Jeff Kaiser and Andrew Pask with Steuart Liebig and G.E. Stinson: The Choir Boys with Strings (PFMCD037)

Jeff Kaiser

[playlist ids="439"]

The Choir Boys with Strings
Jeff Kaiser: Trumpet, Quarter-Tone Trumpet, Flugelhorn, Electronics
Andrew Pask: Clarinet, Bass Clarinet, Alto Saxophone, Bass Penny Whistle, Electronics
G.E. Stinson: Electric Guitars, Electronics
Steuart Liebig: Contrabass Guitars, Electronics

Visit The Choir Boys home page at:
www.trippyhorns.com

1. Needlework Alice 11:59
2. Impromptu Lateral Drop 7:26
3. Tobacconist from Rimini 10:59
4. Frenchwoman Luggage Cart 8:39
5. Adulterous Dishwasher 9:40
6. Definitely Jack 10:23
7. Rest of the Skeleton 15:12
8. Wir Sind Hier 5:28

The music was created in two continuous suites.
Track numbers have been added for convenience.
Suite One: Tracks 1-5. Suite Two: Tracks 6-8.
Total Playing Time: 79:46

All music © 2006, Jeff Kaiser Music, ASCAP and Kaleidacousticon, ASCAP
Digital multitrack recording by Wayne Peet, October 5, 2005 at Ventura College Theater, Ventura, California
Art, Layout, Mixing and Mastering by Jeff Kaiser, January 2006
pfMENTUM • pfmentum.com • Box 1653 • Ventura • CA • 93002

Special thanks to Robert Lawson and Ollie Powers for the invitation to perform,
and to Roger Meyer for staging and lighting the show.

pfMENTUM CD037

PFMCD037

Wayne Peet Quartet: Live at Al’s Bar (PFMCD027)

Jeff Kaiser

[playlist ids="416"]
Wayne Peet: Organ, Organ Bass
Russell Bizzett: Drums
Nels Cline: Guitar – Left
G.E. Stinson: Guitar, Mangled Recordings – Right

1. Five Swirls (15:21)

a. Swirl [starts at] 0:00
b. Big Lumps 5:19
c. Soft Foot 6:57
d. Another Room 12:00
e. Points 13:15

2. Five Doors (16:35)

a. Creepsville 0:00
b. Mellow 3:12
c. Surges 7:18
d. Driving Time 10:51
e. Cross Stick Coda 14:19

3. Inner Funkdom (11:29)
total playing time (43:32)

Five Swirls and Five Doors by Peet, Cline, Stinson, Bizzett • Inner Funkdom by Wayne Peet
® and © 1999 Killzone Music, BMI • Drawings by Ellington Peet • Design/Layout by Jeff Kaiser
Recorded live at Al’s Bar, Los Angeles, 4.27.99 • Jim Watson and Wayne Peet – Engineers
Mixed and mastered at Newzone Studio by Wayne Peet, Los Angeles, May 2003

pfMENTUM CD027

PFMCD027

The Jeff Kaiser Ockodektet: 17 Themes for Ockodektet (PFMCD010)

Jeff Kaiser

[playlist ids="374,376"]
Woodwinds: Eric Barber, Vinny Golia, Emily Hay, Lynn Johnston
Trumpets: Dan Clucas, Kris Tiner
Euphonium and Valve-Trombone: Eric Sbar
Tuba: Mark Weaver
Prepared Acoustic Guitar: Ernesto Diaz-Infante
Electric Guitar/Electronics: G.E. Stinson
Organ/Theremin/Electronics: Wayne Peet
Contrabasses: Jim Connolly, Scott Walton
Drums: Billy Mintz, Richie West
Percussion: Brad Dutz
Conductor/Trumpet: Jeff Kaiser

Suite One
1. Dirge 2:31
2. Clad Like Birds 3:40
3. Amplifying Their Parallels 7:01
4. Nothing May Be Taken Naturally 2:56
5. Even with Diagrams 8:12
6. One Absolute Material 5:54
7. Figures of this In-Between 3:05
8. Figures to be Actualities 4:27
9. Figure with Wings 7:09
Suite Two
10. Coincidentia Oppositorum 3:55
11. Where His Third Eye Could Be 3:59
12. Fulfilled by the Reflected Image 7:41
13. There is No Profit from Dreams 7:55
14. Into That Nothing-Between 5:07
Total Time: 73:44

All compositions and arrangements by Jeff Kaiser, ©2002 Jeff Kaiser Music, ASCAP
Recorded direct to DAT – on the occasion of Jeff Kaiser’s 40th birthday party – at Ventura City Hall, Ventura, CA, 12.8.01
CD recording, mastering, design, and layout by Jeff Kaiser

