module 10 — Persistence

Module 11 — Action and Decision

Module 12 — Needs and Uses

All Compositions and Arrangements by Vinny Golia ©2021 Ninewinds, BMI

Trapezoid by Randy Gloss • Recorded by Wayne Peet and Vinny Golia (with additional remote recording by solo artists) • Recorded from March 2020 to August 2021 • Edited, Mixed, and Mastered by Wayne Peet • Produced by Vinny Golia and Wayne Peet • Disc Artwork by Steuart Liebig • Cover Design and Artwork by Ted Killian • Special thanks to Wayne Peet, Kathy Carbone, Jeff Kaiser, California Institute of the Arts, and all the performers on this project.

A joint release of Ninewinds Records and NWCD450 / PFMCD145

VINNY GOLIA
EVEN TO THIS DAY…
MOVEMENT ONE: INOCULATIONS

MUSIC FOR ORCHESTRA AND SOLOISTS

Module 1

Observation

1. Moai 3 VC — BS • Soloist: Vinny Golia — Contrabass Clarinet

2. CB Flute Real One — Explained1 • Soloist: Vinny Golia — Contrabass Clarinet

3. 2 — 9 Dizzy 2 — A dedication

4. Moai 3 — 5 Middle section • Soloists: Kyle Bruckmann — Eng Hrn; Matt Barbier — Trom

5. From the Ancient Race • Soloists: Vinny Golia — Alto Sax; Dan Clucas — Cornet

6. Project — 1 — Transition • Soloists: Vinny Golia — Baritone Saxophone, Gongs; William Roper — Tuba; Nate Hubbard — Drums

7. The Real One

8. Brass — As played on the Nagra • Soloists: Vinny Golia — Sopranino Saxophone; Dan Clucas — Trumpet

9. Escape from the lab, Professor Deemer doesnít make it • Soloist: Vinny Golia — Gongs

10. Hand me Lieutenant Liu’s notebook of justice… • Soloist: Vinny Golia — Ram’s Horn, Eb Clarinet, Baritone Saxophone

11. Toolboxes and tradeoffs — For Pete Edwards • Soloist: Vinny Golia — C Flute

12. No horn Intro,…, just kidding • Soloist: Dan Clucas — Trp

13. So many forms, the low frequencies • Soloists: Wayne Peet — E Piano; Ellington Peet — Drums

14. For Art, the hole puncher • Soloists: Vinny Golia — Contrabass Clarinet, Gong; Brian Walsh — Bass Clarinet; Tim Feeney — Perc

Module 2

Belief

15. The Rams Horn Moai, a gift from Peru • Soloist: Vinny Golia — Ram’s Horn, Tenor Sax, G and F Mezzo — Soprano Sax, Bells

16. Not Pelham, (the Throwback!). • Soloists: Wayne Peet — Synth; Ellington Peet — Drums

17. It’s a jumble out there! • Soloist: Tim Feeney — Perc

18. letters to Francis • Soloists: Vinny Golia — Soprano Saxophone; Miller Wrenn — Bass

19. The complete Hermann • Soloists: Sarah Reid — Trp and FX; Tim Feeney — Perc

20. The first time I heard that • Soloists: Vinny Golia — Xiao; Tim Feeney — Perc

21. Encomium • Soloists: Vinny Golia — Singing Bowls; Brian Walsh — Bass Clarinet; Randy Gloss — Bendir Drum

22. 2 — 7 — 3 — sracps — 2

23. 1 — 18 strgs whole — No Mayo • Soloist: Vinny Golia — Tenor Saxophone, Contrabass Clarinet

24. 2 — 7 — 3 — sracps — The Original

Module 3

Goals — Analyzation and Clarification

25. For John… • Soloist: Vinny Golia — Tenor Saxophone

26. Low Toaani • Soloist: Wayne Peet — Organ and FX

27. Locus — 2 • Soloist: Brian Walsh — Clarinet

28. Xiphoid • Soloists: Steve Adams — Sopranino Saxophone, William Roper — Bombardondino (Travel Tuba)

29. Yet another, New Vamp Tune

30. Message from Time • Soloists: Sarah Reid — Trp and FX; Derek Stein — Cello

31. The battle of Tibet — Circa 1943 • Soloist: William Roper — Bombardondino (Travel Tuba)

32. From the Ancient Race; Symbolism • Soloists: Vinny Golia — Bb Clarinet; Clint Dodson — Drums

33. Warp and Woof (on the road to Georgia) • Soloists: Jeff Kaiser — Trp; William Roper — Vocal

34. The Attic of the Unknown Foe, for Mr. Martin • Soloist: VG — Eb Clarinet, Ab Clar, Contrabass Clar, Basset Horn, Gongs and Bowls

