Lloyd’s Prayer

Jeff Kaiser Leave a Comment

“Lloyd’s Prayer” from Colter Frazier Quartet by Colter Frazier. Genre: Improvisation, Creative, Composition.

We have *four* exciting new releases for you

1) KaiBorg! Plus gigs in NYC and MO! Jeff Kaiser and David Borgo exploring new territory 2) Vinny Golia! With Steve Adams, Ken Filiano, and Tina Raymond 3) Trumpets & Basses featuring pfMENTUM veterans Danny Gouker, Adam Hopkins, and more! 4) Joshua Gerowitz’s exciting new release on CD, with vinyl coming soon! All available at pfMENTUM.com KaiBorg: Excerpts from Vibrant …

Vinny Golia: Syncquistic Linear Expositions  and their Geopolitical Outcomes (…we are all still here…) (PFMCD109)

Jeff Kaiser

Vinny Golia

Syncquistic Linear Expositions 
and their Geopolitical Outcomes
(…we are all still here…)

1. The Trouble With Mr. Snappy 9:42
2. Paro 11:12
3. Some Kind Of Guru 11:51
4. Bank Book Lama 9:39
5. All The Things I’m Not (version 1) 8:29
6. Onion Of Mystery 7:08
7. Final Authority 9:55

Vinny Golia: Sopranino, Bb and G Soprano, Baritone Saxophones, Bass Clarinet, Kwala, Gongs, and Kayzee
Steve Adams: Alto Saxophone 
Ken Filiano: Acoustic Bass and Pedals 
Tina Raymond: Drums

Recorded 11 March 2017 at Kingsize Sound Labs in Eagle Rock, California
Recorded and mastered by John Baffa Mixed by John Baffa and Vinny Golia

Photos by Vinny Golia
Layout and Design by Ted Killian

All compositions and arrangements by Vinny Golia
℗ and © 2017 Ninewinds, BMI

A joint release of pfMENTUM and Ninewinds
PFMCD109/NWCD342
www.pfmentum.com

Vinny Golia: Music for Woodwinds, Strings, Piano, and Percussion (PFMCD110)

Jeff Kaiser

[playlist ids="1158"]

Vinny Golia
Music for Woodwinds, Strings, Piano, and Percussion

Sara Cubarsi—Violin
Rachel Iba—Violin, Voice on Not as long as some others
Patrick Behnke—Viola
Tal Kaz—Cello
Ken Filiano—Contrabass
Cathlene Pineda—Piano
Vinny Golia—Gongs, Himalayan Singing Bowls, Barra Cymbals, Kyzee, Gyaling, Sheng, Hulusi, Indonesian Mouthharp, C and G Piccolos, C and Alto Flutes, Sopranino, Bb and G Soprano Saxophones, Bass, Contra Alto and Contrabass Clarinets, Bassett Horn, Birbyne

1. Not as long as some others 06:42
2. The Subject was Roses 04:55
3. “they look like monkeys, yes!” (the zeegoes…) 05:53
4. The Blackboards of Eric von Hotlz (dragonfly VTO) 06:53
5. Don’t make a mess in my brand new Edgar suit! 03:48
6. Fish is Fish but thats another matter 05:24
7. Next, a dish with a Tomato 08:12
8. Mr. Pisaro, are all your papers in order? (and his lovely wife too…) 10:49
9. Mr Dialogue says; (I have a strange and uncomfortable feeling about this place) 04:32
10. Something about a Carnival? 10:59

All compositions and arrangements by Vinny Golia
Ⓟ and © 2017 Ninewinds, BMI

Recorded by John Baffa, 12 March 2017, Brotheryn Studio, Ojai California
Additional Tracking at TV Tray Studios, Ventura, California
Mixing and Mastering by John Baffa and Vinny Golia, April 2017
Photos by Vinny Golia
Layout and Design by Ted Killian

A joint release of
pfMENTUM/Ninewinds
PFMCD110/NWCD341
www.pfmentum.com

Matty Harris Double Septet (PFMLP093)

Jeff Kaiser

[This is page is for ordering the VINYL VERSION.]