“Dreams are sleep’s watchful brother, of death’s fraternity, heralds, watchmen of that coming night, and our attitude toward them may be modeled upon Hades, receiving, hospitable, yet relentlessly deepening, attuned to the nocturne, dusky, and with a fearful cold intelligence that gives permanent shelter in his house to the incurable conditions of human being.”
— James Hillman, The Dream and the Underworld

pfMENTUM CD010

PFMCD010

Steuart Liebig / The Mentones: Locustland (PFMCD017)

Jeff Kaiser

[playlist ids="389"]
Steuart Liebig/The Mentones
LOCUSTLAND

The Mentones
Tony Atherton: alto saxophone
Joseph Berardi: drumset, percussion
Bill Barrett: chromatic harmonica
Steuart Liebig: contrabassguitar

broom – – 3:27
graveyard – – 4:41
mojave boxcar – – 4:46
drifter – – 7:47
honky tonk burn – – 6:48
westpoint, mississipi – – 8:19
small fry – – 0:45
burnt umber – – 2:50
nighthawk – – 5:43
howl & tumble – – 4:01
gasoline jelly – – 6:33
lightning bug – – 3:47
nowhere calling – – 5:57

©2004, steuart liebig/sisong music (ascap)
recorded at newzone studios, by wayne peet;
mixed at newzone studios, by wayne peet and steuart liebig
mar vista, california, 2000

photos/montages by steuart liebig
layout by steuart liebig and jeff kaiser
gear thanks to fodera basses, thomastik-infeld strings and raven labs

“First let’s talk about Steuart Liebig, the multi-faceted miscreant who squeezed the hybrid beast known as the Mentones out of his juicy mind. Steuart is well known in L.A. as one of the most significant improvising electric bass torturers and electronic manipulators in recent memory and, I’m grateful to say, a major contributor to most of the music I’ve done in the last decade and a half. The metaphor of a diamond with its many facets comes to mind, but that doesn’t quite get it. Imagine the diamond periodically reverting to its primal molten state and shooting out semi-controlled bursts of radioactive plasma melting everything in its reach. I could say that for Steuart the Mentones is an anomaly, but in a way every project he constructs is an anomaly. I will say this—there is nothing like the Mentones on this earth that I’ve ever heard of and even though you may recognize some of its disparate original elements, you will be whacked by how cohesively they come together in Liebig’s compositions. An adult dose of Little Walter crashing his Coupe de Ville into Ornette Coleman’s harmolodien. Howling Wolf gnawing on John Coltrane’s left ear like Mike Tyson. As for the other men in the Mentones: Bill Barrett takes the chromatic harp well beyond its limits like a rubber band stretched into a Mobius strip. Tony Atherton is soulful, relentless and driving. Joe Berardi grooves these odd time signatures like his mother nursed him on non-Euclidean geometry. It’s all that and it’s definitely enough.”

– G.E. Stinson

pfMENTUM CD017

PFMCD017

The Jeff Kaiser Ockodektet: 13 Themes for a Triskaidekaphobic (PFMCD013)

Jeff Kaiser

[playlist ids="381"]
The Jeff Kaiser Ockodektet is:
Eric Barber: Soprano and Tenor Saxophones
Vinny Golia: Saxophones, Clarinets, Flutes
Emily Hay: Flutes
Lynn Johnston: Saxophones and Clarinets
Jason Mears: Alto Saxophone
Dan Clucas/Kris Tiner: Trumpets
Michael Vlatkovich: Trombone
Eric Sbar: Euphonium and Valve-Trombone
Mark Weaver: Tuba
Ernesto Diaz-Infante: Acoustic Guitar
Tom McNalley: Electric Guitar
G.E. Stinson: Electric Guitar, Electronics
Jim Connolly/Hal Onserud: Contrabass
Wayne Peet: Organ, Theremin, Electronics
Brad Dutz: Percussion
Richie West: Drum Set and Percussion
Jeff Kaiser: Conductor, Trumpet

Track List
1. My Uncle Toby’s apologetical oration 6:57
2. Gravity was an errant scoundrel 5:55
3. This sweet fountain of science 8:44
4. The Curate’s folly betwixt them 5:47
5. Devout, venerable, hoary-headed man, meekly holding up a box 4:43
6. The stranger’s nose was no more heard of 1:18
7. Uncle Toby understood the nature of a parabola 4:01
8. The Accusing Spirit which flew up to heaven’s chancery 6:55
9. A thousand of my father’s most subtle syllogisms 7:23
10. His life was put in jeopardy by words 5:44
11. The heat and impatience of his thirst 5:16
12. Nothing but the fermentation 4:11
13. I wish my Uncle Toby had been a water-drinker 6:09
Total Playing Time: 1:13:13

All compositions and arrangements by Jeff Kaiser
©2003 Jeff Kaiser Music, ASCAP
Recorded at Ventura City Hall, Ventura, CA, 9.7.02
Recording, mastering, design, and layout by Jeff Kaiser

“Number helps more than anything else to bring order into the chaos of appearances.”
— C. G. Jung, The Structure and Dynamics of the Psyche

pf MENTUM CD013

PFMCD013