35. Low Toaani — Part Two • Soloist: Sarah Reid — Trp and FX

Module 4

Determination

36. Easy to Sneak Up On

37. Doctor Savaard explains his theory eloquently, but no ones listens

38. Dizzy — a second dedication because he deserves it!

39. nmae later, (not a typo…) • Soloist: Jeff Kaiser — Trp and FX

40. Kyle! • Soloist — Kyle Bruckmann — English Horn

41. Intro Drake — 1 — 2 • Soloists: Vinny Golia — Bass Clarinet; Randy Gloss — Tabla

42. Who is Gladys Glover? — Bass; Nate Hubbard — Drums

43. Not Hardly… • Soloist: Jeff Kaiser — Trp

44. 1 — 14 Solo Section 2 • Soloists: — Vinny Golia — Bass Saxophone; Nate Hubbard — Drums

45. In France you sit on long items shaped like canoes — for Barre • Soloist: Dan Clucas — Cornet

46. For Vicki • Soloist: Vinny Golia — Contraalto Clarinet; Vicki Ray — Piano

47. Trapazoid • Soloist: Randy Gloss — Frame Drum

48. Mr. Fletcher now heads towards Mexico to find his first move,…or else, it ís up to him • Soloist: Ken Filiano — Bass

49. 1 — 9 31120 not exactly Vlatkovich, (title wise…) • Soloist: Steven Ricks — Trom

50. 1 — 5 bridhge to solos • Soloists: Vinny Golia — G — Piccolo; Tim Feeney — Perc

Module 5

Identification and Orientation

51. Shadow

52. Vicki 2 • Soloist: Vicki Ray — single track of prepared piano with E — Bow

53. By which they lead • Soloists: Miller Wrenn — Bass; Tim Feeney — Perc

54. About three more days, give or take a day or two

55. Ken • Soloist: Ken Filiano — Bass

56. The return of Tyler Bob! (I know that guy!)

57. “Hey Cosmo, How you Doin’…doin’ ok…” — for Fumo

58. Your devotion to etiquette is admirable but your methods leave much to be desired

59. The Wilhelm Scream (not alligator shoes I hope!) • Soloists: Vinny Golia — Baritone Saxophone; Randy Gloss — Daf

60. He’s the only one that’s happy!

61. In Between The Winds • Soloist: Brian Walsh — Clarinet

62. Indeterminate growth • Soloist: Tim Feeney — Perc

63. Dixie Cups and Strings • Soloists: Derek Stein — Cello; Miller Wrenn — Bass

64. The Solution • Soloist: Steve Adams — Electronics

Module 6

Skills and Knowledge (qualities and abilities)

65. Try This One On

66. nmae again, later • Soloists: Ken Filiano — Bass and FX

67. Time Change

68. The Octopus boy, (good work Rachel)

69. Trpt Partial

70. It must fall out of my formation circle

71. The Octopus boy; retake • Soloist: Wayne Peet — Organ

72. All is lost, All is lost! • Soloists: Wayne Peet — Synth; Steve Adams — Alto Sax; Nate Hubbard — Drums

73. And it’s also the name of a man who operates hotels

74. Mead and various secrets from the island • Soloists: Steve Adams — Bass Flute; Randy Gloss — Frame Drum and Metal Perc

