Locustland

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Locustland” from Angel City Dust by Steuart Liebig and The Mentones. Released: 2009. Genre: Improvisation, Creative, Composition.

Excerpt from Locustland

Jeff Kaiser 0 Comments

“Excerpt from Locustland” from Locustland by Steuart Liebig and The Mentones. Genre: Improvisation, Creative, Composition.

Scott Fraser / Bruce Friedman: Landscape with Figure (PFMCD031)

Jeff Kaiser 0 Comments

[playlist ids="425"]
Fraser/Friedman Duo

Scott Fraser: electric guitar, reverb springs
Bruce Friedman: trumpet

Improvisations, Spontaneous Compositions & Interactions For Electric Guitar & Trumpet

1. As Visible Wind
2. Haste & Intent
3. Traces
4. Plumeria
5. Field With Sticks
6. The Cartographer’s Dilemma
7. Toolsville
8. L’ Ombre Dans L’ Eau
9. Furtive Gestures In The Silent Dark

Upon meeting at a recording session we quickly discovered we shared very similar backgrounds and experiences, and had listened to, and were deeply influenced by many of the same composers and musicians. Making music together was inevitable, with the primary question being how to combine the divergent timbres, idiomatic approaches, and attendant traditions that accompany electric guitar and trumpet. This collection is our answer to that query. All pieces were culled from live improvisations which took place over the course of many jam sessions throughout the ensuing year. We’ve done some minor edits to make things more concise & economical, but basically what you hear is what we played. There are no overdubs. – Scott & Bruce

Recorded, mixed & mastered at Architecture, Los Angeles
© 2005 Architecture, BMI
Produced by Scott Fraser & Bruce Friedman
Cover: untitled (3/8/99) watercolor © 1999 Cody A. Bustamante
Inside: detail, untitled (merman, 1994) water media © 1994 Cody A. Bustamante
Design and Layout by Jeremy Drake, evvt.com

pfMENTUM CD031

PFMCD031

Anna Homler / Steuart Liebig: Kelpland Serenades (PFMCD029)

Jeff Kaiser 1 Comment

[playlist ids="422,420"]
Anna HOMLER/Steuart LIEBIG DUO

Anna HOMLER: voice, toys, found objects
Steuart LIEBIG: Eb contrabassguitars, preparations, electronics, live looping

1. winter street – – 6:52
2. limbic – – 2:20
3. blasted landscape – – 3:26
4. sputtery – – 3:53
5. sidpaho – – 2:11
6. fantasma – – 3:54
7. time of great cold – – 4:59
8. case in point – – 5:30
9. secret heat – – 10:54
10. house of mars – – 1:54
11. mothlike – – 3:15
12. sehnsucht – – 9:25
13. radix vitae – – 5:35

recorded at newzone studios, 15 sept 2001, by wayne peet; mixed at newzone studios,
by wayne peet and steuart liebig, mar vista, california, 2002; mastered by wayne peet 2005

thanks to leslie rosdol, anya liebig and aron liebig; joseph homler, andrew ramer and li bette porter; wayne peet and jeff kaiser.
steuart liebig plays fodera basses, uses a raven labs pmb-1 and uses fodera roundwound strings.
all music (c) 2005 pharmacia poetica/bug music/bmi + sisong music/ascap
photos/montages and layout by steuart liebig; ooga booga by anna homler

all tracks are live, undubbed improvisations.

pfMENTUM CD029

PFMCD029

Steuart Liebig / The Mentones: Locustland (PFMCD017)

Jeff Kaiser 1 Comment

[playlist ids="389"]
Steuart Liebig/The Mentones
LOCUSTLAND

The Mentones
Tony Atherton: alto saxophone
Joseph Berardi: drumset, percussion
Bill Barrett: chromatic harmonica
Steuart Liebig: contrabassguitar

broom – – 3:27
graveyard – – 4:41
mojave boxcar – – 4:46
drifter – – 7:47
honky tonk burn – – 6:48
westpoint, mississipi – – 8:19
small fry – – 0:45
burnt umber – – 2:50
nighthawk – – 5:43
howl & tumble – – 4:01
gasoline jelly – – 6:33
lightning bug – – 3:47
nowhere calling – – 5:57

