Jeff Kaiser and Gregory Taylor: The Desert Fathers / CHARISMATA (PFMCD070)

Louis Lopez 0 Comments

[playlist ids="524"]
The Desert Fathers

Jeff Kaiser: quartertone trumpet, voice, laptop
Gregory Taylor: laptop

1. Sapientia 21:16
2. Intellectus 10:06
3. Consilio 8:25
4. Fortitudo 9:48
5. Scientia 12:57
6. Pietas 4:37

All music © 2012
Jeff Kaiser Music, ASCAP and
Gregory Taylor, BMI

Recorded live in the studio August 2-8, 2010 at STEIM, Amsterdam, NL
Mixed and Mastered April 2012 in San Diego, CA
Engineered by Jeff Kaiser

Graphic design by Ted Killian

The Desert Fathers are grateful to STEIM for our artists’ residency.
Thank you so much for all that you give.

pfMENTUM CD070

PFMCD070

Jeff Kaiser and Gregory Taylor / The Desert Fathers: Coptic Icons (PFMCD050)

Louis Lopez 1 Comment

[playlist ids="467"]
The Desert Fathers

Jeff Kaiser: Quartertone Trumpet, Laptop
Gregory Taylor: Laptop

ONLY AVAILABLE DIGITALLY

1. Visions (Saint Anthony) 31:14
2. The White Monastery (Saint Shenouda) 26:02

Recorded direct-to-disc 4.27 and 4.28.07 at the Boise Experimental Music Festival
CD art, mix and mastering by Jeff Kaiser
© 2007, Gregory Taylor, BMI and Jeff Kaiser Music, ASCAP
For more information:
www.pfMENTUM.com • PFMCD050

The Desert fathers—a collection of ascetics, monks, and hermits—fled the persecutions and chaos of the Roman Empire in the third century AD and settled in the deserts of Egypt, seeking safety and solace in loose-knit refugee communities at the margins of civilization. When the persecutions stopped, they remained-drawn as individuals by the solitude, privation, and self-discipline borne of desert life.

Born the son of wealthy landowners, orphaned, and later disciple of a local ascetic, St. Anthony the Great is noteworthy as the first to actually pursue an isolated (anchoritic) life in the desert itself. His biographies describe in vivid detail the afflictions and visions of his isolation—torments from which he emerged enlightened, serene, and healthy. After this, he moved further into the wilderness even as his fame grew, founding his own monastery where he dedicated himself and his disciples to prayer and the discipline of manual labor.

Shenouda the Archimandrite first visited the White Monastery (so named for the color of limestone of its outer walls) located near the Upper Egyptian city of Souhag as a boy. He remained there as a result of a vision granted to the monastery’s abbot, and eventually served as its abbot during its heyday as a thriving ascetic community.

Anthony and Shenouda were both canonized after their deaths as saints in the Coptic Orthodox Church. As monks, they combined their own individualized practices with regimens attuned to their lives in a desert environment and introduced elements of shared communal practice (the sharing of meals and liturgical practice) into their communities that laid the foundations for what we now think of as Christian monasticism.

pfMENTUM CD050

PFMCD050

Pietas

admin 0 Comments

“Pietas” from The Desert Fathers: Charismata by Jeff Kaiser and Gregory Taylor. Released: 2012. Track 6 of 6. Genre: Improvisation, Creative, Composition.

Excerpt from Coptic Icons

admin 0 Comments

“Excerpt from Coptic Icons” from Coptic Icons by Jeff Kaiser and Gregory Taylor: The Desert Fathers. Genre: Improvisation, Creative, Composition.

Jeff Kaiser and Phil Skaller: Endless Pie (PFMCD072)

Louis Lopez 1 Comment

[playlist ids="528"]
Endless Pie is…
Jeff Kaiser: trumpet, flugelhorn, voice, electronics
Phil Skaller: prepared piano

Two CDs:
Total run time 109 minutes

Recorded live in Studio A
University of California San Diego, November 21-22, 2010
Recording engineers: Joe Kucera and Clint Davis

Mixing, mastering, design: Jeff Kaiser, July 2012

All compositions © 2012:Jeff Kaiser Music, ASCAP • Phil Skaller, ASCAP

Blueberry (Disc One)

