Michael Vlatkovich / Anna Homler / Jeff Kaiser / Scott Walton / Rich West: Here & Here & Here (PFMCD084)

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[playlist ids="555,557,553"]
Michael Vlatkovich: trombone, percussion
Anna Homler: vocal, percussion
Jeff Kaiser: trumpet, flugelhorn
Scott Walton: acoustic bass
Rich West: drums, percussion

1. Dragon Beware (2:47)
2. Here & Here & Here (7:28)
3. Red Coda Soft (8:21)
4. Before But After (2:09)
5. Spark (5:20)
6. Big Doors Little Windows (3:49)
7. Oranger Than Happiness (3:10)
8. Round Triangles (3:41)
9. Your Ark Is Waiting (2:39)
10. Three In Front Four in Back Toes (2:41)
11. Salute (1:41)
12. Choir hose 293 (3:02)
13. Pfazzu (2:48)
14. Thunderous Silence (3:33)
15. Potozo (2:44)
Recorded 1-20-14 edited, mixed & mastered 2-4-14
Newzone Studio Los Angeles Wayne Peet engineer
Photos Julia Fitzgerald * Layout Jeff Kaiser

pfMENTUM CD084

PFMCD084

Michael Vlatkovich: Multitudes Telepathic (PFMCD078)

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[playlist ids="541"]
Multitudes Telepathic

Michael Vlatkovich: trombone and percussion
Clyde Reed: electric upright bass
Dave Wayne: drumset and percussion
Mark Weber: poem cycle

(4:16) 1. 2a
(8:47) 2. Poem 2
(3:45) 3. Always
(2:24) 4. Writing
(5:09) 5. Poem 5 is a Dance
(6:04) 6. Cycles
(7:41) 7. Trees
(4:27) 8. Clicking
(2:48) 9. Breathing Pyramid Cyclotron of Watermelon
(3:44) 10. The Circle

Recorded in Santa Fe at the home of Dave Wayne and Cindy Geist, on the afternoon of September 22, 2o12 by Steve Schmidt

Mark Weber’s poems over-dubbed at Newzone, August 10, 2o13
Mixed and mastered by Wayne Peet/Newzone/Los Angeles

Photo by Mark Weber
Artwork by M. Vlatkovich
Layout by Jeff Kaiser

pfMENTUM CD078

PFMCD078

Michael Vlatkovich Quartet: You’re Too Dimensional (PFMCD077)

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[playlist ids="539"]
Michael Vlatkovich Quartet
You’re Too Dimensional.

Michael Vlatkovich: Compositions, Trombone
Jim Knodle: Trumpet
Phil Sparks: Bass
Greg Campbell: Drums, French Horn*

(05:05) 1. various manifestations of thwart & opine for curved bill thrasher & toy piano in 4 parts
(02:48) 2. no candy for the wagon full of devils
(08:15) 3. the curious intensity of a refrigerator defrosting *
(04:24) 4. wishing for 2 at 5/3
(06:26) 5. mOOn jOOiia
(10:04) 6. blue peepers
(06:25) 7. the static equilibrium of the values of savagery
(06:50) 8. i liberate monsters
(02:32) 9. balance out of life out of balance *
(06:32) 10. fools drunks & angels
total 59:37

Recorded in Seattle 2-2-13 Doug Hare – Engineer, Sonarchy Radio
Edited, Mixed & Mastered 5-01/02-13
Wayne Peet – Engineer, Newzone Studio, Los Angeles
Chuck Britt – Design

pfMENTUM CD077

PFMCD077

Ellen Burr and Michael Unruh: Where am I from, Where am I going (PFMCD076)

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[playlist ids="537"]
Ellen Burr: flute, alto flute, piccolo
Michael Unruh: bass clarinet

This recording is dedicated to the Wichita State University
teachers who gave me the love and skill to pursue music:
Frances Shelly, flute; Walter Mays, composition;
and Arthur Wolff, who introduced me to free improvisation.
–Ellen Burr

1. (4:26)
2. (4:26)
3. (2:41)
4. (2:34)
5. (3:21)
6. (4:46)
7. (8:29)
8. (4:43)
9. (5:37)
10. (3:51)
11. (4:16)
12. (8:31)
13. (4:55)
14. (2:57)
15. (7:24)

