Andrew Pask / Jonathan Besser: Griffith Park (PFMCD041)

Jeff Kaiser

[playlist ids="448"]
Andrew Pask/Jonathan Besser

JONATHAN BESSER: Piano
ANDREW PASK: Soprano Saxophone, Bass Clarinet, Live Processing

1. Magnificent Photon—2:20
2. Steam Engine Love Letter—2:58
3. Dust Bunny Meditation—3:13
4. Chessboard Cowboy—4:00
5. Coldwater Light Bulb—2:43
6. Tomato Blade—2:22
7. The Fried Judge—4:27
8. Fruit Cake—5:55
9. Cloud Formation Microscope—3:44
10. Geosynchronous Hibernation—0:52
11. Sleeping Wheel—5:12
12. Wellington Harbour—5:57

All tunes composed by Andrew Pask and Jonathan Besser, except “Wellington Harbour,” composed by Jonathan Besser, © 2006, Andrew Pask, Kaleidacousticon/ASCAP, and Jonathan Besser, Besser Music/APRA

Recorded, mixed and mastered by Wayne Peet at Newzone Studio, Los Angeles, California, June and October 2005
Photography by Annette Wu; design and layout by Steuart Liebig
www.kaleidacousticon.com
www.jonathanbesser.com

Liner Notes:

Jonathan and I were walking in Griffith Park when Wayne Peet called to say he had an opening at his recording studio. (Wayne Peet, more than anyone I have ever met, is a musician and an engineer. And is masterful at both.)

So off we went.

Jonathan and I played together many times when I lived in New Zealand, but the last time we played was in Macau, circa nineteen-ninety-something, at the Captain’s Bar of the Mandarin Oriental Hotel. Jonathan was on tour in China with Ed Ware and Nick van Dyke and I was living in Hong Kong playing in bars and doing gigs with Cantopop stars.

It was really fun to go back into the studio and record after so much time. Just as it happens in spoken conversation with a good friend, we just seemed to pick up where we left off . . .

–Andrew Pask, Los Angeles, California, April 2006

pfMENTUM CD041

PFMENTUM CD041

Sean Hamilton: Table for One (PFMCD135)

Jeff Kaiser

[playlist ids="3708"]

A collection of improvised vignettes for solo drum set, percussion, and vuvuzela

Currently nowhere,
Carrying nothing.

(Evolvement)
Acquiescence of, the

present
linear
impermanent

burgeon, [blossom]
bloom.

Table for One.

Back:
Table for One
Sean Hamilton

1. Cash Only
2. Value King
3. Solo Sport (1)
4. Energy Vampire
5. Solo Sport (2)
6. Acquiescence Of
7. Cynic Finick
8. Spiral/Summons
9. Acquiescence Of (reprise)
10. Growth/Bloom; Wilt
11. Dusk, Valley
12. Table for One

Table for One is a collection of short improvisations that explore my interests in the drum set as a solo instrument and as a vehicle for the merging of my creative interests that include contemporary classical music, free improvisation, noise, sound art, and electroacoustic music. Several of the takes feature additional traditional and found percussion instruments that are placed on the drums in an effort to expand the timbral possibilities of the kit. Except for a loose length limit, these improvisations were recorded without any predetermined concepts, structures, or forms.
-SH, August 2019

Improvised and recorded live in studio, St. Petersburg, Florida, February 2019

Recorded and mixed by Dan Byers, Rock Garden Recording
Mastered by Wayne Peet, Newzone Studio
Art and Layout by Eli Blasko

www.seanhamiltonmusic.com

PFMCD135
Copyright 2019

Currently on tour!