1. Unchangeable Fundament 13:15
2. Image of a Punctiform 3:35
3. People from the Machinations 8:50
4. Two Unknowns, the One Being 6:07
5. Galileo Uses Propaganda 6:39
6. Anticipated by Bacon 4:42
7. No Immediate Theoretical 3:36
8. Alongside a Moving Tower 3:42

Cherry (Disc Two)

1. The Puppet Does Not Have a Soul 14:54
2. Backward Intersection 5:29
3. Occured without Noticeable 2:37
4. Absence of any Proper Notion 5:29
5. Behave Very Much Like After-Images 7:44
6. We Must Retain 6:34
7. The Problem of Telescopic Vision 2:27
8. As Some Relics 6:04
9. Well-Determined Exceptions 1:31
10. This Paratactic 5:19

pfMENTUM CD072

PFMCD072

Zen Widow: Screaming in Daytime (Makes Men Forget) (PFMCD069)

Louis Lopez 0 Comments

[playlist ids="522"]
Zen Widow
Featuring Wadada Leo Smith

Zen Widow is:
Gianni Gebbia (alto saxophone)
Matthew Goodheart (grand piano, electro-acoustic gongs and cymbals)
Garth Powell (drums and percussion)
Special guest artist—Wadada Leo Smith (trumpet)

1. Gifts We Have Forgotten 13:05
2. Notated Memory 12:05
3. Black On White Paper 7:05
4. This Seeming Dream 7:36
5. Musa Physics 15:42
Total Time: 55:41

“Screaming in Daytime (makes men forget)” is Zen Widow’s third album, our first collaboration with Wadada Leo Smith, and it is in large part homage to tenor firebrand: Glenn Spearman.

Many of the melodies are constructed from fragments of his compositions. We inverted, rearranged, and modified what wasn’t completely new or created on the spot. Wishing to maintain the essence of Glenn’s rich compositional style was the priority, without resorting to a typical “tribute” collection of an artist’s past works.
All four of us worked with and deeply respected Glenn. I was a young artist right out of music school when I first worked with him. Already a master of the free jazz idiom, he was both thoughtful and generous to treat me as an equal given his age and experience. Although I frequently find myself thinking about the music we shared, this disc represents where the four of us are today—looking up and outward towards our friend.

The San Francisco Bay Area has been the home of a multitude of great artists as it continues to be. Yet, the fire and passion that was stoked throughout our community left a vacuum with Glenn’s passing. That loss is felt to this day. Glenn’s work with Cecil Taylor, Jimmy Lyons, The Glenn Spearman Double Trio with Larry Ochs, The Creative Music Orchestra with Marco Eneidi, and numerous other projects were all testaments to Glenn’s spirit and incredible power.

As improvisers we try to be in the moment, but it’s still hard not to gaze back and think of Glenn.

—Garth Powell 2012

I am very honored to dedicate this recording to Glenn Spearman, I worked with him only once at the Beanbenders concert series in Berkeley. I was very impressed by his solid sound, his gentleness and kindness of spirit. This recording is a double honor for me because of the great sounds of Wadada. He was the original soloist in the trio where I started my musical career with Peter Kowald and Gunther Baby Sommer. Wadada’s trumpet voice is the ideal to show our gratitude to Glenn.

Drops of Gold are falling forever in the long and everlasting dharma of the Great Black Music.

—Jòraku Gianni Gebbia 2012

In February of 1998, my group “Trio and. . .” played at the closing night of Radio Valencia in San Francisco. Performing was my regular line up of Glenn Spearman on tenor and Donald Robinson on drums, with Wadada Leo Smith as guest. The night was intense, beautiful, a fulfillment, these great artists sounding above those simple musical structures of my own making. A few weeks before I had been asked “If you could play with any musicians you wanted, who would it be?” My answer was: this group.

I did not know it at the time, but it was the beginning of an end of an era in Bay Area improvised music. Whatever forces drive certain moments in musicking, they had secretly begun to diverge. The group of artists centered around Radio Valencia moved to other venues. Glenn, in his own words, “went to join the ancestors” some nine months later. The scene slowly evolved into something else. The movement of that night, the deep interaction between Glenn and Wadada over the flux of the rhythm section, remains a personal embodiment of that time. All of these musicians had a profound impact on me, so generous in their time and artistry in support of a younger man struggling to find his formation. Glenn was my mentor; he brought me inside of his world, working closely, hours playing, absorbed in the details of his and our music. He taught me focus and intensity, maturity of vision. From Wadada I learned the concentrated, delicate, sensuous detail of shape and sculpture in each utterance. From Donald: flow, patience, attention, integrity.

