Ted Killian: Flux Aeterna (PFMCD007)

Jeff Kaiser 1 Comment

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[playlist ids="668,670,671"]
Ted Killian: Electric and acoustic guitars, samples, loops, sound design

Loop-based guitar improvisations/excursions recorded “live” in the studio in a single take. Ted's music is frequently compared to that of David Torn, Steve Tibbetts, Terje Rypdal, Robert Fripp, Adrian Belew, Sonny Sharrock, Nels Cline, or Bill Frisell, sometimes even David Gilmour, Jeff Beck or Uli Jon Roth. But Ted cites influences that come from all over the map: Leo Kottke, Eliott Sharp, Paul Dresher, Scott Johnson, Vernon Reid, John Abercrombie, Michael Brook, Daniel Lanois, Gary Lucas, Jim Thomas, John Fahey, Jimi Hendrix, John Mclaughlin, Frank Zappa, Pat Metheny, Buckethead, Chet Atkins and Les Paul. Yet, despite this, there is still something uniquely “Killianesque” in his approach. Ted is a guitarist who isn't afraid to paint with the instrument's full color “palette.” He's not afraid to make wild, adventurous, passionate “in-you-face” music or sonorous, languid, peaceful harmonic/melodic explorations.

Ted Killian: A Biography

Born and raised in sunny Southern California, Ted Killian has been a guitarist for over 4 decades now and he still hasn't managed to learn to play the thing correctly. But, as it turns out, this may have turned out to be a pretty good thing. Without necessarily having set out to do so, Killian has found his own unique “voice” on an instrument that is nearly ubiquitous in modern popular music. His sound is a peculiar amalgam of odd, sometimes familiar, influences: folk, pop, blues, rock, metal, jazz, electronica, electro-acoustic “art music,” and just plain noise (“!”) that begs one to think the word “fusion” but is much more primal, gut-level and organic than any connotation that word may conjure.

Killian's music is full of contradictions. It is primitive and sophisticated, visceral and sensitive, abstract and accessible, complex and blood simple all at once. It is given birth by heavy doses of technology (MIDI guitar, a plethora of electronic effects, digital echo devices, samplers, and all manner of assorted “gadgets”) but the result is amazingly human sounding. There is blood and sweat mixed in with all of the diodes and cables — and more than a small measure of passion. This intensity is not something that can be seen in the usual form of typical guitarist “histrionics” but can be heard in every note of the music itself.

Killian began playing and experimenting early on, but (in terms of public performance) bloomed late. Beginning in the late 1980s, he began performing his original music in conjunction with the Ventura New Music Concert Series (Southern California)– aided by close friend and colleague, avant-jazz trumpeter, Jeff Kaiser. So began a long series of ever-changing concerts and presentations all around Southern California. Some of these were in connection to SEAMUS, an acronym for the national “new music” organization: the Society for Electro Acoustic Music in the United States (Killian was introduced to the organization by Kaiser in 1990 and became President of the Los Angeles chapter in 1992). Ted's has been interviewed as a featured composer on “Music of the Americas” on KPFK radio in Los Angeles. Since the debut of “Flux Aeterna” his music has been played on literally dozens of radio stations around the globe and has garnered critical praise in as many publications internationally. In recent years, he has composed music for ballet, “fixed” gallery installations, multi-discipinary art performances, large ensembles and small groups. And, after all of this, Killian has still somehow managed to avoid having ever been in anything resembling a “band.”