©2004, steuart liebig/sisong music (ascap)
recorded at newzone studios, by wayne peet;
mixed at newzone studios, by wayne peet and steuart liebig
mar vista, california, 2000

photos/montages by steuart liebig
layout by steuart liebig and jeff kaiser
gear thanks to fodera basses, thomastik-infeld strings and raven labs

“First let’s talk about Steuart Liebig, the multi-faceted miscreant who squeezed the hybrid beast known as the Mentones out of his juicy mind. Steuart is well known in L.A. as one of the most significant improvising electric bass torturers and electronic manipulators in recent memory and, I’m grateful to say, a major contributor to most of the music I’ve done in the last decade and a half. The metaphor of a diamond with its many facets comes to mind, but that doesn’t quite get it. Imagine the diamond periodically reverting to its primal molten state and shooting out semi-controlled bursts of radioactive plasma melting everything in its reach. I could say that for Steuart the Mentones is an anomaly, but in a way every project he constructs is an anomaly. I will say this—there is nothing like the Mentones on this earth that I’ve ever heard of and even though you may recognize some of its disparate original elements, you will be whacked by how cohesively they come together in Liebig’s compositions. An adult dose of Little Walter crashing his Coupe de Ville into Ornette Coleman’s harmolodien. Howling Wolf gnawing on John Coltrane’s left ear like Mike Tyson. As for the other men in the Mentones: Bill Barrett takes the chromatic harp well beyond its limits like a rubber band stretched into a Mobius strip. Tony Atherton is soulful, relentless and driving. Joe Berardi grooves these odd time signatures like his mother nursed him on non-Euclidean geometry. It’s all that and it’s definitely enough.”

– G.E. Stinson

pfMENTUM CD017

PFMCD017

Jeff Kaiser: Nowhereland Sountrack (PFMCD006)

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[Please note: This disc is out-of-print, this page is for archival purposes.]

Jeff Kaiser [trumpet, flugelhorn, electronics]

Jim Connolly [contrabass, throat singing]

Daphne Jones [voice]

Roy Jones [voice]

pfMENTUM CD 006

PFMCD006

Peter Kuhn / Dave Sewelson: Our Earth / Our World (PFMCD097)

Jeff Kaiser

[playlist ids="866"]

Peter Kuhn: alto and tenor sax, Bb clarinet
Dave Sewelson: baritone and sopranino sax
Larry Roland: bass • Gerald Cleaver: drums

1) Our Earth 25:22
2) Our World 12:36
3) It Matters 11:07

Our Earth / Our World

“Just because you don’t see me, it doesn’t mean I am gone.”

The music on this CD is beautiful. It moves me to stand on one foot and hop in joy. It's laced with a dark and searing lyricism that one finds on those hot summer nights when the freedom bell tolls and all the heavy weight players would pick up their horns and blow all night. Dave Sewelson, Peter Kuhn, Larry Roland, and Gerald Cleaver are creating their own tradition and it is reborn each time they play.

The music swoops and soars into inner and outer space. Cane reeds vibrating and living in both the urban and celestial worlds at the same time. The sound re-enters with the earth touching it’s own root then resurfacing as colorful flowers made of soil and mud wrapped in a shell of hope that rests on a cradle of freedom. Then the phrase, “Just because you don’t see me, it doesn’t mean I am gone.”

Peter Kuhn who is back on the scene meeting with Dave Sewelson who still remains one of the best kept secrets on the music scene but is a hero in the tone world. Here they cross paths with Larry Roland’s mystical bass and Gerald Cleavers Saturday morning Detroit thrust. I would suggest you clean your palate and give this music a big listen. Veterans are in the house bringing in some of that old time religion. No time to experiment they know exactly where they are going into the unknown where pure creativity lives. 

