Two new releases! Tim Perkis/Scott Walton and Quentin Tolimieri

Two new exciting albums! Applied Cryptography Tim Perkis – electronics • Scott Walton – piano An exciting duo of veteran improvisors featuring stunning playing on piano and electronics. AND Pianist/composer Quentin Tolimieri, a new artist to pfMENTUM, releases a beautiful debut, simply titled: Piano. As per usual, more to read and free tracks at: pfMENTUM.com While you are on the …

Tim Perkis and Scott Walton: Applied Cryptography (PFMCD106)

Jeff Kaiser

[playlist ids="993"]

applied cryptography
tim perkis – electronics • scott walton – piano

01 oblique compact 4:08
02 naked egg 4:57
03 dominion 1:41
04 merkle’s knapsack 3:10
05 subliminal channel 2:38
06 partial ordering 2:44
07 normal form 5:44
08 possible objects A 1:44
09 possible objects B 2:17
10 blind signature 5:42
11 zero-knowledge proof 1:31

all compositions ©2016 tim perkis (BMI) and scott walton (ASCAP)
recorded (august 2014) and mixed (july 2015) by philip perkins
mastered (july 2016) by wayne peet
artwork: sophie plassard (artsophie.com)
photo: jeff kellem (slantedhall.com)
design and layout: jeff kaiser (jeffkaiser.com)
perkis.com • jazzhalo.be/musicians-files/scott-walton

pfMENTUM CD106
PFMCD106

Steve Adams / Scott Walton: Cookies for Cyrano (PFMCD103)

Jeff Kaiser

[playlist ids="935"]

1. Force Field of Oblivion 6:04
2. one of countless sporadic manifestations of the alternate universe in which Olivier Messiaen is a fervent agnostic 7:15
3. Membrillo 6:14
4. Operatic 13:37
5. The Enumeration (for Glenn Spearman) 6:13
6. Ogonix 8:58
7. Black Notebook #8 13:37

Steve Adams – alto and baritone saxes, bass flute, electronics
Scott Walton – acoustic bass

All compositions by Steve Adams, © 2016 Metalanguage Music (BMI)

Recorded Feb. 25, 2015 at Fantasy Studio B by Jesse Nichols.
mixed July 8 and December 29, 2015 at Fantasy Studios by Jesse Nichols.
mastered May 5, 2016 by Myles Boisen at the Headless Buddha Mastering Lab.

The Steve Adams/Scott Walton Duo has been performing since 2013. Steve is best known as a member of the Rova Sax Quartet, with whom he has played for over twenty five years, toured internationally and released more than twenty five recordings. His compositions have been performed at the Bang on a Can and Meet the Composer Festivals. Scott Walton is a bassist and pianist whose music negotiates the terrain between jazz, free improvisation, and the classical avant-garde.  He has performed throughout North America and Europe with groups he co-leads, and in a host of collaborative contexts.

pfMENTUM CD103
PFMCD103

Michael Vlatkovich / Anna Homler / Jeff Kaiser / Scott Walton / Rich West: Here & Here & Here (PFMCD084)

Jeff Kaiser 1 Comment

[playlist ids="555,557,553"]
Michael Vlatkovich: trombone, percussion
Anna Homler: vocal, percussion
Jeff Kaiser: trumpet, flugelhorn
Scott Walton: acoustic bass
Rich West: drums, percussion

1. Dragon Beware (2:47)
2. Here & Here & Here (7:28)
3. Red Coda Soft (8:21)
4. Before But After (2:09)
5. Spark (5:20)
6. Big Doors Little Windows (3:49)
7. Oranger Than Happiness (3:10)
8. Round Triangles (3:41)
9. Your Ark Is Waiting (2:39)
10. Three In Front Four in Back Toes (2:41)
11. Salute (1:41)
12. Choir hose 293 (3:02)
13. Pfazzu (2:48)
14. Thunderous Silence (3:33)
15. Potozo (2:44)
Recorded 1-20-14 edited, mixed & mastered 2-4-14
Newzone Studio Los Angeles Wayne Peet engineer
Photos Julia Fitzgerald * Layout Jeff Kaiser

pfMENTUM CD084

PFMCD084

Gilbert Isbin and Scott Walton: ReCall (PFMCD073)