Ted Killian is a 1982 graduate of UCSB with a Bachelors degree in visual arts. Since then he has exhibited paintings, sculpture and computer art in a number of galleries, museums and other venues across the country. He was a 1992 appointee to the “Task Force for Visual Arts” in Ventura, CA. He supports his musical/artistic activities with his “day job” as a freelance graphic designer for various musical instrument and high-tech manufacturers. He currently resides in Southern Oregon with his wife, 3 sons, 3 guinea pigs, and 2 goldfish.

pfMENTUM CD007

PFMCD007

Dave Ballou: Quadrants (PFMCD113)

Jeff Kaiser

Quadrants
for solo trumpet

[playlist ids="1113"]

Dave Ballou

1. North 15:16
2. East 14:54
3. South 15:10
4. West 15:02

Dave Ballou—Bb trumpet, flugelhorn, piccolo trumpet and mutes
Each piece was performed in sequence with no overdubs or edits

Parameters: An hourglass with a 15 minute sand flow
Focal pitches: Bb, B, E, F (concert)

Recorded March 13, 2015 and mixed June 3, 2015
Ed Tetrault, engineer—Peabody Recording Studios
Peabody Conservatory, Baltimore, MD

Mastering October 10, 2016 by Wayne Peet Newzone Studio, Los Angeles, CA

Thanks to Jeff Kaiser, Tony Malaby, Danny Gouker, Adam Hopkins, Mike Kuhl, Jeff Reed, Ralph Alessi, Ellery Eskelin, Jim McFalls, John Dierker, Michael Formanek, Kevin Whitehead, Jonathan Finlayson and Leise Ballou.

Graphic Design by Ted Killian

This recording is made possible with the support of a grant from the Towson University Faculty Research and Development Center.

© 2017 Dave Ballou Music BMI

pfMENTUM CD113
PFMCD113

Sonic Constructions

Thomas Ciufo / Curtis Bahn: Sonic Constructions (PFMCD102)

Jeff Kaiser

[playlist ids="946"]
Sonic Constructions – an improvisational electroacoustic performance project
Thomas Ciufo and Curtis Bahn with special guests Steve Gorn and Jane Rigler

1) Sonic Constructions 22:54
Curtis Bahn – Electric Sitar, Dilruba and Interactive Electronics
Thomas Ciufo – Extended Electric Guitar, Prepared Piano, Percussion and Interactive Electronics

2) Ujjayi 12:11
Steve Gorn – Bansuri Bamboo Flutes
Jane Rigler – C Flute, Bass Flute and Piccolo
Curtis Bahn / Thomas Ciufo – Live Processing

3) Lajawab 38:06
Steve Gorn – Bansuri Bamboo Flutes and Clarinet
Curtis Bahn – Electric Sitar and Interactive Electronics
Thomas Ciufo – Extended Electric Guitar, Flutes, Percussion and Interactive Electronics

Sonic Constructions – edited excerpts from a live performance
Ujjayi and Lajawab – unedited complete recordings from a live performance

Recorded and Produced by Thomas Ciufo
Graphic Design by Ted Killian
Photos by Thomas Ciufo

Sonic Constructions is an electroacoustic ensemble consisting of Thomas Ciufo on extended electric guitar, flutes, percussion, prepared piano and live electronics and Curtis Bahn on electric sitar, dilruba and interactive electronics. For this live performance CD project, the core duo was joined by Steve Gorn on bansuri bamboo flutes and Jane Rigler on C flute, bass flute and piccolo. With their music and sonic gestures, the musicians are able to transform the live sounds and field recordings into immersive sonic stories. This creates a constant, limitless reshaping of materials in a kind of “infinite play” of regenerative music that is at once transformative, delicate, intimate and innovative. This ensemble treats electronic music as chamber performance because there is a constant interactive musical connection between the performers, the space, the sounds, and the audience.

This improvisational soundscape combines live performance, raga, computer extended instruments/gestural controllers, live signal processing, and field recordings. Composer-improvisers Thomas Ciufo and Curtis Bahn design, build, and perform on computer extended instruments and simultaneously process the sounds of the other performers. This project has developed around a gestural and sonic language that explores the expressive capabilities of a range of custom build, hybrid acoustic / electronic instruments. Utilizing a variety of physical interfaces and signal processing techniques, these constructed / composed instruments extend acoustic sound sources and field recordings through real-time computer processing and sonic transformation. Custom instruments developed by Bahn and Ciufo include the eSitar, eDilruba, the eighth nerve hybrid electric guitar, as well as prepared piano and a collection of flutes and percussive objects. The duo uses their extensive sound transformation capabilities to process and extend the flute performance by collaborators Steve Gorn and Jane Rigler.

pfMENTUM CD102
PFMCD102

Virtual Tour: A Reduced Carbon Footprint Concert Series. Featuring Mark Dresser, Michael Dessen, Nicole Mitchell, Sarah Weaver, Gerry Hemingway and more.