—William Parker, 2015


 

If I had to choose a way to describe the music that flows through Our Earth/Our World that description would begin with intuition and conversation. The best of freely-improvised music is always rich in these details, and the dialog between Kuhn and Sewelson has obviously stood the test of time.

This disc, recorded on a brisk April evening at the 2015 Arts for Art Festival begins with the sonic swirl of Dave Sewelson’s rough-hewn baritone saxophone jostling against the slinky sinew of Peter Kuhn’s Bb clarinet. Right away, the melodic interplay between the two musicians, (an association that began some 40 years ago) rings true and devastatingly clear. Themes and riffs wrap around each other with serpentine grit and gristle, all with the surety of notated material – yet nothing was written down. “No discussion, no plan, no charts or even concepts,” Kuhn related, via email. “I had never met Larry or Gerald before the set, and they hadn’t played together before this either.”

Kuhn was making reference to the sterling rhythm section of Larry Roland on bass and the marvelous Gerald Cleaver on drums, who both leap into the fray of the 26-minute opener, “Our Earth,” with muscled dialog and multidirectional waves of motion, including a brief drum and bass duet that precedes Kuhn’s screaming essay on tenor saxophone, which wails in the best of the post-Ayler traditions – a sermon of great extremes joined at its orgiastic apex by Sewelson’s equally committed spiraling altissimo pealing. All of this flows atop the crisp martial cadences and precise control of dynamics initiated by Cleaver’s snare and the depth of Roland’s arco and pizzicato accompaniment. Sewelson returns on the tiny sopranino saxophone – his sound is dark, fat, and swollen with sonic fertility. Once again, the horns entwine and spiral into deep conversation. A joyous beginning.

Cleaver, an acknowledged master of subtle gestures, opens the second selection, “Our World,” with a stunning drum narrative that leads both hornmen into a writhing jostle of overtones on sopranino and clarinet, respectively, over the relentless ostinato of Roland. Back on baritone, Sewelson whinnies and squeals, all while alluding to an almost Motown-like pocket as Kuhn’s tenor reengages, stoking the fire with chortling repetitions and bone-chilling eruptions into the upper register.
That sense of joyful audacity deepens when Roland unleashes a monstrous solo to introduce the final selection, “It Matters,” where Kuhn’s lithe Bb clarinet burrows a serpentine course deep into the heart of the music, all the while guided by the ebb and flow of Cleaver’s drums, which both explode and illuminate.

You can feel the enthusiasm of the packed house – not just in the applause that peppers each selection – but in the spontaneous gasps and groans that accompany several unforgettable moments of deep listening. Turn it up. Enjoy. Repeat.

—Robert Bush, 2016

© 2016 Dependent Origination Music, ASCAP

Recorded at Arts For Arts Our Earth/Our World series, NYC, April 2015

Mastered by Wayne Peet, Newzone Studio, Los Angeles

Photos ©2016 Michael Klayman. Used by permission.

Layout, Jeff Kaiser

pfMENTUM CD097

PFMCD097

PFMCD096_Back

Virtual Tour: A Reduced Carbon Footprint Concert Series. Featuring Mark Dresser, Michael Dessen, Nicole Mitchell, Sarah Weaver, Gerry Hemingway and more.

Mark Dresser / Nicole Mitchell / Myra Melford / Michael Dessen: Virtual Tour: A Reduced Carbon Footprint Concert Series (PFMDVD094)

Jeff Kaiser


Excerpt from “for instance, today” from Michael Dessen on Vimeo.

[NEW DVD! WILL SHIP FEBRUARY 5! In celebration of this release, we are offering a special price for this DVD! Three hours of music for $10.00. Sale ends midnight February 29, 2016.]