[playlist ids="969"]

Matty Harris Double Septet

Side A

1) Party Time 11:19

2) 10,000 Kimmys Gibbler 06:48

Side B

3) Cockapoo Army 08:37

4) Oh, A Little Day Trip Around the Crunch 08:54

Personnel:

Soprano and straight alto saxophones, contra-alto clarinet: Vinny Golia

Soprano, straight tenor and sopranino saxophones, bass clarinet: Matty Harris

Soprano saxophone: Paul Novros

Soprano and baritone saxophone: Ryan Parrish

Soprano and sopranino saxophones, piccolo: Joe Santa Maria

Trumpets: Louis Lopez, Brandon Sherman, Greg Zilboorg

Drum Sets: Tim Carr, Michael Lockwood

Contrabasses: Nathan Phelps, Jake Rosenzweig

Fender Rhodes: Garret Grow

Baritone Guitar: Maxwell Gualtieri
Recorded January 14, 2015 by John Baffa and Todd Hannigan at Brotheryn Studios in Ojai, CA

Mixed January – June 2015 by John Baffa at TV Tray Studios in Ventura, CA
Mastered July 16 2015 by Ron McMaster at Capitol Studios in Hollywood, CA

Produced by Maxwell Gualtieri

Graphic Design by Jacob Halpern

PFMCD093

Matty Harris Double Septet (PFMCD093)

Jeff Kaiser

[This is page is for ordering the CD.]

[playlist ids="969"]

Matty Harris Double Septet

Side A

1) Party Time 11:19

2) 10,000 Kimmys Gibbler 06:48

Side B

3) Cockapoo Army 08:37

4) Oh, A Little Day Trip Around the Crunch 08:54

Personnel:

Soprano and straight alto saxophones, contra-alto clarinet: Vinny Golia

Soprano, straight tenor and sopranino saxophones, bass clarinet: Matty Harris

Soprano saxophone: Paul Novros

Soprano and baritone saxophone: Ryan Parrish

Soprano and sopranino saxophones, piccolo: Joe Santa Maria

Trumpets: Louis Lopez, Brandon Sherman, Greg Zilboorg

Drum Sets: Tim Carr, Michael Lockwood

Contrabasses: Nathan Phelps, Jake Rosenzweig

Fender Rhodes: Garret Grow

Baritone Guitar: Maxwell Gualtieri
Recorded January 14, 2015 by John Baffa and Todd Hannigan at Brotheryn Studios in Ojai, CA

Mixed January – June 2015 by John Baffa at TV Tray Studios in Ventura, CA
Mastered July 16 2015 by Ron McMaster at Capitol Studios in Hollywood, CA

Produced by Maxwell Gualtieri

Graphic Design by Jacob Halpern

PFMCD093

Vinny Golia / Ken Filiano: Elongation (PFMCD098/NWCD0296)

Jeff Kaiser

[playlist ids="912,909"]

Vinny Golia and Ken Filiano
Elongation
\(ˌ)ē-ˌlȯŋ-ˈgā-shən\

Vinny Golia: Djura Gaida, Saxello, Sopranino and Tenor Saxophone, Bass Clarinet, Turkish Ney and Kaval

Ken Filiano: Contrabass and Electronics

1. Prologue :44
2. Elongation, section A 5:40
3. Elongation, section B 1:58
4. Written in H2O (K.Filiano) 10:30
5. Elongation, section C 7:38
6. Your final Phone call arrives for Victoria Galli (V. Golia) 5:24
7. Elongation, section D 3:16
8. Elongation, section E 2:47
9. Siri (K.Filiano) 11:01
10. Elongation, section F 7:23
11. Epilogue 6:09

Recorded by John Baffa • May 19, 2009
Roy O. Disney Hall, California Institute of the Arts • Valencia, California

Mixed by John Baffa and Vinny Golia • June 2009
TV Tray Studios • Simi Valley, California

All compositions and arrangements by Vinny Golia and Ken Filiano except where credited

Your final Phone call arrives for Victoria Galli
©2009 Ninewinds (BMI)

Siri and Written in H2O
©2009 Flizmo Music (BMI)

Art and layout by Jeff Kaiser

A joint release of pfMENTUM and Ninewinds

pfMENTUM CD098
PFMCD098

Ninewinds CD0296
NWCD0296

Peter Kuhn / Dave Sewelson: Our Earth / Our World (PFMCD097)

Jeff Kaiser

[playlist ids="866"]

Peter Kuhn: alto and tenor sax, Bb clarinet
Dave Sewelson: baritone and sopranino sax
Larry Roland: bass • Gerald Cleaver: drums

1) Our Earth 25:22
2) Our World 12:36
3) It Matters 11:07

Our Earth / Our World

“Just because you don’t see me, it doesn’t mean I am gone.”