To revisit Glenn’s music, over a decade after his death, with the collaborative Zen Widow and (once again) the generous addition of Wadada Leo Smith, moves into sound that complex network of events that exist as cadences in our lives. Glenn’s unending musicality calls back from the ancestors to play among the living.
I still learn from these artists, all of them. If asked again, if I could again play with any musicians I wanted, the answer again would be: this group.

—Matthew Goodheart 2012

Recorded Live to two-track analog at Ocean Way Recording—Studio A—Hollywood, California by Mike Ross (second engineer Patrick Spain)

Production and generous implementation of Audioquest microphone cables with DBS technology by Joe Harley

Mastered by Bernie Grundman—Bernie Grundman Mastering, Hollywood, California

Disc Manufacturing and 1:1 glass mastering—Groove House, Woodland Hills, California

Graphic Layout and Design—John Benz, Petaluma, California

Photography: Front Cover: Heike Neubauer–Antoci, Mettanest Studio, Dresden, Germany
Back Cover Group Photo: David Swann Photography
Inside Face Group Photo: David Goggin

Special thanks to Shantee Maggie Baker, John Benz, Michael Ehlers, Marco Eniedi, David Goggin, Bernie Grundman, Joe Harley, Jeff Kaiser, Wayne Powell, Mike Ross, David and Susan Thompson, everyone at Ocean Way Recording Hollywood, and all of our friends across the world who tirelessly create and support improvised music.

All compositions by Gebbia, Goodheart, Powell, and Smith. Evolving Door Music BMI 2012, SIAE 2012
© 2012 All Rights Reserved

pfMENTUM CD069

PFMCD069

Bonnie Barnett Group: In Between Dreams (PFMCD063)

Louis Lopez 0 Comments

[playlist ids="512"]
Bonnie Barnett Group: In Between Dreams

1. Badinage 4:00
2. Matisse* 8:24
(verbatim text: Gertrude Stein)
3. In Between Dreams 5:21
4. Primordial 8:18
5. Nothingness† 10:27
(verbatim text: Jean-Paul Sartre)
6. Set In Stone 4:14
7. Shambala 8:01

TOTAL TIME: 49:15

Bonnie Barnett: vocals
Richard Wood: alto sax, flute, bass clarinet
Hal Onserud: bass
Garth Powell: percussion

All music FMZ Music Co. (BMI) All rights reserved.
All music © pfMentum
For more information: www.pfmentum.com

Bonnie Barnett is an improviser of unusual clarity. A cornerstone of the Los Angeles New Music scene, and the composer of the TUNNEL HUMs, Barnett has mightily contributed to the worlds of contemporary classical music and improvisation and is one of Los Angeles’ hidden treasures. Barnett’s impressive array of vocal extensions creates a personal world of sonic texture that is unrivaled. Barnett’s new CD finds her using texts, tone, and timbre in a stunning display of virtuosity that sends the listener towards worlds of subterranean as well as ethereal delights.

Vinny Golia–Los Angeles CA.–4/22/2011

Recorded (7/10) and mixed (9/10-2/11) by Scott Fraser at Architecture, Los Angeles
Mastered (2/11) by Wayne Peet at Newzone Studio, Los Angeles
*2. Matisse – text: Gertrude Stein’s portrait of the artist Henri Matisse. Permission granted by the Estate of Gertrude Stein, through its Literary Executor, Mr. Stanford Gann, Jr. of Levin & Gann, P.A.
†5. Nothingness – text: “The Origin of Negation”, excerpt from Jean-Paul Sartre’s Essay On Nothingness, courtesy of Philosophical Library, Inc.
Painting on cover: “In Principio”, acrylic on wood panels, by Peter Veblen Van Fleet, 2010.
Photos of the musicians: © Steve De Groodt 2011. All rights reserved.
Design: Ted Killian
© Bonnie Barnett 2011. All rights reserved.
All music FMZ Music Co. (BMI)

BONNIE BARNETT, vocalist, composer and improviser, resides in Los Angeles. She appears on two DICE compilations and has three releases on Nine Winds, including the 2006 “Trio For Two”, a duo with bassist Ken Filiano. She has been exploring the texts of Gertrude Stein, Jean-Paul Sartre and others, and also delights in improvising faux text.