Recorded by Michael Unruh, Spring 2011
All music © and 2013 Ellen Burr ASCAP and Michael Unruh
Mixed and mastered November 2012 at Killzone Studio, Wayne Peet
Cover art by Chiyoko Myose, Where Am I From, Where Am I Going
Layout and design by Holly Hood

pfMENTUM CD076

PFMCD076

Gilbert Isbin and Scott Walton: ReCall (PFMCD073)

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[playlist ids="532"]
Gilbert Isbin: lute
Scott Walton: bass

1. Solace 2:32
2. Flutter 3:19
3. Panting 2:24
4. Soedansdochter 3:19
5. Unhinged 2:06
6. Embra 2:47
7. Oblique 3:19
8. Pensive 1:53
9. Along Green Ditches 3:21
10. Blooming 2:11
11. Weaving 3:41
12. Spatter 2:49
13. Knomish 2:42
14. Terpsichore 2:35
15. Recall 2:13
Total 42:01

Tracks 3, 6, 9, 11, 13 and 15 composed by Gilbert Isbin
Tracks 1, 2, 5, 7, 8, 10, 12 and 14 composed by Gilbert Isbin and Scott Walton
Soedansdochter is a medieval Flemish folksong, arranged by Isbin and Walton

Recorded at Banquet Sound Studios, Sebastopol, CA, October 26 and 27, 2011
Recorded and Mixed by Darryl Webb
Mastered by Wayne Peet

Cover Photograph by Marie-Anne Ver Eecke

Special thanks to Marie-Anne Ver Eecke, Sophie Plassard, Jos Demol,
Larry Ochs,Bill Horvitz, Darryl Webb and Jeff Kaiser.

Gilbert Isbin plays an eight-course lute after Wendelio Venere 1592,
built by Dirk De Hertogh, Wolvertem, Belgium

© Gilbert Isbin and Scott Walton 2012. All rights reserved.
Over the past three decades, guitarist/composer Gilbert Isbin has released an impressive string of recordings for various labels. A few years ago, wanting a new challenge, he began studying the lute–not the most common jazz instrument, although its Arabian nephew, the oud, gains more and more recognition. I have always adored the sound of the lute, and it struck me that there is little modern music written for–and performed on–this marvelous instrument. Gilbert’s work is a significant contribution to the development of contemporary lute music. His compositions are both reflective and lyrical, infused with compelling melodies.

Contrabassist and pianist Scott Walton lent his stunning tone and superb technique to the well-received album Venice Suite (2003), recorded in Los Angeles with Gilbert, and violinist Jeff Gauthier. Since meeting at those sessions, Scott and Gilbert have teamed up for numerous concerts in Europe and the United States. Their innovative collaboration finds its inspiration in progressive jazz, classical avant-garde, Renaissance chamber music and even blues. The interplay between both musicians–which proves mutual respect–is remarkable, resulting in intelligent improvisations that capture the listener’s attention. The fifteen tracks on this album are in exquisite balance, revealing an unequivocal beauty. –Jos Demol, Jazz’halo, 14 July 2012

pfMENTUM CD073

PFMCD073

Michael Vlatkovich Tryyo: Pershing Woman (PFMCD071)

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[playlist ids="526"]
PERSHING WOMAN
Vlatkovich Tryyo

michael vlatkovich: trombone
jonathangolove: electric cello
damon short: drums

recorded live 10.2.2010 by damon short • grand rapids, michigan • hugo claudin’s mexicains sans frontieresedited and mastered by wayne peet • los angeles, california • newzone studio
art by julia fitzgerald • layout by jeff kaiser and michael vlatkovich
music composed by m.vlatkovich • ©2012, julius ivory music

1. our costumes should tell us who we are and what we think – 6:09
2. pursued by more past than future – 6:34
3. black triangles yellow corn and pink medicine drops – 7:43
4. with whom each dance – 4:51
5. once in a blue moon a decent wolf comes along/hostages of romance (medley) – 7:17
6. the imponderable hiding in extra large clothing – 12:18
7. pershing woman – 5:40
8. neighborhood beasts let down their hair – 7:20
9. i let my magic tortoise go – 5:17

pfMENTUM CD071

PFMCD071

Zen Widow: Screaming in Daytime (Makes Men Forget) (PFMCD069)

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[playlist ids="522"]
Zen Widow
Featuring Wadada Leo Smith

Zen Widow is:
Gianni Gebbia (alto saxophone)
Matthew Goodheart (grand piano, electro-acoustic gongs and cymbals)
Garth Powell (drums and percussion)
Special guest artist—Wadada Leo Smith (trumpet)

1. Gifts We Have Forgotten 13:05
2. Notated Memory 12:05
3. Black On White Paper 7:05
4. This Seeming Dream 7:36
5. Musa Physics 15:42
Total Time: 55:41

“Screaming in Daytime (makes men forget)” is Zen Widow’s third album, our first collaboration with Wadada Leo Smith, and it is in large part homage to tenor firebrand: Glenn Spearman.