The music on this CD is beautiful. It moves me to stand on one foot and hop in joy. It's laced with a dark and searing lyricism that one finds on those hot summer nights when the freedom bell tolls and all the heavy weight players would pick up their horns and blow all night. Dave Sewelson, Peter Kuhn, Larry Roland, and Gerald Cleaver are creating their own tradition and it is reborn each time they play.

The music swoops and soars into inner and outer space. Cane reeds vibrating and living in both the urban and celestial worlds at the same time. The sound re-enters with the earth touching it’s own root then resurfacing as colorful flowers made of soil and mud wrapped in a shell of hope that rests on a cradle of freedom. Then the phrase, “Just because you don’t see me, it doesn’t mean I am gone.”

Peter Kuhn who is back on the scene meeting with Dave Sewelson who still remains one of the best kept secrets on the music scene but is a hero in the tone world. Here they cross paths with Larry Roland’s mystical bass and Gerald Cleavers Saturday morning Detroit thrust. I would suggest you clean your palate and give this music a big listen. Veterans are in the house bringing in some of that old time religion. No time to experiment they know exactly where they are going into the unknown where pure creativity lives. 

—William Parker, 2015


 

If I had to choose a way to describe the music that flows through Our Earth/Our World that description would begin with intuition and conversation. The best of freely-improvised music is always rich in these details, and the dialog between Kuhn and Sewelson has obviously stood the test of time.

This disc, recorded on a brisk April evening at the 2015 Arts for Art Festival begins with the sonic swirl of Dave Sewelson’s rough-hewn baritone saxophone jostling against the slinky sinew of Peter Kuhn’s Bb clarinet. Right away, the melodic interplay between the two musicians, (an association that began some 40 years ago) rings true and devastatingly clear. Themes and riffs wrap around each other with serpentine grit and gristle, all with the surety of notated material – yet nothing was written down. “No discussion, no plan, no charts or even concepts,” Kuhn related, via email. “I had never met Larry or Gerald before the set, and they hadn’t played together before this either.”

Kuhn was making reference to the sterling rhythm section of Larry Roland on bass and the marvelous Gerald Cleaver on drums, who both leap into the fray of the 26-minute opener, “Our Earth,” with muscled dialog and multidirectional waves of motion, including a brief drum and bass duet that precedes Kuhn’s screaming essay on tenor saxophone, which wails in the best of the post-Ayler traditions – a sermon of great extremes joined at its orgiastic apex by Sewelson’s equally committed spiraling altissimo pealing. All of this flows atop the crisp martial cadences and precise control of dynamics initiated by Cleaver’s snare and the depth of Roland’s arco and pizzicato accompaniment. Sewelson returns on the tiny sopranino saxophone – his sound is dark, fat, and swollen with sonic fertility. Once again, the horns entwine and spiral into deep conversation. A joyous beginning.

Cleaver, an acknowledged master of subtle gestures, opens the second selection, “Our World,” with a stunning drum narrative that leads both hornmen into a writhing jostle of overtones on sopranino and clarinet, respectively, over the relentless ostinato of Roland. Back on baritone, Sewelson whinnies and squeals, all while alluding to an almost Motown-like pocket as Kuhn’s tenor reengages, stoking the fire with chortling repetitions and bone-chilling eruptions into the upper register.
That sense of joyful audacity deepens when Roland unleashes a monstrous solo to introduce the final selection, “It Matters,” where Kuhn’s lithe Bb clarinet burrows a serpentine course deep into the heart of the music, all the while guided by the ebb and flow of Cleaver’s drums, which both explode and illuminate.

You can feel the enthusiasm of the packed house – not just in the applause that peppers each selection – but in the spontaneous gasps and groans that accompany several unforgettable moments of deep listening. Turn it up. Enjoy. Repeat.

—Robert Bush, 2016

© 2016 Dependent Origination Music, ASCAP

Recorded at Arts For Arts Our Earth/Our World series, NYC, April 2015

Mastered by Wayne Peet, Newzone Studio, Los Angeles

Photos ©2016 Michael Klayman. Used by permission.