RICHARD WOOD, alto sax, flute and bass clarinet, resides in Los Angeles. Founding member of The And Now Ensemble, he continues to amaze southern California audiences with his intense, yet zany, performances. He has a new CD, “Not Far From Here”, for quintet and septet, which will be released this year on pfMentum.

HAL ONSERUD, bass, currently resides in Santa Barbara. A long-time player on the New York scene, his improvising collaborators include Cecil Taylor, William Parker, Bill Dixon, Vinny Golia, Jackson Krall and many others.

GARTH POWELL, percussionist extraordinaire, resides in the San Francisco Bay Area. He has releases out on Rastascan, Roadcone, Nine Winds, Evander, Beak Doctor and Leo, and has recorded with, among others, Jaap Blonk, John Butcher, Nels Cline, Peter Kowald, Bert Turetsky, Saadet Turkos and the London Improvisors Orchestra.

pfMENTUM CD063

PFMCD063

The Jeff Kaiser Ockodektet: The Alchemical Mass and The Kaiser / Diaz-Infante Sextet: Suite Solutio (PFMCD019)

Louis Lopez 1 Comment

[playlist ids="396,393,395"]
The Jeff Kaiser Ockodektet: The Alchemical Mass

The Kaiser/Diaz-Infante Sextet: Suite Solutio

The Jeff Kaiser Ockodektet with The Ojai Camerata

Woodwinds: Vinny Golia, Eric Barber, Jason Mears * Trumpet/Flugelhorn: Kris Tiner * Trombone: Michael Vlatkovich
Tuba: Mark Weaver * Bass: Jim Connolly * Prepared Acoustic Guitar: Ernesto Diaz-Infante * Acoustic Piano: Wayne Peet
Percussion: Brad Dutz * Drum Set: Richie West * Jeff Kaiser: Conductor, Flugelhorn

The Ojai Camerata:
Sopranos: Diane Besocke, Candace Delbo, Eleanor Land,
Laura Johnson-Bickford, Lu Setnicka
Altos: Gwen Erickson, Lisa Gordon, Katherine Halsey,
Holly Mitchem, Zoe Pietrycha
Tenors: Carla Aiello, Jaye Hersh, J.B. White
Basses: Dave Farber, Jim Halverson, Kurt Meyer, Bill Wagner
Dr. Wyant Morton, Director

The Alchemical Mass
Conducted by Jeff Kaiser and Dr. Wyant Morton
1. Introitus 10:28
[Eric Barber, Soprano Sax * Vinny Golia, Sopranino Sax]
2. Kyrie 3:00
3. Collecta and Gloria 2:33
[Kris Tiner, Flugelhorn]
4. Epistola and Graduale 1:44
5. Offertorium 9:03
[Jeff Kaiser, Flugelhorn * Jason Mears, Alto Sax]
6. Ave Maria and Commune 7:16

Kaiser/Diaz-Infante Sextet
Trumpet/Flugelhorn: Jeff Kaiser * Prepared Acoustic Guitar: Ernesto Diaz-Infante
Trombone: Scot Ray * Bass: Jim Connolly * Percussion: Brad Dutz * Drum Set: Richie West

Suite Solutio
7. Part I 2:38
8. Part II 1:25
9. Part III 5:06
10. Part IV 5:49
11. Part V 4:19
Total Playing Time 53:21

All compositions and arrangements by Jeff Kaiser * (C)2004 Jeff Kaiser Music, ASCAP
The Alchemical Mass was recorded 4.26.03 at the First United Methodist Church in Ventura, CA
Recorded, mixed, and mastered by Wayne Peet
Suite Solutio was recorded 2.25.01 at Zircon Skye in Ojai, CA
Recorded by Jeff Evans * Mixed and mastered by Jeff Kaiser
Photographs by Michael Kelly * Design and layout by Jeff Kaiser

The Alchemical Mass is dedicated to Keith McMullen for his friendship and unending supply of prima materia.
In Stercore Invenitur

Liner Notes:

“Obscurum Per Obscurius.”
[Explaining the obscure by the more obscure.]