Jeff Kaiser 0 Comments

[playlist ids="532"]
Gilbert Isbin: lute
Scott Walton: bass

1. Solace 2:32
2. Flutter 3:19
3. Panting 2:24
4. Soedansdochter 3:19
5. Unhinged 2:06
6. Embra 2:47
7. Oblique 3:19
8. Pensive 1:53
9. Along Green Ditches 3:21
10. Blooming 2:11
11. Weaving 3:41
12. Spatter 2:49
13. Knomish 2:42
14. Terpsichore 2:35
15. Recall 2:13
Total 42:01

Tracks 3, 6, 9, 11, 13 and 15 composed by Gilbert Isbin
Tracks 1, 2, 5, 7, 8, 10, 12 and 14 composed by Gilbert Isbin and Scott Walton
Soedansdochter is a medieval Flemish folksong, arranged by Isbin and Walton

Recorded at Banquet Sound Studios, Sebastopol, CA, October 26 and 27, 2011
Recorded and Mixed by Darryl Webb
Mastered by Wayne Peet

Cover Photograph by Marie-Anne Ver Eecke

Special thanks to Marie-Anne Ver Eecke, Sophie Plassard, Jos Demol,
Larry Ochs,Bill Horvitz, Darryl Webb and Jeff Kaiser.

Gilbert Isbin plays an eight-course lute after Wendelio Venere 1592,
built by Dirk De Hertogh, Wolvertem, Belgium

© Gilbert Isbin and Scott Walton 2012. All rights reserved.
Over the past three decades, guitarist/composer Gilbert Isbin has released an impressive string of recordings for various labels. A few years ago, wanting a new challenge, he began studying the lute–not the most common jazz instrument, although its Arabian nephew, the oud, gains more and more recognition. I have always adored the sound of the lute, and it struck me that there is little modern music written for–and performed on–this marvelous instrument. Gilbert’s work is a significant contribution to the development of contemporary lute music. His compositions are both reflective and lyrical, infused with compelling melodies.

Contrabassist and pianist Scott Walton lent his stunning tone and superb technique to the well-received album Venice Suite (2003), recorded in Los Angeles with Gilbert, and violinist Jeff Gauthier. Since meeting at those sessions, Scott and Gilbert have teamed up for numerous concerts in Europe and the United States. Their innovative collaboration finds its inspiration in progressive jazz, classical avant-garde, Renaissance chamber music and even blues. The interplay between both musicians–which proves mutual respect–is remarkable, resulting in intelligent improvisations that capture the listener’s attention. The fifteen tracks on this album are in exquisite balance, revealing an unequivocal beauty. –Jos Demol, Jazz’halo, 14 July 2012

pfMENTUM CD073

PFMCD073

Scott Fraser / Bruce Friedman: Landscape with Figure (PFMCD031)

Jeff Kaiser 0 Comments

[playlist ids="425"]
Fraser/Friedman Duo

Scott Fraser: electric guitar, reverb springs
Bruce Friedman: trumpet

Improvisations, Spontaneous Compositions & Interactions For Electric Guitar & Trumpet

1. As Visible Wind
2. Haste & Intent
3. Traces
4. Plumeria
5. Field With Sticks
6. The Cartographer’s Dilemma
7. Toolsville
8. L’ Ombre Dans L’ Eau
9. Furtive Gestures In The Silent Dark

Upon meeting at a recording session we quickly discovered we shared very similar backgrounds and experiences, and had listened to, and were deeply influenced by many of the same composers and musicians. Making music together was inevitable, with the primary question being how to combine the divergent timbres, idiomatic approaches, and attendant traditions that accompany electric guitar and trumpet. This collection is our answer to that query. All pieces were culled from live improvisations which took place over the course of many jam sessions throughout the ensuing year. We’ve done some minor edits to make things more concise & economical, but basically what you hear is what we played. There are no overdubs. – Scott & Bruce