In April 2013, a quartet of renowned composer-improvisers—Mark Dresser, Nicole Mitchell, Myra Melford and Michael Dessen—performed an unprecedented “virtual tour” of new music conceived for world-class musicians performing together live in different geographic locations via Internet2. Building on years of prior telematic collaborations and using high-speed bandwidth available only at research and educational institutions, Virtual Tour linked performers and audiences across thousands of miles, using lifelike, uncompressed audio and high definition video to set a new standard for telematic music making. The core quartet, based in San Diego, California, collaborated with a different remote ensemble for each of the three concerts: Jason Robinson, Marty Ehrlich and Bob Weiner in Amherst, Massachusetts; Matthias Ziegler and Gerry Hemingway in Zurich, Switzerland; and Sarah Weaver, Ray Anderson, Jane Ira Bloom, Min Xiao-Fen, and Matt Wilson in Stony Brook, New York. With footage from all three concerts and featuring eleven world premieres designed specifically to explore the unique potentials of this medium, this DVD documents an important step forward in bringing world-class creative music to the telematic stage. Please visit http://virtualtour2013.com for more information on this project.

Total run time approximately 193 minutes

Virtual Tour:

Amherst Concert:
Mr. Not-So TC, composed by Mark Dresser (14:29) (Del Dresser Music/ASCAP)
For Instance, Today, composed by Michael Dessen (16:22) (Cronopio Music/ASCAP)
The Story of My Anxiety, composed by Marty Ehrlich (9:41) (Dark Sounds Music/BMI)
God’s Bits of Wood, composed by Nicole Mitchell (6:25) (Wheatgoddess Creations/ASCAP)
Noema, composed by Jason Robinson (11:59)(Circumvention Music/ASCAP)

Performers in Amherst, MA: Marty Ehrlich, alto saxophone and bass clarinet; Jason Robinson, tenor saxophone and alto flute; Bob Weiner, drums

Performers in San Diego, CA: Nicole Mitchell, flute; Michael Dessen, trombone; Myra Melford, piano; Mark Dresser, bass

Zurich Concert:
3 Stories, composed by Gerry Hemingway (19:22)(Nagual Music/GEMA/BMI)
Between Walls, composed by Nicole Mitchell (9:45) (Wheatgoddess Creations/ASCAP)
SubTeleToning, composed by Mark Dresser (21:14) (Del Dresser Music/ASCAP)
Buffered Fragments, composed by Matthias Ziegler (14:48) (Matthias Zieger/SUISA)

Performers in Zurich, Switzerland:
Matthias Ziegler, flute; Gerry Hemingway, drums
Performers in San Diego, CA: Nicole Mitchell, flute; Michael Dessen, trombone; Myra Melford, piano; Mark Dresser, bass

Stony Brook Concert:
Universal Synchrony Music: Volume 1, composed by Sarah Weaver (30:30) (Sarah Weaver Music Publishing, ASCAP)
SubTeleToning, composed by Mark Dresser (25:16) (Del Dresser Music/ASCAP)
Telepathology, composed by Nicole Mitchell (14:41) (Wheatgoddess Creations/ASCAP)

Performers in Stony Brook, NY:
Sarah Weaver, conductor; Jane Ira Bloom, soprano saxophone; Ray Anderson, trombone; Min Xiao Fen, pipa; Matt Wilson, drums; Doug Van Nort, laptop (on Universal Synchrony Music: Volume 1)
Performers in San Diego, CA: Nicole Mitchell, flute; Michael Dessen, trombone; Myra Melford, piano; Mark Dresser, bass

Additional content:
Program notes for all compositions
Interview with Virtual Tour co-directors Mark Dresser and Michael Dessen

Locations and dates/times:

San Diego location for all 3 performances:
Conrad Prebys Music Center Theatre, University of California, San Diego, CA

For Amherst Concert:
7pm PDT/10pm EDT, April 5, 2013
Buckley Recital Hall, Amherst College, Amherst, MA
For Zurich Concert:
12pm PDT/9pm CET, April 6, 2013
Institute for Computer Music and Technology (ICST), Zurich, Switzerland