Mark Dresser / Nicole Mitchell / Myra Melford / Michael Dessen: Virtual Tour: A Reduced Carbon Footprint Concert Series (PFMDVD094)

Jeff Kaiser


Excerpt from “for instance, today” from Michael Dessen on Vimeo.

[NEW DVD! WILL SHIP FEBRUARY 5! In celebration of this release, we are offering a special price for this DVD! Three hours of music for $10.00. Sale ends midnight February 29, 2016.]

In April 2013, a quartet of renowned composer-improvisers—Mark Dresser, Nicole Mitchell, Myra Melford and Michael Dessen—performed an unprecedented “virtual tour” of new music conceived for world-class musicians performing together live in different geographic locations via Internet2. Building on years of prior telematic collaborations and using high-speed bandwidth available only at research and educational institutions, Virtual Tour linked performers and audiences across thousands of miles, using lifelike, uncompressed audio and high definition video to set a new standard for telematic music making. The core quartet, based in San Diego, California, collaborated with a different remote ensemble for each of the three concerts: Jason Robinson, Marty Ehrlich and Bob Weiner in Amherst, Massachusetts; Matthias Ziegler and Gerry Hemingway in Zurich, Switzerland; and Sarah Weaver, Ray Anderson, Jane Ira Bloom, Min Xiao-Fen, and Matt Wilson in Stony Brook, New York. With footage from all three concerts and featuring eleven world premieres designed specifically to explore the unique potentials of this medium, this DVD documents an important step forward in bringing world-class creative music to the telematic stage. Please visit http://virtualtour2013.com for more information on this project.

Total run time approximately 193 minutes

Virtual Tour:

Amherst Concert:
Mr. Not-So TC, composed by Mark Dresser (14:29) (Del Dresser Music/ASCAP)
For Instance, Today, composed by Michael Dessen (16:22) (Cronopio Music/ASCAP)
The Story of My Anxiety, composed by Marty Ehrlich (9:41) (Dark Sounds Music/BMI)
God’s Bits of Wood, composed by Nicole Mitchell (6:25) (Wheatgoddess Creations/ASCAP)
Noema, composed by Jason Robinson (11:59)(Circumvention Music/ASCAP)

Performers in Amherst, MA: Marty Ehrlich, alto saxophone and bass clarinet; Jason Robinson, tenor saxophone and alto flute; Bob Weiner, drums

Performers in San Diego, CA: Nicole Mitchell, flute; Michael Dessen, trombone; Myra Melford, piano; Mark Dresser, bass

Zurich Concert:
3 Stories, composed by Gerry Hemingway (19:22)(Nagual Music/GEMA/BMI)
Between Walls, composed by Nicole Mitchell (9:45) (Wheatgoddess Creations/ASCAP)
SubTeleToning, composed by Mark Dresser (21:14) (Del Dresser Music/ASCAP)
Buffered Fragments, composed by Matthias Ziegler (14:48) (Matthias Zieger/SUISA)

Performers in Zurich, Switzerland:
Matthias Ziegler, flute; Gerry Hemingway, drums
Performers in San Diego, CA: Nicole Mitchell, flute; Michael Dessen, trombone; Myra Melford, piano; Mark Dresser, bass

Stony Brook Concert:
Universal Synchrony Music: Volume 1, composed by Sarah Weaver (30:30) (Sarah Weaver Music Publishing, ASCAP)
SubTeleToning, composed by Mark Dresser (25:16) (Del Dresser Music/ASCAP)
Telepathology, composed by Nicole Mitchell (14:41) (Wheatgoddess Creations/ASCAP)