Sean Hamilton
Glitter City, Denver, CO
Friday, October 4, 7:30pm
$7-10

Sean Hamilton
Casper College, Wheeler Concert Hall
Sunday, October 6, 7:30pm
(Recital)
125 College Dr, Casper, WY 82601

Sean Hamilton
Casper College, Room 116, Music Building,
Monday, October 7, 12:00pm
(Clinic)
125 College Dr, Casper, WY 82601

Sean Hamilton
Duluth, MN
Wednesday, October 9

Sean Hamilton
Khyber Pass
Thursday, October 10
$10
1571 Grand Ave, St Paul, MN 55105
https://khyberpasscafe.com/

Sean Hamilton
Fermentation Fest, Reedsburg, WI
Saturday, October 12
https://www.fermentationfest.com/

Sean Hamilton
Elastic Arts
Sunday, October 13, 9:00pm
$10
3429 W Diversey #208, Chicago, Illinois 60647
http://www.elasticarts.org

Sean Hamilton
Phoenix510, Detroit, MI
Wednesday, October 16

Sean Hamilton
Slippery Rock University
Thursday, October 17, 7:30pm
(Recital)
Swope Music Hall, 1 Morrow Way, Slippery Rock, PA, 16057

Sean Hamilton
Slippery Rock University
Friday, October 18, 3:00pm
(Clinic)
Swope Music Hall, 1 Morrow Way, Slippery Rock, PA, 16057

Sean Hamilton
Penn State University
Sunday, October 20
(Recital)
Esber Hall
Music Building I, University Park, PA 16802

Sean Hamilton
Penn State University
Monday, October 21
(Clinic)
122 Music Building II University Park, PA 16802

Sean Hamilton
Fuse Factory
Friday, October 25
13 E. Tulane Rd. Columbus, OH, 43202
http://thefusefactory.org/

Sean Hamilton
James Eads Howe Memorial Cinema,
Tuesday, October 29
145 Woodland Ave, Lexington, Kentucky 40502
https://www.facebook.com/The-James-Eads-How-Memorial-Cinema-321168224689519/

Sean Hamilton
Proper Sake, Nashville, TN
Friday, November 1
628 Ewing Ave, Nashville, TN 37203
https://www.propersake.co/

Miller Wrenn’s Escapist: Alternates (PFMCD121b)

Jeff Kaiser

[playlist ids="3704"]

Miller Wrenn – Double Bass
Vinny Golia – Bass Clarinet
Ethan Marks – Trumpet and Piccolo Trumpet
Caleb Veazey – Guitar
Clint Dodson – Drum Set and Vibraphone

Recorded on May 9, 2017 by John Baffa at Brotheryn Studios in Ojai, CA
Mixed and Mastered by John Baffa at TV Tray Studios in Ventura, CA
Album artwork by Parker Wrenn

All compositions by Miller Wrenn, © 2018 Miller Wrenn Music, ASCAP

PFMCD121b

Emily Hay / Steuart Liebig Duo: Nomads (PFMCD118)

Jeff Kaiser

[playlist ids="1370"]

Nomads

Emily Hay/Steuart Liebig Duo

Emily Hay: Flutes/Voice/Electronics
Steuart Liebig: Basses/Electronics

1. Santa Ana Noise Festival 1:29
2. Saint Mark’s 17:32
3. VU Symposium 02 5:04
4. Shapeshifter Lab 01 17:00
5. Shapeshifter Lab 02 5:14
6. VU Symposium 01 9:03
7. NorCal Noise Festival 19:28

1: Recorded by Mark A. Soden Jr., Santa Ana, CA, December 2015
2: Recorded by Thomas Kozumplik, Glendale, CA, February 2016
3 and 6: Recorded by Devin Maxwell, Park City, UT, July 2016
4 and 5: Recorded by Stephanie Shapiro, Brooklyn, NY, September 2016
7: Recorded by Lob Instagon, Sacramento, CA, October 2016

Mixed and Mastered by Wayne Peet at Newzone Studios

℗ and © 2018 Emily Hay (Emily Hay Music/BMI) Steuart Liebig (Sisong Music/ASCAP)

pfMENTUM
PFMCD118

Quentin Tolimieri: Piano (PFMCD105)

Jeff Kaiser

[playlist ids="989"]

Quentin Tolimieri : Piano

1. pointslinesplanes 6:57
2. changing/same 16:04
3. shorty 1:39
4. green dolphin st. 5:07
5. fours and ones 7:39
6. different weights and sizes 4:27
7. well you needn’t 3:14
8. fin 9:30

Quentin Tolimieri: Piano

Recorded and mastered by Jim Clouse at Park West Studios, Brooklyn NY on 2 November 2015 and 23 November 2015