75. The Internet is always open • Soloist: Derek Stein — Cello

76. And, Have A Nice Day, (Or Else!) • Soloist: Dan Clucas — Trp

77. It’s Douner Stieglitz camera lenses!

78. An Arc of Electricity • Soloist: Jeff Kaiser — Trp and FX

79. From the Ancient Race; Electrodes • Soloists: Wayne Peet — Piano; Clint Dodson — Drums

80. Lonely wind • Soloists: Cassia Streb — Viola; Derek Stein — Cello

INSERT SIDE TWO

Module 7

Collaborations

81. For Robin

82. History does not linger long in our century; reprise

83. Vicki project 5 • Soloists: Vinny Golia — Basset Horn; Vicki Ray — Prepared Piano

84. Never Freed • Soloist: Vinny Golia — Bass Clarinet, Soprillo Sax

85. Transition #1 • Soloist: Steven Ricks — Trom

86. Sketch • Soloists: Miller Wrenn — Bass; Clint Dodson — Drums

87. The Stretchy, Walky, Thingy • Soloists: Vinny Golia — Bari Sax; Ken Filiano — Bass; Ellington Peet — Drums

88. The Great American Biotic Interchange • Soloists: Vinny Golia — A Clarinet; Wayne Peet — Prepared Piano

89. Aver • Soloist: Clint Dodson — Drums

90. The original five! • Soloists: Vinny Golia — Bass Saxophone; Wayne Peet — Synth

91. Unit! • Soloists: Matt Barbier — Trom; Miller Wrenn — Bass

92. Robin 2 and For Richard Nunns Medley • Soloist: Vinny Golia — Gongs, Bowls, Shells

93. Villions • Soloists: Miller Wrenn — Bass (section parts); Ken Filiano — Bass and FX

94. Cassia • Soloist: Cassia Streb — Viola

Module 8

The Plan

95. Moai 3 addition

96. To the skin together

97. Flight 575 • Soloist : Steve Adams — Electronics, Alto Sax; Miller Wrenn — Bass; Clint Dodson — Drums

98. Transition #2 • Soloist: Steven Ricks — Trom

99. A to B, Pull the chutes, where’s my champagne? • Soloist: Jeff Kaiser — Trp

100. Pharoah at the chord change • Soloist: Vinny Golia — Tenor Saxophone

101. Harmonics…!!!!!?????

102. What’s your name? • Soloist: William Roper — Bombardondino (Travel Tuba) and Vocal

103. Studebakers, Toasters, and Crop-dusters • Soloist: Vinny Golia — Bass Sax; Nate Hubbard — Drums

104. The 18th form • Soloist: Vinny Golia — Bass Flute; Wayne Peet — Piano Keys; Vicki Ray — Piano Insides

105. Do you have an opinion..? • Soloist: Vinny Golia — Bari Sax

106. Toanni — Insert • Soloists: William Roper — Tuba; Nate Hubbard — Drums

107. The Filiano Way, an Introduction to Mr. Ken… • Soloist: Ken Filiano — Bass and FX

108. The Island of One Thousand Names

Module 9

Visualizations

109. …These 3 together • Soloist: Vinny Golia — Native American Flute

110. Public Swimming Pool • Soloist: Dan Clucas — Cornet

111. Moai 3 — 13

112. Dr. Karmackís tasty treats… • Soloista: Vinny Golia — Alto Saxophone; Vicki Ray — Prepared Piano

113. Transition #3 • Soloist: Steven Ricks — Trom and FX

114. Will Warren Chesnick go to the prom alone…I think not!

115. The Thayer Effect, we like what it does • Soloists: Vinny Golia — Gongs; Miller Wrenn — Bass

116. Whiteside speaking • Soloist: Vinny Golia — Gongs, Tubax (contrabass saxophone)

117. All the Ghosts we can have

118. Bowed Interlude — for Mark Dresser • Soloists: Vinny Golia — Gongs, Contra Alto Clarinet; Matt Barbier — Trom

119. Moai 3 — 5 • Soloist: Matt Barbier — Euphonium

120. 1 — 13 — w harp

121. The lipkenstein process • Soloist: Ken Filiano — Bass and FX

Module 10

Persistence

122. Events that have happened are happening again, as we speak • Soloist: Vinny Golia — Tenor Saxophone, Indonesian Flute, Gongs; Wayne Peet — Piano