Many of the melodies are constructed from fragments of his compositions. We inverted, rearranged, and modified what wasn’t completely new or created on the spot. Wishing to maintain the essence of Glenn’s rich compositional style was the priority, without resorting to a typical “tribute” collection of an artist’s past works.
All four of us worked with and deeply respected Glenn. I was a young artist right out of music school when I first worked with him. Already a master of the free jazz idiom, he was both thoughtful and generous to treat me as an equal given his age and experience. Although I frequently find myself thinking about the music we shared, this disc represents where the four of us are today—looking up and outward towards our friend.

The San Francisco Bay Area has been the home of a multitude of great artists as it continues to be. Yet, the fire and passion that was stoked throughout our community left a vacuum with Glenn’s passing. That loss is felt to this day. Glenn’s work with Cecil Taylor, Jimmy Lyons, The Glenn Spearman Double Trio with Larry Ochs, The Creative Music Orchestra with Marco Eneidi, and numerous other projects were all testaments to Glenn’s spirit and incredible power.

As improvisers we try to be in the moment, but it’s still hard not to gaze back and think of Glenn.

—Garth Powell 2012

I am very honored to dedicate this recording to Glenn Spearman, I worked with him only once at the Beanbenders concert series in Berkeley. I was very impressed by his solid sound, his gentleness and kindness of spirit. This recording is a double honor for me because of the great sounds of Wadada. He was the original soloist in the trio where I started my musical career with Peter Kowald and Gunther Baby Sommer. Wadada’s trumpet voice is the ideal to show our gratitude to Glenn.

Drops of Gold are falling forever in the long and everlasting dharma of the Great Black Music.

—Jòraku Gianni Gebbia 2012

In February of 1998, my group “Trio and. . .” played at the closing night of Radio Valencia in San Francisco. Performing was my regular line up of Glenn Spearman on tenor and Donald Robinson on drums, with Wadada Leo Smith as guest. The night was intense, beautiful, a fulfillment, these great artists sounding above those simple musical structures of my own making. A few weeks before I had been asked “If you could play with any musicians you wanted, who would it be?” My answer was: this group.

I did not know it at the time, but it was the beginning of an end of an era in Bay Area improvised music. Whatever forces drive certain moments in musicking, they had secretly begun to diverge. The group of artists centered around Radio Valencia moved to other venues. Glenn, in his own words, “went to join the ancestors” some nine months later. The scene slowly evolved into something else. The movement of that night, the deep interaction between Glenn and Wadada over the flux of the rhythm section, remains a personal embodiment of that time. All of these musicians had a profound impact on me, so generous in their time and artistry in support of a younger man struggling to find his formation. Glenn was my mentor; he brought me inside of his world, working closely, hours playing, absorbed in the details of his and our music. He taught me focus and intensity, maturity of vision. From Wadada I learned the concentrated, delicate, sensuous detail of shape and sculpture in each utterance. From Donald: flow, patience, attention, integrity.

To revisit Glenn’s music, over a decade after his death, with the collaborative Zen Widow and (once again) the generous addition of Wadada Leo Smith, moves into sound that complex network of events that exist as cadences in our lives. Glenn’s unending musicality calls back from the ancestors to play among the living.
I still learn from these artists, all of them. If asked again, if I could again play with any musicians I wanted, the answer again would be: this group.