For Stony Brook Concert:
4pm PDT/7pm EDT, April 7, 2013
Simons Center for Geometry and Physics, with support from Consortium for Digital Arts, Culture and Technology (cDACT), Stony Brook University, Stony Brook, NY

Production Credits:

Project Directors:
Co-directors of Virtual Tour: Mark Dresser and Michael Dessen
Amherst site director: Jason Robinson
Zurich site director: Matthias Ziegler
Stony Brook site director: Sarah Weaver

In San Diego, CA:
Trevor Henthorn, technology director
Josef Kucera, technology consultant
Antonio Estrada and Andrew Johnson, local audio
Isaac Garcia Muñoz, network audio
Michael Ricca, audio recording
Daniel Ross, recording assistant
Yeung-ping Chen, network video
Kyle Johnson and Ash Smith, documentation video
Jennifer Bewerse, promotion design

In Amherst, MA:
Edmund Keyes, production assistant
Mark Santolucito, production assistant, audio networking
Joshua Baum, production assistant, video networking
Dan Richardson, sound engineer
Rob Ansaldo, networking assistance
Sara Leonard, lighting
Ross Karre and company, video documentation

In Zurich, Switzerland:
Johannes Schütt, network director
Joel de Giovanni and Benjamin Burger, video direction
Daniel Späti, stage director
Simon Könz, sound engineer

In Stony Brook, NY:
Kevin Schinstock, live audio, audio recording
Derek Kwan, network audio
Timothy Vallier, network video
Ross Karre and company, live video, video documentation
Jeanette Oi-Suk Yew, lighting

Post-production:
Audio mixing/mastering: Michael Dessen, Jason Robinson, Stephanie Robinson, Kevin Schinstock, Sarah Weaver, Gerry Hemingway, and Joe Branciforte
Video editing: Ross Karre
DVD production: Trevor Henthorn
Graphic design: Ted Killian

pfMENTUM DVD094
PFMDVD094

John Blevins exciting new recording on pfMENTUM

Dedicated to creative music—and the musicians that make it. John Blevins: Matterhorn On the latest pfMENTUM release, John Blevins leads his ensemble Matterhorn through an exciting set of compositions and improvisations that reflect both the jazz-rock experiments of the late 1960s and contemporary sonic explorations. You can check out the album—and a free track!—here.   Members John Blevins (Trumpet/ Compositions), …

John Blevins: Matterhorn (PFMCD092)

Jeff Kaiser

[playlist ids="765"]

John Blevins: Matterhorn

(Please note: this is for the CD version, the vinyl version will be linked here when available.)

1. Identity Theft
2. Unaware
3. Brink
4. Nascent
5. Little Dickens
6. See
7. Breathe
8. Hear
9. See (alternate take)

John Blevins – Trumpet
Drew Williams – Tenor Saxophone
Brad Mulholland – Alto Saxophone/Flute/Clarinet
Nick Grinder – Trombone
Marta Sanchez – Fender Rhodes
Jeff Mclaughlin – Guitar
Marty Kenney – Bass
Nathan Ellman-Bell – Drums/Percussion
John Doing – Congas

Produced by John Blevins and Shane Endsley

Recorded at Grand Street Recording in Williamsburg, Brooklyn by Jake Lummus on July 21 and 22, 2014

Edited and mixed by Jake Lummus and John Blevins, Autumn 2014

Mastered by Liberty Ellman on December 12, 2014

All compositions © and& ℗ 2015 John Blevins Music (ASCAP)

Original artwork and design by Sam Gezari

THANK YOU to Nathan, Marty, Jeff, Nick, Drew, Brad, Marta, and John for their dedication to this music. It’s an honor to play with you.

Special thanks to Shane Endsley, Jake Lummus, Liberty Ellman, Leah Jubara, Matt Hurley, Simon Yu, Sam Gezari, Daniel Stessen, and to Bill Jubara and everyone who supported this project on Kickstarter. Special thanks to my loving, supportive family and especially to Amanda.

For Ray and Howell.

pfMENTUM CD092

PFMCD092