123. Big Finnish for Rent and Heiki

124. Double duos • Soloist: Vinny Golia — Soprillo Sax, Bass Clarinet

125. Strange Man, but still, a good plan. • Soloist: Wayne Peet — Piano

126. Bedtime • Soloists: Vinny Golia — Bamboo Flute, Sopranino Sax; Clint Dodson — Drums

127. And I remember…everything • Soloist: Vinny Golia — Gongs

128. Moai 3 — 1

129. A gift for Mike • Soloist: Ken Filiano — Bass

130. How’d it get burned!!, How’d it get burned!!, How’d it get burned!!, How’d it get burned!!

131. Project 1 • Soloists: Vinny Golia — Bari Sax, Gongs; William Roper — Tuba; Nate Hubbard — Drums

132. Persistance for William • Soloists: Vinny Golia — Shakuhachi; Cassia Streb — Viola; Tim Feeney — Perc

133. The Intro • Soloist: Ken Filiano — Bass and FX

134. Vicki 6 • Soloists: Vinny Golia — Contrabass Clarinet; Vicki Ray — Prepared Piano

135. A Philosophy of the Bass — for Bert

Module 11

Action and Decision

136. Moai 3 — 4 Medley • Soloist: Vinny Golia — Conch, Sopranino Saxophone

137. But it was all just a dream… • Soloists: Vinny Golia — A Clarinet; Cassia Streb — Viola

138. From the Ancient Race II

139. Moai 3 — 2 Textures

140. “Your friend is intelligent, he will know better, than to follow me”

141. Bad Dentist • Soloist: Vinny Golia — Basset Horn

142. Someplace called…not Furiya • Soloists: Vinny Golia — Conch, Shakuhachi; Clint Dodson — Drums

143. Isochronus

144. Travk 5 • Soloist: Vicki Ray — Prepared Piano

145. Moai 3 — 10 • Soloist: Vinny Golia — Tenor Saxophone, Globular Flute

146. Elegy for Don LaFontaine • Soloist: Brian Walsh — Bass Clarinet

147. LE Spring 2020 — 7 — B section

Module 12

Needs and Uses

148. Goliath • Soloist: Vinny Golia — Sopranino Saxophone

149. The Rolisican government questions Fukoda’s support, in the cave of Neon (Perhaps it’s the radiation?) • Soloist: Tim Feeney — Perc

150. LE Spring 2020 — 7

151. An Unforeseen Side Effect

152. Gombus! • Soloist: Sarah Reid — Trp and FX

153. Intro Drake 1 and 2 • Soloists: Vinny Golia — Bass Clarinet; Randy Gloss — Tabla

154. Waterflute Piece (Susan makes glorious instruments!) • Soloist: Vinny Golia — Alto Flute, Waterflute and Globular Flutes

155. LE Spring 2020 — 6 — redone • Soloist: Vinny Golia — Alto Clarinet, Gongs

156. All that Shimmers… • Soloist: Randy Gloss — Tamb

157. Dedicated to Bobby, John, and Horace • Soloists: Vinny Golia — Basset Hrn; Derek Stein — Cello

158. Return of the Goliath • Soloist: Wayne Peet — Pipe Organ

Photo by Chuck Koton

Joshua Gerowitz’s Dark Forest Theory (PFMCD134)

Jeff Kaiser

[playlist ids="3710"]

1 Akasha, Queen of the Damned 6:04
2 HBI 1.5 (Dark Forest Theory) 3:05
3 Deanna and Lwaxana 5:54
4 Pseudo Shamanistic Tendencies (Cubensis) 10:06
5 HBI 3.7 (Chrono-Synclastic Infundibulum) 3:47
6 HBI 5.9 (Voight-Kampff Empathy Test) 0:53
7 Nadia Vulvokov 7:01
8 HBI 10.14 (Ye Wenjie) 3:25
9 HBI 8.12 (Gom Jabbar) 4:13
10 HBI 9.13 (Sirens of Titan) 2:20

Personnel:
Casey Butler (sax, tracks 1,2,3,4,7,8,10), Carmina Escobar (voice, tracks 1,3,4,5,6,7,8,10), Sharon Chohi Kim (voice, tracks 1,2,3,4,7,8,10), Louis Lopez (trumpet, tracks 1,2,3,4,7,8,10), Joe Santa Maria (sax, tracks 1,3,4,7,8,9,10), Kathryn Shuman (voice, tracks 1,3,4,7,8,9,10), Micaela Tobin (voice, tracks 1,2,3,4,7,8,10), David Tranchina (bass, tracks 1,3,4,7,8,9,10), Colin Woodford (drums, tracks 1,3,4,5,6,7,8,10), and Joshua Gerowitz (guitar/fx all tracks)

Recorded by Nick Tipp at Citrus College, February 27th, 2019
Mixed and Mastered by Daniel Eaton at Little Castle Mastering
Original album artwork and layout by Georgia Bell

