Andrew Pask: clarinet and bass clarinet
Sara Schoenbeck: bassoon
Brad Dutz: Drumset, percussion and marimba
Steuart Liebig: C, Eb, 12-string and prepared Contrabass guitars
1–23. Kaleidoscope (44:44)
24. The Cherry Blossom Is Only Perfect When It’s Falling from the Tree (17:16)
25. Necrological Pieties (4:16)
“Kaleidoscope” is a piece made up of 23 miniatures based on haiku. “ The Cherry Blossom Is Only Perfect When It’s Falling from the Tree” is a single movement of 13 parts based loosely on terza rima. “Necrological Pieties” was written for choreographer Shuriu Lo.
Copyright 2007 Steuart Liebig/Sisong Music (ASCAP)
Recorded January 13–14, 2007, by Wayne Peet; Mixed February and March 2007, by Wayne Peet and Steuart Liebig; all at Newzone Studios, Mar Vista, California
Conducting help from Wayne on Kaleidoscope 10, 12, 16 and 23
Brad Dutz uses Yamaha, Vic Firth, Paiste, Remo, Roland, Mountain Rythym and Factory Metal Percussion musical products
Steuart Liebig plays Fodera Basses, uses the Raven Labs PMB-1, and uses Fodera roundwound strings (Eb and C and 12-string basses)
Band photos by Ken Luey; Other photos/montages and layout by Steuart Liebig
Big thanks to Brad, Andrew and Sara; Also big thanks to Mr. Wayne
Thanks Leslie, Anya and Aron
Ellen Burr: Flute, Alto Flute, Piccolo
Andrew Pask: Clarinet, Bass Clarinet
Sara Schoenbeck: Bassoon
Steuart Liebig: Contrabassguitars (prepared, applied tools)
light cloud, dark cloud 5:24
1956-j no.2 3:51
dynamite’s dionysian dance 5:08
cold green mystery 4:43
our lady of the illuminated hand 5:52
seven dreams about time 14:07
secret one-hand shake 4:24
knowledge is gravity 5:11
all music copyright steuart liebig/sisong music (ascap) 2005
recorded at newzone studios, mar vista, california, 28-29 may 2005, by
wayne peet. mixed at newzone studios, june-august 2005, by wayne peet
and steuart liebig. mastered by wayne peet.
artwork and layout by steuart liebig
photos by ken luey
” kprs” is a suite played as four discrete parts; “seven dreams about
time” is seven parts played as a continuous whole.
Written as an hommage to Hector Berlioz and inspired by his writing for woodwinds.
A four-part hommage (mahoning; alchemy; light cloud, dark cloud; 1956-j no. 2) to four of my favorite painters: Franz Kline, Jackson Pollack,Mark Rothko and Clyfford Still.
dynamite’s dionysian dance
Inspired by Frederick Neitzsche’s “Also Sparch Zarathrustra.”
cold green mystery
After a line in the “Thousand Nights and One Night” – –
also known as “The Arabian Nights” – – describing the sea.
our lady of the illuminated hand
A little requiem of sorts.
seven dreams about time
Based on a book that explains Einstein’s theories of time through fictionalized accounts of his dreams.
My idea of a musical illustration of the concept of
“render unto Caesar that which is Caesar’s . . . ”
secret one-hand shake
A basic rhythmic idea stolen from a piece by
knowledge is gravity
An attempt to write something inspired by a little reading about String Theory.