Album design by Scott Gaynor

Cover photo: Cookie Cutter by Allen Lai
Interior photo: 2014_02_06_lhr-ewr_391w_ by Doc Searls
Both images available under a Creative Commons Attribution license
https://creativecommons.org/licenses/by/2.0/

All tracks © Quentin Tolimieri (ASCAP) 2015, except On Green Dolphin Street by Kaper/Washington, © Patti Washington Music/Shapiro Bernstein OBO Catherine Hinen Music/BMG Gold Songs OBO Primary Wave Songs and and Well You Needn’t by T. Monk, Regent Music Corporation. Used by Permission. All rights reserved.

pfMENTUM CD105
PFMCD105

Peter Kuhn / Dave Sewelson: Our Earth / Our World (PFMCD097)

Jeff Kaiser

[playlist ids="866"]

Peter Kuhn: alto and tenor sax, Bb clarinet
Dave Sewelson: baritone and sopranino sax
Larry Roland: bass • Gerald Cleaver: drums

1) Our Earth 25:22
2) Our World 12:36
3) It Matters 11:07

Our Earth / Our World

“Just because you don’t see me, it doesn’t mean I am gone.”

The music on this CD is beautiful. It moves me to stand on one foot and hop in joy. It's laced with a dark and searing lyricism that one finds on those hot summer nights when the freedom bell tolls and all the heavy weight players would pick up their horns and blow all night. Dave Sewelson, Peter Kuhn, Larry Roland, and Gerald Cleaver are creating their own tradition and it is reborn each time they play.

The music swoops and soars into inner and outer space. Cane reeds vibrating and living in both the urban and celestial worlds at the same time. The sound re-enters with the earth touching it’s own root then resurfacing as colorful flowers made of soil and mud wrapped in a shell of hope that rests on a cradle of freedom. Then the phrase, “Just because you don’t see me, it doesn’t mean I am gone.”

Peter Kuhn who is back on the scene meeting with Dave Sewelson who still remains one of the best kept secrets on the music scene but is a hero in the tone world. Here they cross paths with Larry Roland’s mystical bass and Gerald Cleavers Saturday morning Detroit thrust. I would suggest you clean your palate and give this music a big listen. Veterans are in the house bringing in some of that old time religion. No time to experiment they know exactly where they are going into the unknown where pure creativity lives. 

—William Parker, 2015


 

If I had to choose a way to describe the music that flows through Our Earth/Our World that description would begin with intuition and conversation. The best of freely-improvised music is always rich in these details, and the dialog between Kuhn and Sewelson has obviously stood the test of time.

This disc, recorded on a brisk April evening at the 2015 Arts for Art Festival begins with the sonic swirl of Dave Sewelson’s rough-hewn baritone saxophone jostling against the slinky sinew of Peter Kuhn’s Bb clarinet. Right away, the melodic interplay between the two musicians, (an association that began some 40 years ago) rings true and devastatingly clear. Themes and riffs wrap around each other with serpentine grit and gristle, all with the surety of notated material – yet nothing was written down. “No discussion, no plan, no charts or even concepts,” Kuhn related, via email. “I had never met Larry or Gerald before the set, and they hadn’t played together before this either.”

Kuhn was making reference to the sterling rhythm section of Larry Roland on bass and the marvelous Gerald Cleaver on drums, who both leap into the fray of the 26-minute opener, “Our Earth,” with muscled dialog and multidirectional waves of motion, including a brief drum and bass duet that precedes Kuhn’s screaming essay on tenor saxophone, which wails in the best of the post-Ayler traditions – a sermon of great extremes joined at its orgiastic apex by Sewelson’s equally committed spiraling altissimo pealing. All of this flows atop the crisp martial cadences and precise control of dynamics initiated by Cleaver’s snare and the depth of Roland’s arco and pizzicato accompaniment. Sewelson returns on the tiny sopranino saxophone – his sound is dark, fat, and swollen with sonic fertility. Once again, the horns entwine and spiral into deep conversation. A joyous beginning.