Tracks 1, 3, 4, 7 © 2019, Joshua Gerowitz, ASCAP.
Track 2 © 2019, Joshua Gerowitz, ASCAP; Casey Butler, BMI; Sharon Kim, ASCAP; Louis Lopez, ASCAP; Micaela Tobin
Tracks 5, 6 © 2019, Joshua Gerowitz, ASCAP; Carmina Escobar; Colin Woodford, ASCAP
Tracks 8, 10 © 2019, Joshua Gerowitz, ASCAP; Casey Butler, BMI; Carmina Escobar; Sharon Kim, ASCAP;
Louis Lopez, ASCAP; Joe Santa Maria, ASCAP; Kathryn Shuman; Micaela Tobin; David Tranchina, ASCAP; Colin Woodford, ASCAP
Track 9 © 2019, Joshua Gerowitz, ASCAP; Joe Santa Maria, ASCAP; Kathryn Shuman; David Tranchina, ASCAP

PFMCD134

Danny Gouker: Signal Problems / Love Letters (PFMCD124)

Jeff Kaiser

[playlist ids="1458"]

Signal Problems

Love Letter

Danny Gouker: Trumpet, Compositions
Eric Trudel: Tenor Saxophone
Adam Hopkins: Bass
Nathan Ellman-bell: Drums

1. Mad Lib 5:28
2. Haiku 4:22
3. Word Play 4:56
4. Enough is Enough 3:24
5. Final Word 4: 24

All music ©2018, Daniel Allen Gouker ASCAP
Recorded at an Airbnb in Catskill, NY by Nathaniel Morgan Aug 15, 2017
Mixed by Nathaniel Morgan, January 2018
Mastered by Wayne Peet at Newzone Studio, March 2018
Artwork and Layout by T.J. Huff

pfMENTUM CD124
PFMCD124

Joshua Gerowitz: Solano Canyon (PFMCD099)

Jeff Kaiser

Joshua Gerowitz: Solano Canyon

[playlist ids="1240"]

1. Smooth as Ice 5:29
2. Hamburger Island #1 1:12
3. Swoot 4:56
4. Morning Landscape Illusion 6:57
5. Hamburger Island #4 4:40
6. Chicken, Cigarette, Bed #2 7:57
7. Hamburger Island #3 3:18
8. Angels Point 2:15

Personnel: Joshua Gerowitz (guitar), Louis Lopez (trumpet, tracks 1-7), Colin Woodford (drums, tracks 1-7), Jake Rosenzweig (bass, tracks 2, 5, 6, 7), Carmina Escobar (voice, tracks 2, 5, 7), Joe Santa Maria (saxophones, tracks 1, 3, 4), David Tranchina (bass, tracks 1, 3, 4)

Recorded by Nels Jensen at The Pie Studios, July 2016
Mixed by Daniel Eaton, December 2016
Mastered by Evren Goknar, January 2017
Additional mastering by Daniel Eaton, April 2017
Original album artwork and layout by Georgia Bell

Tracks 1, 3, 4, 6, 8 © 2017, Joshua Gerowitz, ASCAP
Tracks 2, 5, 7, © 2017, Daniel Eaton, ASCAP; Carmina Escobar; Joshua Gerowitz, ASCAP; Louis Lopez, ASCAP; Jake Rosenzweig, ASCAP; Colin Woodford, ASCAP

pfMENTUM CD099
PFMCD099
www.pfmentum.com

Adam Hopkins: Party Pack Ice (PFMCD107)

Jeff Kaiser

[playlist ids="1154"]

Adam Hopkins: Party Pack ICE
(please note, this is an EP, the price has been reduced from our full price.)

1. 39.6432°N (1:43)
2. Little Mathletes (4:39)
3. Duckpin (1:44)
4. To Record Only Water For Ten Days (3:51)
5. Hobart’s Law of Kinetics (1:18)
6. The Stephanies (8:47)
7. 76.7408°W (2:00)

Adam Hopkins – bass, compositions
Patrick Breiner – tenor saxophone
Eric Trudel – tenor saxophone
Dustin Carlson – guitar
Nathan Ellman-Bell – drums

Released August 10, 2017

All music © 2017 Adam Hopkins / Add-Hop Music (BMI)
Recorded live by Nathaniel Morgan at iBeam Brooklyn, March 18, 2015.
Mixed and edited by Nathaniel Morgan at Buckminster Palace, 2016.
Mastered by Wayne Peet at Newzone Studio, 2017.
Artwork, layout, and design by TJ Huff, huffart.com.