—Matthew Goodheart 2012

Recorded Live to two-track analog at Ocean Way Recording—Studio A—Hollywood, California by Mike Ross (second engineer Patrick Spain)

Production and generous implementation of Audioquest microphone cables with DBS technology by Joe Harley

Mastered by Bernie Grundman—Bernie Grundman Mastering, Hollywood, California

Disc Manufacturing and 1:1 glass mastering—Groove House, Woodland Hills, California

Graphic Layout and Design—John Benz, Petaluma, California

Photography: Front Cover: Heike Neubauer–Antoci, Mettanest Studio, Dresden, Germany
Back Cover Group Photo: David Swann Photography
Inside Face Group Photo: David Goggin

Special thanks to Shantee Maggie Baker, John Benz, Michael Ehlers, Marco Eniedi, David Goggin, Bernie Grundman, Joe Harley, Jeff Kaiser, Wayne Powell, Mike Ross, David and Susan Thompson, everyone at Ocean Way Recording Hollywood, and all of our friends across the world who tirelessly create and support improvised music.

All compositions by Gebbia, Goodheart, Powell, and Smith. Evolving Door Music BMI 2012, SIAE 2012
© 2012 All Rights Reserved

pfMENTUM CD069

PFMCD069

Louis Lopez / Mike Lockwood / Daniel Eaton: Grampus / Ilk Ilk (PFMCD068)

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[playlist ids="520"]
Grampus

Louis Lopez: trumpet, voice, laptop
Mike Lockwood: drums, percussion
Daniel Eaton: trombone, analog synth, laptop

1. Grampthem 6:46
2. Chart no. 2 7:28
3. Hydrosphere Here 3:19
4. Chortle of the Bakunawa 3:26
5. Impish Saddleride 4:08
6. Spyhobbing 4:08
7. Lozen 6:17
8. Ull 2:42
9. Mu Chart 3:51
10. Large Indefinite Quantity 5:35
11. Hot Air Ballon 6:41
12. ILKILKILKILKIL

All improvisations recorded live 6.19.11 and 7.15.11
CalArts Dizzy Gillespie Recording Studio, Valencia, CA
All music © by Louis Lopez, ASCAP; Daniel Eaton ASCAP; Mike Lockwood ASCAP
Mixed by GRAMPUS
Mastered by Wayne Peet
Album design and cover art by Kangmin Kim
Additional photography by Lauren Randolph

pfMENTUM CD068

PFMCD068

Michael Vlatkovich Ensemblio: An Autobiography of a Pronoun (PFMCD067)

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[playlist ids="518"]
Michael Vlatkovich, compositions and arrangements

Harry Scorzo: violin
Jonathan Golove: cello
Anders Swanson: contrabass
Brian Walsh: clarinet
Jeff Kaiser: trumpet
Michael Vlatkovich: trombone/percussion
William Roper: tuba/euphonium/cimbasso
Tom McNalley: guitar
Wayne Peet: keyboard
Ellington Peet: cymbal
Mark Burdon: percussion

Recorded, edited, mixed and mastered by Wayne Peet at Killzone Studio
Cover art by Michael Vlatkovich; Photo by Tom Woodbury
Graphic design by William Roper
pfMENTUM CD067
PFMCD067

Dick Wood: Not Far From Here (PFMCD065)

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[playlist ids="514"]
Dick Wood: Not Far From Here

Dick Wood: alto sax, flute, whistle, boom box

Dan Clucas: cornet, flute, octokoto, other sounds

Hal Onserud: bass

Mark Trayle: live electronics with Supercollider graphics

Marty Mansour: drums, percussion on tracks 1 and 3

Dan Ostermann: trombone with space mute

Chuck Manning: tenor saxophone, percussion

1 Ignatious 7:05
2 Mango Season 1 1 : 1 1
3 Cook the Books 8 : 1 1
4 Not Far From Here 8:35
5 No Known Knowns 7:29
6 And Now 5:07

Not Far from Here
dick wood
All compositions by Dick Wood
© 2011 Zyc Slick Productions

recorded by Scott Fraser at Architecture, Los Angeles
June 15 & (tracks 1 & 3) Oct. 19, 2008
mastered by Wayne Peet, April 2011, Newzone Studio, Los Angeles
all compositions by Dick Wood
cover photo by Steve DeGroodt
model Sapna Khurama
liner notes Paul Wood
graphics Patt Narrowe
special gratitude to Scott Fraser,
Bobby Bradford, Nels Cline,
Bonnie Barnett, Woody Aplanalp,
Lewis Jordan, Ben and Linda Wood,
Sue Dorsey, Lissa Callaghan,
John Wood, Joanne Parker
thanks to
Emily Hay, Kay Sera, Noriko Honma
© 2011 zyc slick productions

pfMENTUM CD065

PFMCD065