Cleaver, an acknowledged master of subtle gestures, opens the second selection, “Our World,” with a stunning drum narrative that leads both hornmen into a writhing jostle of overtones on sopranino and clarinet, respectively, over the relentless ostinato of Roland. Back on baritone, Sewelson whinnies and squeals, all while alluding to an almost Motown-like pocket as Kuhn’s tenor reengages, stoking the fire with chortling repetitions and bone-chilling eruptions into the upper register.
That sense of joyful audacity deepens when Roland unleashes a monstrous solo to introduce the final selection, “It Matters,” where Kuhn’s lithe Bb clarinet burrows a serpentine course deep into the heart of the music, all the while guided by the ebb and flow of Cleaver’s drums, which both explode and illuminate.

You can feel the enthusiasm of the packed house – not just in the applause that peppers each selection – but in the spontaneous gasps and groans that accompany several unforgettable moments of deep listening. Turn it up. Enjoy. Repeat.

—Robert Bush, 2016

© 2016 Dependent Origination Music, ASCAP

Recorded at Arts For Arts Our Earth/Our World series, NYC, April 2015

Mastered by Wayne Peet, Newzone Studio, Los Angeles

Photos ©2016 Michael Klayman. Used by permission.

Layout, Jeff Kaiser

pfMENTUM CD097

PFMCD097

PFMCD096_Back

New recording by Logan Hone, gigs and more…

And yet MORE pfMENTUM stuff! New release, Logan Hone Logan Hone, release concert Jeff Kaiser, solo trumpet concert What a great disc! Listen to free track by clicking here. Logan Hone’s Similar Fashion Logan Hone: Alto Saxophone, Bass Clarinet Lauren Baba: Viola Gregory Uhlmann: Guitar Mike Lockwood: Drums 1. Mother Figure 2. MJT 3. Missed the Boat 4. Fresh and Clean …

Michael Vlatkovich: Mortality (PFMCD091)

Jeff Kaiser

[playlist ids="569"]
ensemblio:
michael vlatkovich: trombone
dan clucas: trumpet
jill torberson: french horn
bill plake: tenor sax
david riddles: bassoon, flute, soprano sax, clarinet
andrew pask: alto sax, bari sax, bass clarinet
bill roper: tuba, bombardondino
harry scorzo: violin
jonathan golove: cello
tom mcnalley: guitar
dominic genova: bass 
wayne peet: piano, keyboard
carol sawyer: voice
ken park: all percussion

[NOTE: do to a printing error, track 4 was left off the package. What you see below is correct.]

1. adeptly disguised as chairs and tables the audience listened quietly — 9:08
2. as quickly as it came — 6:31
3. or do you have change for a $20 — 5:25
4. out of the wall and into the night — 5:27
5. sometimes a red nose and big shoes aren’t enough — 2:33
6. mortality — 11:32
7. hiding out as a verb — 5:49
8. goodbye — 7:06

© 2015 julius ivory music, ascap
music composed m vlatkovich
recorded 2014 wayne peet engineer
edited mixed and mastered sept. 2014
front photo chuck britt
back photo bill roper
design jeff kaiser

pfMENTUM CD091

PFMCD091

Michael Vlatkovich / Anna Homler / Jeff Kaiser / Scott Walton / Rich West: Here & Here & Here (PFMCD084)

Jeff Kaiser

[playlist ids="555,557,553"]
Michael Vlatkovich: trombone, percussion
Anna Homler: vocal, percussion
Jeff Kaiser: trumpet, flugelhorn
Scott Walton: acoustic bass
Rich West: drums, percussion

1. Dragon Beware (2:47)
2. Here & Here & Here (7:28)
3. Red Coda Soft (8:21)
4. Before But After (2:09)
5. Spark (5:20)
6. Big Doors Little Windows (3:49)
7. Oranger Than Happiness (3:10)
8. Round Triangles (3:41)
9. Your Ark Is Waiting (2:39)
10. Three In Front Four in Back Toes (2:41)
11. Salute (1:41)
12. Choir hose 293 (3:02)
13. Pfazzu (2:48)
14. Thunderous Silence (3:33)
15. Potozo (2:44)
Recorded 1-20-14 edited, mixed & mastered 2-4-14
Newzone Studio Los Angeles Wayne Peet engineer
Photos Julia Fitzgerald * Layout Jeff Kaiser

pfMENTUM CD084

PFMCD084