Layout, Jeff Kaiser

pfMENTUM CD097

PFMCD097

PFMCD096_Back

Virtual Tour: A Reduced Carbon Footprint Concert Series. Featuring Mark Dresser, Michael Dessen, Nicole Mitchell, Sarah Weaver, Gerry Hemingway and more.

Mark Dresser / Nicole Mitchell / Myra Melford / Michael Dessen: Virtual Tour: A Reduced Carbon Footprint Concert Series (PFMDVD094)

Jeff Kaiser


Excerpt from “for instance, today” from Michael Dessen on Vimeo.

[NEW DVD! WILL SHIP FEBRUARY 5! In celebration of this release, we are offering a special price for this DVD! Three hours of music for $10.00. Sale ends midnight February 29, 2016.]

In April 2013, a quartet of renowned composer-improvisers—Mark Dresser, Nicole Mitchell, Myra Melford and Michael Dessen—performed an unprecedented “virtual tour” of new music conceived for world-class musicians performing together live in different geographic locations via Internet2. Building on years of prior telematic collaborations and using high-speed bandwidth available only at research and educational institutions, Virtual Tour linked performers and audiences across thousands of miles, using lifelike, uncompressed audio and high definition video to set a new standard for telematic music making. The core quartet, based in San Diego, California, collaborated with a different remote ensemble for each of the three concerts: Jason Robinson, Marty Ehrlich and Bob Weiner in Amherst, Massachusetts; Matthias Ziegler and Gerry Hemingway in Zurich, Switzerland; and Sarah Weaver, Ray Anderson, Jane Ira Bloom, Min Xiao-Fen, and Matt Wilson in Stony Brook, New York. With footage from all three concerts and featuring eleven world premieres designed specifically to explore the unique potentials of this medium, this DVD documents an important step forward in bringing world-class creative music to the telematic stage. Please visit http://virtualtour2013.com for more information on this project.

Total run time approximately 193 minutes

Virtual Tour:

Amherst Concert:
Mr. Not-So TC, composed by Mark Dresser (14:29) (Del Dresser Music/ASCAP)
For Instance, Today, composed by Michael Dessen (16:22) (Cronopio Music/ASCAP)
The Story of My Anxiety, composed by Marty Ehrlich (9:41) (Dark Sounds Music/BMI)
God’s Bits of Wood, composed by Nicole Mitchell (6:25) (Wheatgoddess Creations/ASCAP)
Noema, composed by Jason Robinson (11:59)(Circumvention Music/ASCAP)

Performers in Amherst, MA: Marty Ehrlich, alto saxophone and bass clarinet; Jason Robinson, tenor saxophone and alto flute; Bob Weiner, drums

Performers in San Diego, CA: Nicole Mitchell, flute; Michael Dessen, trombone; Myra Melford, piano; Mark Dresser, bass

Zurich Concert:
3 Stories, composed by Gerry Hemingway (19:22)(Nagual Music/GEMA/BMI)
Between Walls, composed by Nicole Mitchell (9:45) (Wheatgoddess Creations/ASCAP)
SubTeleToning, composed by Mark Dresser (21:14) (Del Dresser Music/ASCAP)
Buffered Fragments, composed by Matthias Ziegler (14:48) (Matthias Zieger/SUISA)

Performers in Zurich, Switzerland:
Matthias Ziegler, flute; Gerry Hemingway, drums
Performers in San Diego, CA: Nicole Mitchell, flute; Michael Dessen, trombone; Myra Melford, piano; Mark Dresser, bass

Stony Brook Concert:
Universal Synchrony Music: Volume 1, composed by Sarah Weaver (30:30) (Sarah Weaver Music Publishing, ASCAP)
SubTeleToning, composed by Mark Dresser (25:16) (Del Dresser Music/ASCAP)
Telepathology, composed by Nicole Mitchell (14:41) (Wheatgoddess Creations/ASCAP)

Performers in Stony Brook, NY:
Sarah Weaver, conductor; Jane Ira Bloom, soprano saxophone; Ray Anderson, trombone; Min Xiao Fen, pipa; Matt Wilson, drums; Doug Van Nort, laptop (on Universal Synchrony Music: Volume 1)
Performers in San Diego, CA: Nicole Mitchell, flute; Michael Dessen, trombone; Myra Melford, piano; Mark Dresser, bass