Very sincere thanks to TJ Huff and Nathaniel Morgan–your artistic and musical visions exceeded all expectations in their contribution to this project. Special thanks to Jeff Kaiser, Maxwell Gualtieri, & Louis Lopez at pfMENTUM for their support and enthusiasm for this record, and for creative music as a whole. And finally thanks to friends, family, and places in Baltimore from various points in time over the past 7 years–you inspired this recording in pretty much every imaginable way.

pfMENTUM CD107
PFMCD107

Peter Kuhn / Dave Sewelson: Our Earth / Our World (PFMCD097)

Jeff Kaiser

[playlist ids="866"]

Peter Kuhn: alto and tenor sax, Bb clarinet
Dave Sewelson: baritone and sopranino sax
Larry Roland: bass • Gerald Cleaver: drums

1) Our Earth 25:22
2) Our World 12:36
3) It Matters 11:07

Our Earth / Our World

“Just because you don’t see me, it doesn’t mean I am gone.”

The music on this CD is beautiful. It moves me to stand on one foot and hop in joy. It's laced with a dark and searing lyricism that one finds on those hot summer nights when the freedom bell tolls and all the heavy weight players would pick up their horns and blow all night. Dave Sewelson, Peter Kuhn, Larry Roland, and Gerald Cleaver are creating their own tradition and it is reborn each time they play.

The music swoops and soars into inner and outer space. Cane reeds vibrating and living in both the urban and celestial worlds at the same time. The sound re-enters with the earth touching it’s own root then resurfacing as colorful flowers made of soil and mud wrapped in a shell of hope that rests on a cradle of freedom. Then the phrase, “Just because you don’t see me, it doesn’t mean I am gone.”

Peter Kuhn who is back on the scene meeting with Dave Sewelson who still remains one of the best kept secrets on the music scene but is a hero in the tone world. Here they cross paths with Larry Roland’s mystical bass and Gerald Cleavers Saturday morning Detroit thrust. I would suggest you clean your palate and give this music a big listen. Veterans are in the house bringing in some of that old time religion. No time to experiment they know exactly where they are going into the unknown where pure creativity lives. 

—William Parker, 2015


 

If I had to choose a way to describe the music that flows through Our Earth/Our World that description would begin with intuition and conversation. The best of freely-improvised music is always rich in these details, and the dialog between Kuhn and Sewelson has obviously stood the test of time.

This disc, recorded on a brisk April evening at the 2015 Arts for Art Festival begins with the sonic swirl of Dave Sewelson’s rough-hewn baritone saxophone jostling against the slinky sinew of Peter Kuhn’s Bb clarinet. Right away, the melodic interplay between the two musicians, (an association that began some 40 years ago) rings true and devastatingly clear. Themes and riffs wrap around each other with serpentine grit and gristle, all with the surety of notated material – yet nothing was written down. “No discussion, no plan, no charts or even concepts,” Kuhn related, via email. “I had never met Larry or Gerald before the set, and they hadn’t played together before this either.”

Kuhn was making reference to the sterling rhythm section of Larry Roland on bass and the marvelous Gerald Cleaver on drums, who both leap into the fray of the 26-minute opener, “Our Earth,” with muscled dialog and multidirectional waves of motion, including a brief drum and bass duet that precedes Kuhn’s screaming essay on tenor saxophone, which wails in the best of the post-Ayler traditions – a sermon of great extremes joined at its orgiastic apex by Sewelson’s equally committed spiraling altissimo pealing. All of this flows atop the crisp martial cadences and precise control of dynamics initiated by Cleaver’s snare and the depth of Roland’s arco and pizzicato accompaniment. Sewelson returns on the tiny sopranino saxophone – his sound is dark, fat, and swollen with sonic fertility. Once again, the horns entwine and spiral into deep conversation. A joyous beginning.