-Anonymous Alchemical Quote

“It is true that alchemy always stood on the verge of heresy and that certain decrees leave no doubt as to the Church’s attitude towards it, but on the other hand it was effectively protected by the obscurity of its symbolism, which could always be explained by harmless allegory…The alchemists ran counter to the Church in preferring to seek through knowledge rather than to find through faith, though as medieval people they never thought of themselves as anything but good Christians…But in reality they were in much the same position as modern man, who prefers immediate personal experience to belief in traditional ideas, or rather has it forced upon him…For this reason there have always been people who, not satisfied with the dominants of conscious life, set forth – under cover and by devious paths, to their destruction or salvation – to seek direct experience of the eternal roots…”

-C.G. Jung, Psychology and Alchemy

Nicholas Melchior Cibenensis – chaplain and court astrologer to Ladislaus I (King of Hungary and Bohemia) and then Louis II – wrote the text of The Alchemical Mass between 1490 and 1516. Following the death of Louis II in 1526, Cibenensis fled to Vienna…where Ferdinand I would execute him in 1531. The original text is quite long and has been paraphrased for this composition.

Introitus Missae:
Fundamentum vero artis est corporum solutio quae, non in aquam nubis, sed in aquam mercurialem resolvenda sunt, ex qua generatur verus lapis philosophorum. [The basis of the Art is the dissolution of the bodies…]
Versus: Introitus vitrioli, et salis vitri, aequales partes, dans solutionis testimonium: Gloria patri, et filio, per spiritum sanctum.

Kyrie:
Kyrie, fons bonitatis, inspirator sacrae artis, a quo bona cuncta tuis fidelibus procedunt, Eleison.
Christe, Hagie, lapis benedicte artis scientiae qui pro mundi salute inspirasti lumen scientiae, Eleison.
Kyrie, ignis divine, pectora nostra juva, ut pro tua laude pariter sacramenta artis expandere possimus, Eleison.
[Our Lord, fount of goodness, inspirer of the sacred art, from whom all good things come to your faithful, have mercy. Christ, Holy one, blessed stone of the art of the science who for the salvation of the world hast inspired the light of the science, have mercy. Our Lord, divine fire, help our hearts, that we may be able, to your praise, to expand the sacraments of the art, have mercy.]

Collecta:
Deus largitor totius bonitatis, qui maxime in fine temporum; sola tua bonitate et sapientia famulo tuo. N.N. non suis meritis praecedentibus: sed tua ineffabili pietate, et gratia praeveniente, lumen sacrae artis alchemiae inspirasti, praesta quae sumus, ut quod ex tuae maiestatis dono accepit, ad salutem corporis, et animae eius prosit, in ipsoque omnia vitia mortifica, et gratiam virtutis infunde, ut eandem sacram artem solum modo ad laudem, et gloriam nominis tui, et fidei Christianae propagationem, fideliter expendat, per dominum nostrum Jesum Christum, Amen.
[May thy servant N.N. practice the sacred Art of alchemy to the glory of God…]

Gloria in excelsis

Epistola:
O altitudo divitiarum sapientiae, et scientiae Dei.
[O profound, wise and knowledgeable God.]

Graduale:
Surge aquilo et veni auster: perfla hortum meum, et fluant aromata illius.
[Arise north wind, and come south wind, blow through my garden and let the aromatical spices flow.]

Ave Maria:
Salve, O caeli iubar speciosum, mundi lumen radiosum; hic cum luna copularis, sit copula martialis, et Mercurii coniunctio. Ecce res est una, radix una, essentia una…qui est lapis philosophorum. Hic est thesaurus thesaurorum, summa medicina philosophorum, caeleste secretum antiquorum, beatus, qui hoc invenerit.
[Hail beautiful lamp of heaven, shining light of the world! Here art thou united with the moon, here is made the band of Mars and the conjunction of Mercury. And behold it is one thing, one root, one essence…this being the stone of the philosophers. It is the treasure of treasures, the supreme philosophical potion, the divine secret of the ancients. Blessed is he that finds such thing.]

Commune: Regem nostrum venientem ex igne, illuminatum, et diademate coronatum, ipsum honorate in perpetuum. Amen.
[Glory be to our king who comes out of the fire, who is illumined, and crowned with the diadem, for ever and ever. Amen.]

I wish to thank Dr. Wyant Morton and the Ojai Camerata for commissioning this work and The City of Ventura’s Office of Cultural Affairs for a grant to fund The Jeff Kaiser Ockodektet. I would also like to thank Adam McLean, author of over 40 books on alchemical and hermetic literature, who took the time out of his busy schedule to send me the complete Latin text of The Alchemical Mass with translation. Visit his web site at: www.levity.com/alchemy/ for text and art on all facets of alchemy.

pfMENTUM CD019

PFMCD019