Performers in Stony Brook, NY:
Sarah Weaver, conductor; Jane Ira Bloom, soprano saxophone; Ray Anderson, trombone; Min Xiao Fen, pipa; Matt Wilson, drums; Doug Van Nort, laptop (on Universal Synchrony Music: Volume 1)
Performers in San Diego, CA: Nicole Mitchell, flute; Michael Dessen, trombone; Myra Melford, piano; Mark Dresser, bass

Additional content:
Program notes for all compositions
Interview with Virtual Tour co-directors Mark Dresser and Michael Dessen

Locations and dates/times:

San Diego location for all 3 performances:
Conrad Prebys Music Center Theatre, University of California, San Diego, CA

For Amherst Concert:
7pm PDT/10pm EDT, April 5, 2013
Buckley Recital Hall, Amherst College, Amherst, MA
For Zurich Concert:
12pm PDT/9pm CET, April 6, 2013
Institute for Computer Music and Technology (ICST), Zurich, Switzerland

For Stony Brook Concert:
4pm PDT/7pm EDT, April 7, 2013
Simons Center for Geometry and Physics, with support from Consortium for Digital Arts, Culture and Technology (cDACT), Stony Brook University, Stony Brook, NY

Production Credits:

Project Directors:
Co-directors of Virtual Tour: Mark Dresser and Michael Dessen
Amherst site director: Jason Robinson
Zurich site director: Matthias Ziegler
Stony Brook site director: Sarah Weaver

In San Diego, CA:
Trevor Henthorn, technology director
Josef Kucera, technology consultant
Antonio Estrada and Andrew Johnson, local audio
Isaac Garcia Muñoz, network audio
Michael Ricca, audio recording
Daniel Ross, recording assistant
Yeung-ping Chen, network video
Kyle Johnson and Ash Smith, documentation video
Jennifer Bewerse, promotion design

In Amherst, MA:
Edmund Keyes, production assistant
Mark Santolucito, production assistant, audio networking
Joshua Baum, production assistant, video networking
Dan Richardson, sound engineer
Rob Ansaldo, networking assistance
Sara Leonard, lighting
Ross Karre and company, video documentation

In Zurich, Switzerland:
Johannes Schütt, network director
Joel de Giovanni and Benjamin Burger, video direction
Daniel Späti, stage director
Simon Könz, sound engineer

In Stony Brook, NY:
Kevin Schinstock, live audio, audio recording
Derek Kwan, network audio
Timothy Vallier, network video
Ross Karre and company, live video, video documentation
Jeanette Oi-Suk Yew, lighting

Post-production:
Audio mixing/mastering: Michael Dessen, Jason Robinson, Stephanie Robinson, Kevin Schinstock, Sarah Weaver, Gerry Hemingway, and Joe Branciforte
Video editing: Ross Karre
DVD production: Trevor Henthorn
Graphic design: Ted Killian

pfMENTUM DVD094
PFMDVD094

pfMENTUM and Angry Vegan: New recordings and more! 

Dedicated to creative music, and the musicians that make it! Included in this issue: A letter from Jeff A quiz with FREE CD giveaway… New Vlatkovich releases on pfMENTUM New Hipster Modular (Trevor Henthorn) release on Angry Vegan Upcoming events From Jeff:   This is a very exciting time for pfMENTUM and Angry Vegan!   As many of you know, I left Ventura …

Recurvate Plaint

Jeff Kaiser

“Recurvate Plaint” from Flux Aeterna by Ted Killian. Released: 2001. Track 5 of 10. Genre: Improvisation, Creative, Composition.

Last Sparrow

Jeff Kaiser

“Last Sparrow” from Flux Aeterna by Ted Killian. Released: 2001. Track 4 of 10. Genre: Improvisation, Creative, Composition.

Leaving Medford

Jeff Kaiser

“Leaving Medford” from Flux Aeterna by Ted Killian. Released: 2001. Track 2 of 10. Genre: Improvisation, Creative, Composition.

master

Jeff Kaiser