Cleaver, an acknowledged master of subtle gestures, opens the second selection, “Our World,” with a stunning drum narrative that leads both hornmen into a writhing jostle of overtones on sopranino and clarinet, respectively, over the relentless ostinato of Roland. Back on baritone, Sewelson whinnies and squeals, all while alluding to an almost Motown-like pocket as Kuhn’s tenor reengages, stoking the fire with chortling repetitions and bone-chilling eruptions into the upper register.
That sense of joyful audacity deepens when Roland unleashes a monstrous solo to introduce the final selection, “It Matters,” where Kuhn’s lithe Bb clarinet burrows a serpentine course deep into the heart of the music, all the while guided by the ebb and flow of Cleaver’s drums, which both explode and illuminate.

You can feel the enthusiasm of the packed house – not just in the applause that peppers each selection – but in the spontaneous gasps and groans that accompany several unforgettable moments of deep listening. Turn it up. Enjoy. Repeat.

—Robert Bush, 2016

© 2016 Dependent Origination Music, ASCAP

Recorded at Arts For Arts Our Earth/Our World series, NYC, April 2015

Mastered by Wayne Peet, Newzone Studio, Los Angeles

Photos ©2016 Michael Klayman. Used by permission.

Layout, Jeff Kaiser

pfMENTUM CD097

PFMCD097

PFMCD096_Back

John Blevins: Matterhorn (PFMLP092)

Jeff Kaiser

[playlist ids="765"]

John Blevins: Matterhorn

(Please note: this is for the VINYL version, the CD version is here.)

Side A:
1. Identity Theft
2. Unaware
3. Brink
4. Nascent

Side B:
1. Little Dickens
2. See
3. Breathe
4. Hear

John Blevins – Trumpet
Drew Williams – Tenor Saxophone
Brad Mulholland – Alto Saxophone/Flute/Clarinet
Nick Grinder – Trombone
Marta Sanchez – Fender Rhodes
Jeff Mclaughlin – Guitar
Marty Kenney – Bass
Nathan Ellman-Bell – Drums/Percussion
John Doing – Congas

Produced by John Blevins and Shane Endsley

Recorded at Grand Street Recording in Williamsburg, Brooklyn by Jake Lummus on July 21 and 22, 2014

Edited and mixed by Jake Lummus and John Blevins, Autumn 2014

Mastered by Liberty Ellman on December 12, 2014

All compositions © and& ℗ 2015 John Blevins Music (ASCAP)

Original artwork and design by Sam Gezari

THANK YOU to Nathan, Marty, Jeff, Nick, Drew, Brad, Marta, and John for their dedication to this music. It’s an honor to play with you.

Special thanks to Shane Endsley, Jake Lummus, Liberty Ellman, Leah Jubara, Matt Hurley, Simon Yu, Sam Gezari, Daniel Stessen, and to Bill Jubara and everyone who supported this project on Kickstarter. Special thanks to my loving, supportive family and especially to Amanda.

For Ray and Howell.

pfMENTUM LP092

PFMLP092

John Blevins: Matterhorn (PFMCD092)

Jeff Kaiser

[playlist ids="765"]

John Blevins: Matterhorn

(Please note: this is for the CD version, the vinyl version is available here.)

1. Identity Theft
2. Unaware
3. Brink
4. Nascent
5. Little Dickens
6. See
7. Breathe
8. Hear
9. See (alternate take)

John Blevins – Trumpet
Drew Williams – Tenor Saxophone
Brad Mulholland – Alto Saxophone/Flute/Clarinet
Nick Grinder – Trombone
Marta Sanchez – Fender Rhodes
Jeff Mclaughlin – Guitar
Marty Kenney – Bass
Nathan Ellman-Bell – Drums/Percussion
John Doing – Congas

Produced by John Blevins and Shane Endsley

Recorded at Grand Street Recording in Williamsburg, Brooklyn by Jake Lummus on July 21 and 22, 2014

Edited and mixed by Jake Lummus and John Blevins, Autumn 2014

Mastered by Liberty Ellman on December 12, 2014

All compositions © and& ℗ 2015 John Blevins Music (ASCAP)

Original artwork and design by Sam Gezari

THANK YOU to Nathan, Marty, Jeff, Nick, Drew, Brad, Marta, and John for their dedication to this music. It’s an honor to play with you.

Special thanks to Shane Endsley, Jake Lummus, Liberty Ellman, Leah Jubara, Matt Hurley, Simon Yu, Sam Gezari, Daniel Stessen, and to Bill Jubara and everyone who supported this project on Kickstarter. Special thanks to my loving, supportive family and especially to Amanda.

For Ray and Howell.

pfMENTUM CD092

PFMCD092