Recorded, mixed & mastered at Architecture, Los Angeles
© 2005 Architecture, BMI
Produced by Scott Fraser & Bruce Friedman
Cover: untitled (3/8/99) watercolor © 1999 Cody A. Bustamante
Inside: detail, untitled (merman, 1994) water media © 1994 Cody A. Bustamante
Design and Layout by Jeremy Drake, evvt.com

pfMENTUM CD031

PFMCD031

Brad Dutz / Susan Rawcliffe / Scott Wilkinson: 2 Many Axes (PFMCD020)

Jeff Kaiser 0 Comments

[playlist ids="397"]
2 Many Axes
Brad Dutz: percussion
Susan Rawcliffe: flutes
Scott Wilkinson:

1. March of the Whales 4:13
2. Circuspace 5:46
3. Pillbug’s Nightmare 1:24
4. Drama Dairy 4:05
5. Entropy 9:38
6. Roll Over Johann 2:00
7. Mastodon Stew 2:33
8. Unheard Melodies 5:07
9. Buried There 5:16
10. Dali Comma 4:43
11. Puddle 1:20
12. Popping Beetles 4:53
13. Anti Carlos 3:50
Total Time: 55:27

Open yourself to the
music of Many Axes:
neo-primitive rhythms,
tones, and textures
forming spontaneous
sonic structures
unlike anything
you’ve heard before.

C & P 2003, MANY AXES
All Rights Reserved

The primary focus of Many Axes is exploring the potential of unusual instruments. Our sonic structures emerge from spontaneous, improvised musical communication among the members of the group, almost like a conversation. But unlike a verbal conversation, all the participants can “speak” simultaneously, weaving a surprisingly coherent musical web. The diversity of our instrumentation allows us to explore a wide range of soundscapes and moods with only three performers.

Most of the wind instruments we play were designed and fashioned from clay by Susan Rawcliffe, who has made a lifelong study of ceramics and musical traditions from around the world. This love of world music is shared by Scott Wilkinson, who also plays an extensive variety of winds, and Brad Dutz, who has collected myriad percussion instruments from many different cultures. We combine these influences to create a unique blend of sounds that evokes . . . well, only you can say what it evokes in you. Whatever that happens to be, we hope you enjoy it.

Mixing: Scott Wilkinson, Brad Dutz
Mastering: Jeff Rona
CD Package Design: Kira Vollman
Photography: Gene Ogami, Susan Rawcliffe, Scott Wilkinson
Produced by Many Axes

pfMENTUM CD020

PFMCD020

blind signature

Jeff Kaiser

“blind signature” from Applied Cryptography by Tim Perkis and Scott Walton. Track 10 of 11.

Quentin Tolimieri: Piano (PFMCD105)

Jeff Kaiser

[playlist ids="989"]

Quentin Tolimieri : Piano

1. pointslinesplanes 6:57
2. changing/same 16:04
3. shorty 1:39
4. green dolphin st. 5:07
5. fours and ones 7:39
6. different weights and sizes 4:27
7. well you needn’t 3:14
8. fin 9:30

Quentin Tolimieri: Piano

Recorded and mastered by Jim Clouse at Park West Studios, Brooklyn NY on 2 November 2015 and 23 November 2015

Album design by Scott Gaynor

Cover photo: Cookie Cutter by Allen Lai
Interior photo: 2014_02_06_lhr-ewr_391w_ by Doc Searls
Both images available under a Creative Commons Attribution license
https://creativecommons.org/licenses/by/2.0/

All tracks © Quentin Tolimieri (ASCAP) 2015, except On Green Dolphin Street by Kaper/Washington, © Patti Washington Music/Shapiro Bernstein OBO Catherine Hinen Music/BMG Gold Songs OBO Primary Wave Songs and and Well You Needn’t by T. Monk, Regent Music Corporation. Used by Permission. All rights reserved.

pfMENTUM CD105
PFMCD105

Force Field of Oblivion

Jeff Kaiser

“Force Field of Oblivion” from Cookies for Cyrano by Steve Adams and Scott Walton. Track 1 of 7.