Additional content:
Program notes for all compositions
Interview with Virtual Tour co-directors Mark Dresser and Michael Dessen

Locations and dates/times:

San Diego location for all 3 performances:
Conrad Prebys Music Center Theatre, University of California, San Diego, CA

For Amherst Concert:
7pm PDT/10pm EDT, April 5, 2013
Buckley Recital Hall, Amherst College, Amherst, MA
For Zurich Concert:
12pm PDT/9pm CET, April 6, 2013
Institute for Computer Music and Technology (ICST), Zurich, Switzerland

For Stony Brook Concert:
4pm PDT/7pm EDT, April 7, 2013
Simons Center for Geometry and Physics, with support from Consortium for Digital Arts, Culture and Technology (cDACT), Stony Brook University, Stony Brook, NY

Production Credits:

Project Directors:
Co-directors of Virtual Tour: Mark Dresser and Michael Dessen
Amherst site director: Jason Robinson
Zurich site director: Matthias Ziegler
Stony Brook site director: Sarah Weaver

In San Diego, CA:
Trevor Henthorn, technology director
Josef Kucera, technology consultant
Antonio Estrada and Andrew Johnson, local audio
Isaac Garcia Muñoz, network audio
Michael Ricca, audio recording
Daniel Ross, recording assistant
Yeung-ping Chen, network video
Kyle Johnson and Ash Smith, documentation video
Jennifer Bewerse, promotion design

In Amherst, MA:
Edmund Keyes, production assistant
Mark Santolucito, production assistant, audio networking
Joshua Baum, production assistant, video networking
Dan Richardson, sound engineer
Rob Ansaldo, networking assistance
Sara Leonard, lighting
Ross Karre and company, video documentation

In Zurich, Switzerland:
Johannes Schütt, network director
Joel de Giovanni and Benjamin Burger, video direction
Daniel Späti, stage director
Simon Könz, sound engineer

In Stony Brook, NY:
Kevin Schinstock, live audio, audio recording
Derek Kwan, network audio
Timothy Vallier, network video
Ross Karre and company, live video, video documentation
Jeanette Oi-Suk Yew, lighting

Post-production:
Audio mixing/mastering: Michael Dessen, Jason Robinson, Stephanie Robinson, Kevin Schinstock, Sarah Weaver, Gerry Hemingway, and Joe Branciforte
Video editing: Ross Karre
DVD production: Trevor Henthorn
Graphic design: Ted Killian

pfMENTUM DVD094
PFMDVD094

John Blevins: Matterhorn (PFMLP092)

Jeff Kaiser

[playlist ids="765"]

John Blevins: Matterhorn

(Please note: this is for the VINYL version, the CD version is here.)

Side A:
1. Identity Theft
2. Unaware
3. Brink
4. Nascent

Side B:
1. Little Dickens
2. See
3. Breathe
4. Hear

John Blevins – Trumpet
Drew Williams – Tenor Saxophone
Brad Mulholland – Alto Saxophone/Flute/Clarinet
Nick Grinder – Trombone
Marta Sanchez – Fender Rhodes
Jeff Mclaughlin – Guitar
Marty Kenney – Bass
Nathan Ellman-Bell – Drums/Percussion
John Doing – Congas

Produced by John Blevins and Shane Endsley

Recorded at Grand Street Recording in Williamsburg, Brooklyn by Jake Lummus on July 21 and 22, 2014

Edited and mixed by Jake Lummus and John Blevins, Autumn 2014

Mastered by Liberty Ellman on December 12, 2014

All compositions © and& ℗ 2015 John Blevins Music (ASCAP)

Original artwork and design by Sam Gezari

THANK YOU to Nathan, Marty, Jeff, Nick, Drew, Brad, Marta, and John for their dedication to this music. It’s an honor to play with you.

Special thanks to Shane Endsley, Jake Lummus, Liberty Ellman, Leah Jubara, Matt Hurley, Simon Yu, Sam Gezari, Daniel Stessen, and to Bill Jubara and everyone who supported this project on Kickstarter. Special thanks to my loving, supportive family and especially to Amanda.

For Ray and Howell.

pfMENTUM LP092

PFMLP092